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Edvard Munch was a Norwegian painter. His 1893 work The Scream has become one of Western art's most acclaimed images.
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Marie Triepcke Krøyer Alfvén commonly known as Marie Krøyer, was a Danish painter. She is remembered principally as the wife of Peder Severin Krøyer, one of the most successful members of the artists' colony known as the Skagen Painters, which flourished at the end of the 19th century in the far north of Jutland. Marie was also a part of the small group of Danish painters in her own right. From an early age, Marie aspired to become an artist, and after training privately in Copenhagen she went to Paris to continue her studies. There she was educated in the principles of Naturalism, and was influenced greatly by the French Impressionists. It was there, in early 1889, that she met Krøyer, who immediately fell madly in love with her. Although he was sixteen years her senior, the couple married that summer and in 1891 settled in Skagen. Clearly inspired by Marie's beauty, Krøyer had ample opportunity to paint her portraits both indoors and outdoors, especially on the beach. Married life became more difficult as Krøyer experienced periods of mental illness from 1900, and Marie eventually began an affair with the Swedish composer Hugo Alfvén who had also been taken by her beauty. The couple had a child, Marie divorced Krøyer and moved to Sweden with Alfvén. They married in 1912, but marital problems once again resulted in divorce. Marie was reluctant to paint after meeting Krøyer, whom she looked up to as a far more competent artist, and she is remembered more as the subject of some of his best-known paintings than for her own work, although several of her pictures have recently attracted renewed interest. She is now also recognized for her significant contributions to design and architecture.
Lenore "Lee" Krasner was an American painter and visual artist active primarily in New York whose work has been associated with the Abstract Expressionist movement. She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.
The Sick Child is the title given to a group of six paintings and a number of lithographs, drypoints and etchings completed by the Norwegian artist Edvard Munch between 1885 and 1926. All record a moment before the death of his older sister Johanne Sophie (1862–1877) from tuberculosis at 15. Munch returned to this deeply traumatic event repeatedly in his art over a period of more than 40 years. In the works, Sophie is typically shown on her deathbed accompanied by a dark-haired, grieving woman assumed to be her aunt Karen; the studies often show her in a cropped head shot. In all the painted versions Sophie is sitting in a chair, obviously suffering from pain, propped by a large white pillow, looking towards an ominous curtain likely intended as a symbol of death. She is shown with a haunted expression, clutching hands with a grief-stricken older woman who seems to want to comfort her but whose head is bowed as if she cannot bear to look the younger girl in the eye.
Danish art is the visual arts produced in Denmark or by Danish artists. It goes back thousands of years with significant artifacts from the 2nd millennium BC, such as the Trundholm sun chariot. For many early periods, it is usually considered as part of the wider Nordic art of Scandinavia. Art from what is today Denmark forms part of the art of the Nordic Bronze Age, and then Norse and Viking art. Danish medieval painting is almost entirely known from church frescos such as those from the 16th-century artist known as the Elmelunde Master.
Women Surrealists are women artists, photographers, filmmakers and authors connected with the surrealist movement, which began in the early 1920s.
The Skagen Painters were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists—though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school. They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris. Among the group were Anna and Michael Ancher, Peder Severin Krøyer, Holger Drachmann, Karl Madsen, Laurits Tuxen, Marie Krøyer, Carl Locher, Viggo Johansen and Thorvald Niss from Denmark, Oscar Björck and Johan Krouthén from Sweden, and Christian Krohg and Eilif Peterssen from Norway. The group gathered together regularly at the Brøndums Hotel.
Ludvig Karsten was a Norwegian painter. He was a neo-impressionist influenced by Edvard Munch, Henri Matisse and contemporary French painting. He first participated at the Autumn exhibition in Kristiania in 1901, and had his first separate exhibition in 1904. He is represented at museums in many Scandinavian cities, including several paintings at the National Gallery of Norway. Karsten was known for his bohemian lifestyle and quick temper.
Hans Andersen Brendekilde was a Danish painter.
Vilhelmine "Ville" Jais Nielsen was a Danish painter and sculptor. She is remembered for the many portraits of women she painted while in Sweden during the Second World War, marked by strong brushstrokes and sensitive lighting effects. Her husband was the artist Jais Nielsen.
Aksel Jørgensen was a Danish painter and wood engraver. He is also remembered for his years as the director and professor at the Royal Danish Academy where he instructed many Danish illustrators.
Summer Evening at Skagen. The Artist's Wife and Dog by the Shore is an 1892 painting by P.S. Krøyer, one of the best known of the artistic community known as the Skagen Painters. The work shows Marie Krøyer, the artist's wife, standing on the beach at Skagen with their dog Rap at her side and the moonlight reflected in the sea.
Harvesters is a 1905 oil painting on canvas by the Danish artist Anna Ancher, a member of the artists' community known as the Skagen Painters which flourished in Skagen in the north of Jutland in Denmark in the late 19th and early 20th centuries.
Anna Sophie Petersen was a Danish painter. Although she showed some promise as an artist, specifically in genre painting, she struggled to find a place in the male-dominated Danish art world of the late 19th and early 20th centuries. Her work fell out of fashion and she was largely forgotten until the end of the 20th century when the Hirschsprung Collection and Statens Museum for Kunst acquired some of her more important works.
Kerstin Brätsch is a German contemporary visual artist. She is primarily known as a painter, also making work collaboratively as DAS INSTITUT and KAYA. She currently lives and works in New York City.
Olivia Holm-Møller (1875–1970) was a Danish painter and sculptor. Her richly coloured, almost abstract paintings provide a bridge between the early Danish Modernism of the 1910s and the Cobra works of the 1950s.
Nina Sten-Knudsen is a Danish painter who played a central role in the Danish Wild Youth trend in the 1980s. She gained recognition from her participation in the 1982 exhibition Kniven på hovedet held at Tranegården in Gentofte. More recently, her large landscapes raise existential questions of past and present, the merits of the modern world and the meaning of painting.
Maja Lisa Engelhardt is a Danish painter whose works are inspired by the landscapes of north-western Zealand where she was brought up. She now lives in Paris with her husband Peter Brandes who is also a painter. She has decorated several central buildings in Copenhagen and, more recently, has designed works for Danish churches.
Cecilie Dahl (1858–1943) was a Norwegian artist who painted portraits, genre paintings and landscapes. From the early 1880s, she exhibited at the Oslo Kunstforening and in 1888 presented a work inspired by Henrik Ibsen's Brand at the Nordic Exhibition in Copenhagen. Her best works are those of women and children from the mid-1890s, characterized by a soft, rather melancholy atmosphere. She was inspired by evening scenes, as in Augustkveld, Hakadal in the collection of the Norwegian National Gallery.
References
- 1 2 3 Grut, Ulla. "Lise Malinovsky" (in Danish). Kunstindeks Danmark & Weilbachs Kunstnerleksikon. Retrieved 25 March 2016.
- ↑ "Lise Malinovsky". Den Store Danske (in Danish). Retrieved 25 March 2016.
- 1 2 "Lise Malinovsky - Munch paraphrases".
