List of compositions by Clara Schumann

Last updated

This is a list of compositions by Clara Schumann, initially arranged by genre, sortable by date of completion (click on "Comp.Date" column header).

Contents

Complete list of works

Opus/
WoO
TitleInstrComp
Date
Publ
Date
Notes

Orchestra

Overtureorch1830–32lost
Scherzoorch1830–33lost

Concerto

Op. 7 Piano Concerto in A minor
3 mvts
pf orch1833–351836
Op. 18Piano Concerto No. 2 in F minorpf orch18471994intended as Op. 18 but unfinished; [1]

1st mvt only, publ. 1994 as Konzertsatz

Chamber

Op. 17 Piano Trio in G minor
4 mvts
pf vn vcby 18461846
Op. 22 (3) Romanze für Clavier und Violine vn pf18531855

Piano

Variationen über ein Tyroler Liedpf1830lost
Variationen über ein Original-Themapf1830lost
Op. 1 4 Polonaises
  1. E major
  2. C major
  3. D major
  4. C major
pf18301831
Phantasie-Variationen über ein Wieck Romanzepf1831lost
Op. 2(9) Caprices en forme de valse
  1. C major
  2. D major
  3. E major
  4. A major
  5. B major
  6. C major
  7. A major
  8. E major
  9. D major
pf1831–321832
WoO 4Etude in Apf1832
Op. 3Romance variée in C majorpf18331833
Rondo in B minorpf1833lost
Op. 4Valses romantiquespf18351835
Op. 5 4 Pièces caractéristiques
  1. Impromptu: Le Sabbat
  2. Caprices a la boleros
  3. Romance
  4. Scene fantastique: Le Ballet des revenants
pf18351836
Op. 6(6) Soirées musicales
  1. Toccatina in A minor
  2. Notturno in F major
  3. Mazurka in G minor
  4. Ballade in D minor
  5. Mazurka in G major
  6. Polonaise in A minor
pf18361836
Op. 8Variations de concert sur la cavatine du Pirate de Bellinipf18371837
Op. 9Souvenir de Vienne, Impromptu in G minorpf18381838
Op. 10Scherzo (No. 1) in D minorpf1838?1839
Op. 113 Romances
  1. E minor
  2. G minor
  3. A major
pf18391840
Piano Sonata in G minor
  1. Allegro (G minor)
  2. Adagio (E major)
  3. Scherzo (G major)
  4. Rondo finale (G minor)
pf1841–421991mvts I & III originally written in Dec.1841 as Sonatine. Allegro und Scherzo, mvts II & IV added in Jan.1842;

mvt III publ. 1845 as Op. 15 No. 4

Impromptu in E majorpfc.18441885published as No. 17 in Album du Gaulois
Op. 14Scherzo No. 2 in C minorpfafter 18401845Uses themes from Lied Op. 12, No. 2, "Er ist gekommen in Sturm und Regen"
Op. 154 Flüchtige Stücke ("4 Fleeting Pieces")
  1. F major
  2. A minor
  3. D major
  4. G major
pf1840–44?

4. 1841

1845No. 4 originally part of Sonatine/Sonata
Op. 163 Praeludien und Fugen
  1. G minor
  2. B major
  3. D minor
pfby 18451845
Praeludium und Fuga a 4 voci in F minorpf18452015
Praeludium in F minorpf1845listed erroneously in some catalogs as an unpublished introduction to the "easy" Praeludien für Schüler of 1895, but was actually written 50 years earlier
3 Fugen über Themen von J. S. Bach
  1. Fuga a 4 voci in E major
  2. Fuga a 4 voci in E major
  3. Fuga a 4 voci in G minor
pf1845
Op. 20Variationen über ein Thema von Robert Schumann in F minorpf18531854
Op. 213 Romanzen
  1. A minor
  2. F major
  3. G minor
pf18531855
WoO 28Romanze in A minorpf1853unpubl.
Romanze in B minorpf1855?posth.
Geburstagmarsch ("Wedding Anniversary March") in E majorpf4h1879unpubl.
(6) Praeludienpfc.1895unpubl.notated piano improvisations;

listed in some catalogs as Vorspiele

Einfach Praeludien für Schüler ("Easy Preludes for Students")pf1895unpubl.notated piano improvisations

Cadenza

Cadenzas for Beethoven: Piano Concerto No. 4 in G major (Op. 58) Mvts 1 and 3pf1846
Cadenza for Beethoven: Piano Concerto No. 3 in C minor (Op. 37) Mvt 1pf1868
Cadenzas for Mozart: Piano Concerto No. 20 in D minor (K. 466) Mvts 1 and 3pfby 1891

Arrangements

William Sterndale Bennett: Andante cantabile, from Three Diversions (for four hands, Op. 17) (arr. C. Schumann)pfc.18412012
Robert Schumann: Symphony No. 1 in B major (Op. 38) (arr. C. Schumann)pf4hc.1842–57
Robert Schumann: Das Paradies und die Peri (oratorio, Op. 50) (piano reduction of orchestral score by C. Schumann)pfc.1843–57
Robert Schumann: Symphony No. 2 in C major (Op. 61) (arr. C. Schumann)pf4hc.1846–57
Robert Schumann: Genoveva (opera, Op. 81) (piano reduction of orchestral score by C. Schumann)pfc.1848–571880
Robert Schumann: Piano Quintet in E major (Op. 44) (arr. C. Schumann)pf4h1857a reworking of an arrangement abandoned by Brahms
Robert Schumann: Scenen aus Göthe's Faust (oratorio, WoO 3) (piano reduction of orchestral score by C. Schumann)pf1858
Johannes Brahms: Serenade No. 1 in D Major (for orchestra, Op. 11) Mvt 4 Menuetto I/II (arr. C. Schumann)pf1858 or later2012
Johannes Brahms: Serenade No. 2 in A Major (for orchestra, Op. 16) (arr. C. Schumann)pf1859 or later2012
30 mélodies de Robert Schumann (30 Lieder und Gesänge von Robert Schumann, für Clavier übertragen)
  1. Widmung (Op. 25 No. 1)
  2. Freisinn (Op. 25 No. 2)
  3. Schöne Fremde (Op. 39 No. 6)
  4. Dein Angesicht (Op. 127 No. 2)
  5. Ich wand're nicht (Op. 51 No. 3)
  6. Märzveilchen (Op. 40 No. 1)
  7. Burg' und Burgen (Op. 24 No. 7)
  8. Mondnacht (Op. 39 No. 5)
  9. Er ist's (Op. 79 No. 24)
  10. An den Sonnenschein (Op. 36 No. 4)
  11. Mit Myrthen und Rosen (Op. 24 No. 9)
  12. Die Stille (Op. 39 No. 4)
  13. Geständniss (Op. 74 No. 7)
  14. Der Nussbaum (Op. 25 No. 3)
  15. Rose, Meer und Sonne (Op. 37 No. 9)
  16. Philinen's Lied (Op. 98 No. 7)
  17. Volksliedchen (Op. 51 No. 2)
  18. Nichts Schöneres (Op. 36 No. 3)
  19. Du bist wie eine Blume (Op. 25 No. 24)
  20. Er, der Herrlichste von Allen (Op. 42 No. 2)
  21. Intermezzo: Dein Bildniss (Op. 39 No. 2)
  22. Dem rothen Röslein gleicht mein Lieb' (Op. 27 No. 2)
  23. Der Knabe mit dem Wunderhorn (Op. 30 No. 1)
  24. Die Lotosblume (Op. 25 No. 7)
  25. Sehnsucht (Op. 51 No. 1)
  26. Sonntags am Rhein (Op. 36 No. 1)
  27. In der Fremde (Op. 39 No. 1)
  28. Frühlingsnacht (Op. 39 No. 12)
  29. Helft mir, ihr Schwestern (Op. 42 No. 5)
  30. Ständchen (Op. 36 No. 2)
pf1872–74c.1874
(11) Lieder by Robert Schumann
  1. Schöne Wiege meiner Leiden (Op. 24, No. 5)
  2. Lied der Braut (Op. 25, No. 11)
  3. Lust der Sturmnacht (Op. 35, No. 1)
  4. Wanderlied (Op. 35, No. 3)
  5. Sehnsucht nach der Waldgegend (Op. 35, No. 5)
  6. Stille Tränen (Op. 35, No. 10)
  7. Frühlingsfahrt (Op. 45, No. 2)
  8. Loreley (Op. 53, No. 2)
  9. Die Soldatenbraut (Op. 64, No. 1)
  10. Frühlingslust (Op. 125, No. 2)
  11. Mädchen-Schwermut (Op. 142, No. 3)
pf1872–742012
Robert Schumann: Etuden in kanonischer Form für Orgel oder Pedalklavier (Op. 56) (arr. C. Schumann)pfc.1887?
Robert Schumann: Skizzen für Orgel oder Pedalklavier (Op. 58) (arr. C. Schumann)pfc.1887?

Choral

Schwäne kommen gezogen (partsong)ch1830
Wenn ich ein Vöglein wär (3-part canon)3v1840
Op. 193 Gemischte Chöre (partsongs)
text: Geibel
  1. Abendfeyer in Venedig
  2. Vorwärts
  3. Gondoliera
ch1848composed for Robert Schumann's 38th birthday;

intended as Op. 19 but withheld [1]

Lied

Alte Heimat
text: Kerner
v pf1831lost
Der Traum von Tiedgev pf1831lost
Der Wanderer
text: Kerner
v pf1831authenticity doubtful
Der Wanderer in der Sägemühle
text: Kerner
v pf1832?authenticity doubtful
An Alexisv pf1833formerly thought to be a lost piano piece written in 1832, discovered c.1990
Walzer
text: Lyser
v pf1834?
Der Abendsternv pf1834?
Am Strande
text: Burns
v pf1840
Ihr Bildnis
text: Heine
v pf1840revised 1843 as Ich stand in dunklen Träumen Op. 13 No. 1
Volkslied
text: Heine
v pf1840
Op. 12(3) Gedichte aus Rückerts Liebesfrühling (songs)
text: Rückert
  1. Er ist gekommen in Sturm und Regen (R. Schumann's Op. 37 No. 2)
  2. Liebst du um Schönheit (R. Schumann's Op. 37 No. 4)
  3. Warum willst du and're fragen (R. Schumann's Op. 37 No. 11)
v pf18401841
Die gute Nacht, die ich dir sage
text: Rückert
v pf18411992
Sie liebten sich beide
text: Heine
v pf1842unpubl.revised as Op. 13 No. 6
Op. 136 Lieder
  1. Ich stand in dunklen Träumen
    text: Heine
  2. Sie liebten sich beide
    text: Heine
  3. Liebeszauber
    text: Geibel
  4. Der Mond kommt still gegangen
    text: Geibel
  5. Ich hab' in deinem Auge
    text: Rückert
  6. Die stille Lotosblume
    text: Geibel
v pf1842–43

1,5. 1843
2. 1843?
3-4,6. 1842

18431. 2nd version of Ihr Bildnis
2. 2nd version
Lorelei
text: Heine
v pf18431990
Oh weh des Scheidens, das er tat
text: Rückert
v pf1843
Mein Stern
text: Serre
v pf1846
Beim Abschied
text: Serre
v pf1846
Op. 236 Lieder aus "Jucunde" von Hermann Rollet
  1. Was weinst du, Blümlein
  2. An einem lichten Morgen
  3. Geheimes Flüstern hier und dort
  4. Auf einem grünen Hügel
  5. Das ist ein Tag, der klingen mag
  6. O Lust, o Lust
v pf18531855
Das Veilchen
text: Goethe
v pf1853

Related Research Articles

Robert Schumann German composer, pianist and critic (1810–1856)

Robert Schumann was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

Clara Schumann German musician and composer

Clara Josephine Schumann was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital from displays of virtuosity to programs of serious works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs.

Friedrich Wieck

Johann Gottlob Friedrich Wieck was a noted German piano teacher, voice teacher, owner of a piano store, and author of essays and music reviews. He is remembered as the teacher of his daughter, Clara, a child prodigy who was undertaking international concert tours by age eleven and who later married her father's pupil Robert Schumann, in defiance of her father's extreme objections. As Clara Schumann, she became one of the most famous pianists of her time. Another of Wieck's daughters, Marie Wieck, also had a career in music, although not nearly so illustrious as Clara's. Other pupils included Hans von Bülow.

Heinz Werner Zimmermann was a German composer, focused on contemporary sacred music. He was professor of composition at the Spandauer Kirchenmusikschule and the Frankfurt University of Music and Performing Arts, and held several honorary doctorates from the Wittenberg University in Springfield, Ohio, U.S., and from the University of Leipzig. He is known for church music influenced by jazz, such as motets for choir with plucked bass.

Philipp Spitta German music historian and musicologist (1841–1894)

Julius August Philipp Spitta was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach.

Bernhard Scholz German conductor, composer and teacher of music

Bernhard E. Scholz, was a German conductor, composer and teacher of music.

Herbert Eulenberg German poet and author

Max Herbert Eulenberg (1876–1949), was a German poet and author born in Cologne-Mülheim, Germany. He was married from 1904 to Hedda Eulenberg.

The Israeli pianist Yaara Tal and her German partner Andreas Groethuysen are a piano duo.

Ludwig Schuncke German musician

Christian Ludwig Schuncke was a German pianist and composer, and close friend of Robert Schumann. His early promise was eclipsed by his death from tuberculosis at the age of 23.

Frédéric Chopin's Variations on "Là ci darem la mano" for piano and orchestra, Op. 2, was written in 1827, when he was aged 17. "Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. Chopin dedicated his composition to his schoolfriend Tytus Woyciechowski. Chopin's work inspired Robert Schumann's famous exclamation: "Hats off, gentlemen, a genius." The work is often recorded and played in concert. A typical performance lasts from 17 to 19 minutes.

Written in 1846, the Piano Trio in G minor, opus 17 by Clara Schumann was her only piano trio and was composed during her stay in Dresden 1845-1846. During the development of the Trio, she was going through hardships in life. Her husband Robert Schumann was extremely ill. This trio was completed during the summer of 1846 when they traveled to Norderney in attempts to improve Robert's health conditions. While in Norderney, Clara suffered from miscarriage. A year after the composition of her piano trio, Robert composed his first piano trio, op.63. It is seen that Clara's trio has had great influences on Robert's trio as they both share many interesting similarities. Their works were frequently paired at concerts.

Beatrix Borchard is a German musicologist and author. The focus of her publications is the life and work of female and male musicians, such as Clara and Robert Schumann, Amalie and Joseph Joachim, Pauline Viardot-Garcia, and Adriana Hölszky. Also among her topics are the role of music in the process of Jewish assimilation, the history of musical interpretation, and strategies of Kulturvermittlung.

Gerd Nauhaus

Gerd Nauhaus is a German musicologist.

Nancy Bassen Reich was an American musicologist. She was born on 3 July 1924 in New York City, and died on 31 January 2019 in Ossining, N.Y. Her seminal 1985 biography of Clara Schumann established Clara as an important musical figure independent of her husband, the composer Robert Schumann, and helped turn the musicological spotlight on female composers.

Rolf Riehm is a German composer who wrote stage and orchestral works as well as music for ensembles and solo instruments. He began as an oboist and music teacher and was later a professor of music theory at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main for several years.

Piano Concerto (Clara Schumann) Musical composition by Clara Schumann

The Piano Concerto in A minor, Op. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann. She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn.

Mariane Bargiel was a German pianist, soprano and piano teacher. She was the mother of Clara Schumann.

The Stross-Quartett was an important German string quartet from Cologne (1922-1931) and Munich (1934-1966) respectively. The quartet was named after the long-time primarius Wilhelm Stross.

Daniela Philippi is a German musicologist with a research focus on Christoph Willibald Gluck, Antonín Dvořák and Czech music history and music of the 20th century.

Virginia Livia Frege, née Gerhardt was a German singer (soprano), Prima Donna of the Leipzig Stadttheater, arts patron and co-founder of the Leipzig Bach Society. She was referred to as the "Queen of Leipzig's romantic song singing". Frege is best known for her performances of the works by Felix Mendelssohn Bartholdy. Her repertoire included songs by Heinrich Marschner, Franz Schubert, Robert Schumann and Mendelssohn.

References

  1. 1 2 Koch, Paul-August. "Clara Wieck-Schumann: (1819-1896): Kompositionen: eine Zusammenstellung der Werke, Literatur und Schallplatten". Frankfurt am Main: Zimmermann, 1991, p. 24.

Sources