| Title | Director | Cast | Genre | Notes |
|---|
| 1990 |
| The Bet | Teresa Kotlarczyk | | | Entered into the 17th Moscow International Film Festival |
| Burial of a Potato | Jan Jakub Kolski | | | Screened at the 1991 Cannes Film Festival |
| Escape from the 'Liberty' Cinema | Wojciech Marczewski | | | Screened at the 1991 Cannes Film Festival |
| Korczak | Andrzej Wajda | | | Screened at the 1990 Cannes Film Festival |
| 1991 |
| Calls Controlled | Sylwester Chęciński | Stanisław Tym, Krzysztof Kowalewski | Black Comedy | |
| Diabły, diabły | Dorota Kędzierzawska | | | |
| Europa Europa | Agnieszka Holland | | | |
| The Double Life of Véronique | Krzysztof Kieślowski | Irène Jacob | | Won three awards at Cannes: Prize of the Ecumenical Jury (Krzysztof Kieślowski), FIPRESCI Prize (Krzysztof Kieślowski) and Best Actress (Irène Jacob) |
|
|
| 1992 |
| A Bachelor's Life Abroad | Andrzej Barański | | | Entered into the 18th Moscow International Film Festival |
| All That Really Matters | Robert Gliński | | | |
| Just Beyond That Forest | Jan Łomnicki | Ryszarda Hanin, Joanna Friedman, Marta Klubowicz, Marzena Trybała, Marek Bargielowski, Bogusław Sochnacki | War | |
| Warszawa. Année 5703 | Janusz Kijowski | Lambert Wilson, Julie Delpy, Hanna Schygulla | | Polish-French-German co-production |
| 1993 |
| Three Colours: Blue | Krzysztof Kieślowski | Juliette Binoche, Benoît Régent, Emmanuelle Riva | Drama | Polish-French-Swiss co-production 1993 Venice Film Festival: Best Film, Best Actress (Juliette Binoche), Best Cinematography (Sławomir Idziak) 1993 César Award : Best Actress (Juliette Binoche), Best Sound, Best Film Editing |
| Two Moons | Andrzej Barański | | | Based on 1930 novel by Maria Kuncewiczowa |
| 1994 |
| Johnnie Waterman | Jan Jakub Kolski | | | Screened at the 1994 Cannes Film Festival |
| Reverted | Kazimierz Kutz | | | Entered into the 19th Moscow International Film Festival |
| Three Colours: Red | Krzysztof Kieślowski | Irène Jacob | Drama | Polish-French-Swiss co-production Entered into the 1994 Cannes Film Festival |
| Three Colors: White | Krzysztof Kieślowski | Zbigniew Zamachowski, Julie Delpy | Drama | Polish-French-Swiss co-production Silver Bear for Best Director at the 44th Berlin International Film Festival in 1994 |
| Wrony | Dorota Kędzierzawska | | | |
| Śmierć jak kromka chleba | Kazimierz Kutz | | Drama, History | |
| 1995 |
| Argument About Basia | Kazimierz Tarnas | Paulina Tworzyańska |
| Holy Week | Andrzej Wajda | | | Entered into the 46th Berlin International Film Festival |
| Polish Death | Waldemar Krzystek | Cezary Pazura, Agnieszka Pilaszewska, Jan Machulski, Henryk Bista, Igor Przegrodzki | | |
| Szczur | Jan Łomnicki | | Drama | |
| 1996 |
| At Full Gallop | Krzysztof Zanussi | | | Screened at the 1996 Cannes Film Festival |
| Miss Nobody | Andrzej Wajda | | | Entered into the 47th Berlin International Film Festival |
| Szamanka | Andrzej Zulawski | | Drama | |
| 1997 |
| Bandyta | Maciej Dejczer | Til Schweiger, John Hurt | | |
| Kiler | Juliusz Machulski | | | |
| Love Stories | Jerzy Stuhr | | | |
| A Trap | Adek Drabiński | | | Entered into the 20th Moscow International Film Festival |
| 1998 |
| Fotoamator | Dariusz Jabłoński | | Documentary | |
| Nic | Dorota Kędzierzawska | | | |
| 1999 |
| The Debt | Krzysztof Krauze | Robert Gonera, Jacek Borcuch, Andrzej Chyra, Cezary Kosiński, Agnieszka Warchulska | Drama | |
| Kiler-ów 2-óch | Juliusz Machulski | Cezary Pazura | Action, drama-comedy | |
|
