This is a list of compositions by Clara Schumann, initially arranged by genre, sortable by date of completion (click on "Comp.Date" column header).
Opus/ WoO | Title | Instr | Comp Date | Publ Date | Notes |
---|---|---|---|---|---|
Orchestra | |||||
Overture | orch | 1830–32 | lost | ||
Scherzo | orch | 1830–33 | lost | ||
Concerto | |||||
Op. 7 | Piano Concerto in A minor
| pf orch | 1833–35 | 1836 | |
Op. 18 | Piano Concerto No. 2 in F minor | pf orch | 1847 | 1994 | intended as Op. 18 but unfinished; [1] 1st mvt only, publ. 1994 as Konzertsatz |
Chamber | |||||
Op. 17 | Piano Trio in G minor
| pf vn vc | by 1846 | 1846 | |
Op. 22 | (3) Romanze für Clavier und Violine | vn pf | 1853 | 1855 | |
Piano | |||||
Variationen über ein Tyroler Lied | pf | 1830 | lost | ||
Variationen über ein Original-Thema | pf | 1830 | lost | ||
Op. 1 | 4 Polonaises
| pf | 1830 | 1831 | |
Phantasie-Variationen über ein Wieck Romanze | pf | 1831 | lost | ||
Op. 2 | (9) Caprices en forme de valse
| pf | 1831–32 | 1832 | |
WoO 4 | Etude in A♭ | pf | 1832 | ||
Op. 3 | Romance variée in C major | pf | 1833 | 1833 | |
Rondo in B minor | pf | 1833 | lost | ||
Op. 4 | Valses romantiques | pf | 1835 | 1835 | |
Op. 5 | 4 Pièces caractéristiques
| pf | 1835 | 1836 | |
Op. 6 | (6) Soirées musicales
| pf | 1836 | 1836 | |
Op. 8 | Variations de concert sur la cavatine du Pirate de Bellini | pf | 1837 | 1837 | |
Op. 9 | Souvenir de Vienne, Impromptu in G minor | pf | 1838 | 1838 | |
Op. 10 | Scherzo (No. 1) in D minor | pf | 1838? | 1839 | |
Op. 11 | 3 Romances
| pf | 1839 | 1840 | |
Piano Sonata in G minor
| pf | 1841–42 | 1991 | mvts I & III originally written in Dec.1841 as Sonatine. Allegro und Scherzo, mvts II & IV added in Jan.1842; mvt III publ. 1845 as Op. 15 No. 4 | |
Impromptu in E major | pf | c.1844 | 1885 | published as No. 17 in Album du Gaulois | |
Op. 14 | Scherzo No. 2 in C minor | pf | after 1840 | 1845 | Uses themes from Lied Op. 12, No. 2, "Er ist gekommen in Sturm und Regen" |
Op. 15 | 4 Flüchtige Stücke ("4 Fleeting Pieces")
| pf | 1840–44? 4. 1841 | 1845 | No. 4 originally part of Sonatine/Sonata |
Op. 16 | 3 Praeludien und Fugen
| pf | by 1845 | 1845 | |
Praeludium und Fuga a 4 voci in F♯ minor | pf | 1845 | 2015 | ||
Praeludium in F minor | pf | 1845 | listed erroneously in some catalogs as an unpublished introduction to the "easy" Praeludien für Schüler of 1895, but was actually written 50 years earlier | ||
3 Fugen über Themen von J. S. Bach
| pf | 1845 | |||
Op. 20 | Variationen über ein Thema von Robert Schumann in F♯ minor | pf | 1853 | 1854 | |
Op. 21 | 3 Romanzen
| pf | 1853 | 1855 | |
WoO 28 | Romanze in A minor | pf | 1853 | unpubl. | |
Romanze in B minor | pf | 1855? | posth. | ||
Geburstagmarsch ("Wedding Anniversary March") in E♭ major | pf4h | 1879 | unpubl. | ||
(6) Praeludien | pf | c.1895 | unpubl. | notated piano improvisations; listed in some catalogs as Vorspiele | |
Einfach Praeludien für Schüler ("Easy Preludes for Students") | pf | 1895 | unpubl. | notated piano improvisations | |
Cadenza | |||||
Cadenzas for Beethoven: Piano Concerto No. 4 in G major (Op. 58) Mvts 1 and 3 | pf | 1846 | |||
Cadenza for Beethoven: Piano Concerto No. 3 in C minor (Op. 37) Mvt 1 | pf | 1868 | |||
Cadenzas for Mozart: Piano Concerto No. 20 in D minor (K. 466) Mvts 1 and 3 | pf | by 1891 | |||
Arrangements | |||||
William Sterndale Bennett: Andante cantabile, from Three Diversions (for four hands, Op. 17) (arr. C. Schumann) | pf | c.1841 | 2012 | ||
Robert Schumann: Symphony No. 1 in B♭ major (Op. 38) (arr. C. Schumann) | pf4h | c.1842–57 | |||
Robert Schumann: Das Paradies und die Peri (oratorio, Op. 50) (piano reduction of orchestral score by C. Schumann) | pf | c.1843–57 | |||
Robert Schumann: Symphony No. 2 in C major (Op. 61) (arr. C. Schumann) | pf4h | c.1846–57 | |||
Robert Schumann: Genoveva (opera, Op. 81) (piano reduction of orchestral score by C. Schumann) | pf | c.1848–57 | 1880 | ||
Robert Schumann: Piano Quintet in E♭ major (Op. 44) (arr. C. Schumann) | pf4h | 1857 | a reworking of an arrangement abandoned by Brahms | ||
Robert Schumann: Scenen aus Göthe's Faust (oratorio, WoO 3) (piano reduction of orchestral score by C. Schumann) | pf | 1858 | |||
Johannes Brahms: Serenade No. 1 in D Major (for orchestra, Op. 11) Mvt 4 Menuetto I/II (arr. C. Schumann) | pf | 1858 or later | 2012 | ||
Johannes Brahms: Serenade No. 2 in A Major (for orchestra, Op. 16) (arr. C. Schumann) | pf | 1859 or later | 2012 | ||
30 mélodies de Robert Schumann (30 Lieder und Gesänge von Robert Schumann, für Clavier übertragen)
| pf | 1872–74 | c.1874 | ||
(11) Lieder by Robert Schumann
| pf | 1872–74 | 2012 | ||
Robert Schumann: Etuden in kanonischer Form für Orgel oder Pedalklavier (Op. 56) (arr. C. Schumann) | pf | c.1887? | |||
Robert Schumann: Skizzen für Orgel oder Pedalklavier (Op. 58) (arr. C. Schumann) | pf | c.1887? | |||
Choral | |||||
Schwäne kommen gezogen (partsong) | ch | 1830 | |||
Wenn ich ein Vöglein wär (3-part canon) | 3v | 1840 | |||
Op. 19 | 3 Gemischte Chöre (partsongs)
| ch | 1848 | composed for Robert Schumann's 38th birthday; intended as Op. 19 but withheld [1] | |
Lied | |||||
Alte Heimat
| v pf | 1831 | lost | ||
Der Traum von Tiedge | v pf | 1831 | lost | ||
Der Wanderer
| v pf | 1831 | authenticity doubtful | ||
Der Wanderer in der Sägemühle
| v pf | 1832? | authenticity doubtful | ||
An Alexis | v pf | 1833 | formerly thought to be a lost piano piece written in 1832, discovered c.1990 | ||
Walzer
| v pf | 1834? | |||
Der Abendstern | v pf | 1834? | |||
Am Strande
| v pf | 1840 | |||
Ihr Bildnis
| v pf | 1840 | revised 1843 as Ich stand in dunklen Träumen Op. 13 No. 1 | ||
Volkslied
| v pf | 1840 | |||
Op. 12 | (3) Gedichte aus Rückerts Liebesfrühling (songs)
| v pf | 1840 | 1841 | |
Die gute Nacht, die ich dir sage
| v pf | 1841 | 1992 | ||
Sie liebten sich beide
| v pf | 1842 | unpubl. | revised as Op. 13 No. 6 | |
Op. 13 | 6 Lieder
| v pf | 1842–43 1,5. 1843 | 1843 | 1. 2nd version of Ihr Bildnis 2. 2nd version |
Lorelei
| v pf | 1843 | 1990 | ||
Oh weh des Scheidens, das er tat
| v pf | 1843 | |||
Mein Stern
| v pf | 1846 | |||
Beim Abschied
| v pf | 1846 | |||
Op. 23 | 6 Lieder aus "Jucunde" von Hermann Rollet
| v pf | 1853 | 1855 | |
Das Veilchen
| v pf | 1853 |
Robert Schumann was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Clara Josephine Schumann was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital from displays of virtuosity to programs of serious works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs.
Johann Gottlob Friedrich Wieck was a noted German piano teacher, voice teacher, owner of a piano store, and author of essays and music reviews. He is remembered as the teacher of his daughter, Clara, a child prodigy who was undertaking international concert tours by age eleven and who later married her father's pupil Robert Schumann, in defiance of her father's extreme objections. As Clara Schumann, she became one of the most famous pianists of her time. Another of Wieck's daughters, Marie Wieck, also had a career in music, although not nearly so illustrious as Clara's. Other pupils included Hans von Bülow.
Heinz Werner Zimmermann was a German composer, focused on contemporary sacred music. He was professor of composition at the Spandauer Kirchenmusikschule and the Frankfurt University of Music and Performing Arts, and held several honorary doctorates from the Wittenberg University in Springfield, Ohio, U.S., and from the University of Leipzig. He is known for church music influenced by jazz, such as motets for choir with plucked bass.
Julius August Philipp Spitta was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach.
Bernhard E. Scholz, was a German conductor, composer and teacher of music.
Max Herbert Eulenberg (1876–1949), was a German poet and author born in Cologne-Mülheim, Germany. He was married from 1904 to Hedda Eulenberg.
The Israeli pianist Yaara Tal and her German partner Andreas Groethuysen are a piano duo.
Christian Ludwig Schuncke was a German pianist and composer, and close friend of Robert Schumann. His early promise was eclipsed by his death from tuberculosis at the age of 23.
Frédéric Chopin's Variations on "Là ci darem la mano" for piano and orchestra, Op. 2, was written in 1827, when he was aged 17. "Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. Chopin dedicated his composition to his schoolfriend Tytus Woyciechowski. Chopin's work inspired Robert Schumann's famous exclamation: "Hats off, gentlemen, a genius." The work is often recorded and played in concert. A typical performance lasts from 17 to 19 minutes.
Written in 1846, the Piano Trio in G minor, opus 17 by Clara Schumann was her only piano trio and was composed during her stay in Dresden 1845-1846. During the development of the Trio, she was going through hardships in life. Her husband Robert Schumann was extremely ill. This trio was completed during the summer of 1846 when they traveled to Norderney in attempts to improve Robert's health conditions. While in Norderney, Clara suffered from miscarriage. A year after the composition of her piano trio, Robert composed his first piano trio, op.63. It is seen that Clara's trio has had great influences on Robert's trio as they both share many interesting similarities. Their works were frequently paired at concerts.
Beatrix Borchard is a German musicologist and author. The focus of her publications is the life and work of female and male musicians, such as Clara and Robert Schumann, Amalie and Joseph Joachim, Pauline Viardot-Garcia, and Adriana Hölszky. Also among her topics are the role of music in the process of Jewish assimilation, the history of musical interpretation, and strategies of Kulturvermittlung.
Gerd Nauhaus is a German musicologist.
Nancy Bassen Reich was an American musicologist. She was born on 3 July 1924 in New York City, and died on 31 January 2019 in Ossining, N.Y. Her seminal 1985 biography of Clara Schumann established Clara as an important musical figure independent of her husband, the composer Robert Schumann, and helped turn the musicological spotlight on female composers.
Rolf Riehm is a German composer who wrote stage and orchestral works as well as music for ensembles and solo instruments. He began as an oboist and music teacher and was later a professor of music theory at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main for several years.
The Piano Concerto in A minor, Op. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann. She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn.
Mariane Bargiel was a German pianist, soprano and piano teacher. She was the mother of Clara Schumann.
The Stross-Quartett was an important German string quartet from Cologne (1922-1931) and Munich (1934-1966) respectively. The quartet was named after the long-time primarius Wilhelm Stross.
Daniela Philippi is a German musicologist with a research focus on Christoph Willibald Gluck, Antonín Dvořák and Czech music history and music of the 20th century.
Virginia Livia Frege, née Gerhardt was a German singer (soprano), Prima Donna of the Leipzig Stadttheater, arts patron and co-founder of the Leipzig Bach Society. She was referred to as the "Queen of Leipzig's romantic song singing". Frege is best known for her performances of the works by Felix Mendelssohn Bartholdy. Her repertoire included songs by Heinrich Marschner, Franz Schubert, Robert Schumann and Mendelssohn.