| Cinema of Armenia |
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| List of Armenian films |
| pre-1920 |
| 1920s |
| 1930s |
| 1940s |
| 1950s |
| 1960s |
| 1970s |
| 1980s |
| 1990s |
| 2000s |
| 2010s |
| 2020s |
| Animation history |
| People |
This is a list of films released in the 1930s produced in Armenia SSR or directed by Armenians or about Armenia or Armenians, ordered by year of release.
Andrei Arsenyevich Tarkovsky was a Russian film director and screenwriter. Widely considered one of the greatest and most influential directors in cinema history, Tarkovsky's films explore spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory.
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" and "Hollywood". The industry is a part of the larger Indian cinema, which also includes South Indian cinema and other smaller film industries.
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers".
Yerevan is the capital and largest city of Armenia, as well as one of the world's oldest continuously inhabited cities. Situated along the Hrazdan River, Yerevan is the administrative, cultural, and industrial center of the country, as its primate city. It has been the capital since 1918, the fourteenth in the history of Armenia and the seventh located in or around the Ararat Plain. The city also serves as the seat of the Araratian Pontifical Diocese, which is the largest diocese of the Armenian Apostolic Church and one of the oldest dioceses in the world.
Aram Ilyich Khachaturian was a Soviet Armenian composer and conductor. He is considered one of the leading Soviet composers.
Sergei Iosifovich Parajanov was an Armenian film director and screenwriter. Parajanov is regarded by film critics, film historians and filmmakers to be one of the greatest and most influential filmmakers in cinema history.
The Color of Pomegranates is a 1969 Soviet Armenian art film written and directed by Sergei Parajanov. The film is a poetic treatment of the life of 18th-century Armenian poet and troubadour Sayat-Nova. It has appeared in many polls as one of the greatest films ever made and was hailed as revolutionary by Mikhail Vartanov. The film is now regarded as a landmark in film history.
The culture of Armenia encompasses many elements that are based on the geography, literature, architecture, dance, and music of the Armenian people. Armenia is a majority Christian country in the Caucasus.
The cinema of Armenia was established on 16 April 1923, when the Armenian State Committee of Cinema was established by government decree. The National Cinema Center of Armenia (NCAA), founded in 2006, is the governing body of film and cinema in Armenia. The NCAA preserves, promotes and develops Armenian cinematography and provides state financial support to full-length feature, short and animation projects. The Director of the NCCA is Shushanik Mirzakhanyan, and the headquarters are located in Yerevan.
Levon Mkrtchyan (Armenian: Լևոն Մկրտչյան; Russian: Левон Гайкович Мкртчян; born February 25, 1953, in Leninakan is an Armenian director, known for his documentary films about Armenian culture and history, such as Davit Anhaght, Charents: Known and Unknown Sides, Jean Garzu, Mesrop Mashtots, My Komitas, And There Was Light, The Book of Independence. He has received the highest award of the Soviet Union, the Lenin Prize. He has earned numerous awards for his documentaries. His last prestigious award was received during the Golden Eagle film festival for his film The Book of Independence, in the Best Documentary category. He studied in the Directing Department of the Yerevan Fine Arts and Theater Institute. In 1978, he released his debut short film The Muses. In 1984, he graduated from the Directing Department of the All-Union State Institute of Cinematography in Moscow. Since 1978, he has shot thirty-three documentaries. He has made a number of films about well known Armenians, including the only film footage of Hovhannes Shiraz, footage of Charles Aznavour visiting Armenia after the 1988 earthquake, as well as the funeral of William Saroyan. He was a close friend and film partner with the Armenian director Sergei Parajanov, and has a rare footage of him, including the last days of his life.
Pepo is a 1935 Soviet drama film based on Gabriel Sundukyan's 1876 play of the same name, scripted and directed by Hamo Beknazarian, with music composed by Aram Khachaturian. Considered the 'most outstanding' film in Soviet cinema before the outbreak of World War II, the film has gained international recognition and has come to represent Armenian culture abroad.
The Kurds in Armenia, also referred to as the Kurds of Rewan, form a major part of the historically significant Kurdish population in the post-Soviet space, and live mainly in the western parts of Armenia.
People's Artist of Ukraine is an honorary title awarded by the government of Ukraine. It is the highest title awarded to outstanding performing artists whose merits are exceptional in the sphere of the development of the performing arts, including theatre, music, dance, circus, and cinema. For visual arts, there is a separate title.
Armenfilm, also known as Hayfilm, is an Armenian film studio located in Yerevan. The studio was founded on 16 April 1923 as a production unit of the Soviet State Cinema Organization, with Daniel Dznuni as the first director.
Moscow Cinema is a cinema hall in the Armenian capital Yerevan. It is located in Charles Aznavour Square on Abovyan Street.
Seasons of the Year, also called The Seasons or Four Seasons, is a 1975 Soviet–Armenian short documentary film, directed and written by Artavazd Peleshyan. It was his second and last collaboration with cinematographer Mikhail Vartanov, after Autumn Pastoral (1971).