This is a list of compositions by Clara Schumann, initially arranged by genre, sortable by date of completion (click on "Comp.Date" column header).
Opus/ WoO | Title | Instr | Comp Date | Publ Date | Notes |
---|---|---|---|---|---|
Orchestra | |||||
Overture | orch | 1830–32 | lost | ||
Scherzo | orch | 1830–33 | lost | ||
Concerto | |||||
Op. 7 | Piano Concerto in A minor
| pf orch | 1833–35 | 1836 | |
Op. 18 | Piano Concerto No. 2 in F minor | pf orch | 1847 | 1994 | intended as Op. 18 but unfinished; [1] 1st mvt only, publ. 1994 as Konzertsatz |
Chamber | |||||
Op. 17 | Piano Trio in G minor
| pf vn vc | by 1846 | 1846 | |
Op. 22 | (3) Romanze für Clavier und Violine | vn pf | 1853 | 1855 | |
Piano | |||||
Variationen über ein Tyroler Lied | pf | 1830 | lost | ||
Variationen über ein Original-Thema | pf | 1830 | lost | ||
Op. 1 | 4 Polonaises
| pf | 1830 | 1831 | |
Phantasie-Variationen über ein Wieck Romanze | pf | 1831 | lost | ||
Op. 2 | (9) Caprices en forme de valse
| pf | 1831–32 | 1832 | |
WoO 4 | Etude in A♭ | pf | 1832 | ||
Op. 3 | Romance variée in C major | pf | 1833 | 1833 | |
Rondo in B minor | pf | 1833 | lost | ||
Op. 4 | Valses romantiques | pf | 1835 | 1835 | |
Op. 5 | 4 Pièces caractéristiques
| pf | 1835 | 1836 | |
Op. 6 | (6) Soirées musicales
| pf | 1836 | 1836 | |
Op. 8 | Variations de concert sur la cavatine du Pirate de Bellini | pf | 1837 | 1837 | |
Op. 9 | Souvenir de Vienne, Impromptu in G minor | pf | 1838 | 1838 | |
Op. 10 | Scherzo (No. 1) in D minor | pf | 1838? | 1839 | |
Op. 11 | 3 Romances
| pf | 1839 | 1840 | |
Piano Sonata in G minor
| pf | 1841–42 | 1991 | mvts I & III originally written in Dec.1841 as Sonatine. Allegro und Scherzo, mvts II & IV added in Jan.1842; mvt III publ. 1845 as Op. 15 No. 4 | |
Impromptu in E major | pf | c.1844 | 1885 | published as No. 17 in Album du Gaulois | |
Op. 14 | Scherzo No. 2 in C minor | pf | after 1840 | 1845 | Uses themes from Lied Op. 12, No. 2, "Er ist gekommen in Sturm und Regen" |
Op. 15 | 4 Flüchtige Stücke ("4 Fleeting Pieces")
| pf | 1840–44? 4. 1841 | 1845 | No. 4 originally part of Sonatine/Sonata |
Op. 16 | 3 Praeludien und Fugen
| pf | by 1845 | 1845 | |
Praeludium und Fuga a 4 voci in F♯ minor | pf | 1845 | 2015 | ||
Praeludium in F minor | pf | 1845 | listed erroneously in some catalogs as an unpublished introduction to the "easy" Praeludien für Schüler of 1895, but was actually written 50 years earlier | ||
3 Fugen über Themen von J. S. Bach
| pf | 1845 | |||
Op. 20 | Variationen über ein Thema von Robert Schumann in F♯ minor | pf | 1853 | 1854 | |
Op. 21 | 3 Romanzen
| pf | 1853 | 1855 | |
WoO 28 | Romanze in A minor | pf | 1853 | unpubl. | |
Romanze in B minor | pf | 1855? | posth. | ||
Geburstagmarsch ("Wedding Anniversary March") in E♭ major | pf4h | 1879 | unpubl. | ||
(6) Praeludien | pf | c.1895 | unpubl. | notated piano improvisations; listed in some catalogs as Vorspiele | |
Einfach Praeludien für Schüler ("Easy Preludes for Students") | pf | 1895 | unpubl. | notated piano improvisations | |
Cadenza | |||||
Cadenzas for Beethoven: Piano Concerto No. 4 in G major (Op. 58) Mvts 1 and 3 | pf | 1846 | |||
Cadenza for Beethoven: Piano Concerto No. 3 in C minor (Op. 37) Mvt 1 | pf | 1868 | |||
Cadenzas for Mozart: Piano Concerto No. 20 in D minor (K. 466) Mvts 1 and 3 | pf | by 1891 | |||
Arrangements | |||||
William Sterndale Bennett: Andante cantabile, from Three Diversions (for four hands, Op. 17) (arr. C. Schumann) | pf | c.1841 | 2012 | ||
Robert Schumann: Symphony No. 1 in B♭ major (Op. 38) (arr. C. Schumann) | pf4h | c.1842–57 | |||
Robert Schumann: Das Paradies und die Peri (oratorio, Op. 50) (piano reduction of orchestral score by C. Schumann) | pf | c.1843–57 | |||
Robert Schumann: Symphony No. 2 in C major (Op. 61) (arr. C. Schumann) | pf4h | c.1846–57 | |||
Robert Schumann: Genoveva (opera, Op. 81) (piano reduction of orchestral score by C. Schumann) | pf | c.1848–57 | 1880 | ||
Robert Schumann: Piano Quintet in E♭ major (Op. 44) (arr. C. Schumann) | pf4h | 1857 | a reworking of an arrangement abandoned by Brahms | ||
Robert Schumann: Scenen aus Göthe's Faust (oratorio, WoO 3) (piano reduction of orchestral score by C. Schumann) | pf | 1858 | |||
Johannes Brahms: Serenade No. 1 in D Major (for orchestra, Op. 11) Mvt 4 Menuetto I/II (arr. C. Schumann) | pf | 1858 or later | 2012 | ||
Johannes Brahms: Serenade No. 2 in A Major (for orchestra, Op. 16) (arr. C. Schumann) | pf | 1859 or later | 2012 | ||
30 mélodies de Robert Schumann (30 Lieder und Gesänge von Robert Schumann, für Clavier übertragen)
| pf | 1872–74 | c.1874 | ||
(11) Lieder by Robert Schumann
| pf | 1872–74 | 2012 | ||
Robert Schumann: Etuden in kanonischer Form für Orgel oder Pedalklavier (Op. 56) (arr. C. Schumann) | pf | c.1887? | |||
Robert Schumann: Skizzen für Orgel oder Pedalklavier (Op. 58) (arr. C. Schumann) | pf | c.1887? | |||
Choral | |||||
Schwäne kommen gezogen (partsong) | ch | 1830 | lost [2] | ||
Wenn ich ein Vöglein wär (3-part canon) | 3v | 1840 | |||
Op. 19 | 3 Gemischte Chöre (partsongs)
| ch | 1848 | composed for Robert Schumann's 38th birthday; intended as Op. 19 but withheld [1] | |
Lied | |||||
Alte Heimat
| v pf | 1831 | lost | ||
Der Traum von Tiedge | v pf | 1831 | lost | ||
Der Wanderer
| v pf | 1831 | authenticity doubtful | ||
Der Wanderer in der Sägemühle
| v pf | 1832? | authenticity doubtful | ||
An Alexis | v pf | 1833 | formerly thought to be a lost piano piece written in 1832, discovered c.1990 | ||
Walzer
| v pf | 1834? | |||
Der Abendstern | v pf | 1834? | |||
Am Strande
| v pf | 1840 | |||
Ihr Bildnis
| v pf | 1840 | revised 1843 as Ich stand in dunklen Träumen Op. 13 No. 1 | ||
Volkslied
| v pf | 1840 | |||
Op. 12 | (3) Gedichte aus Rückerts Liebesfrühling (songs)
| v pf | 1840 | 1841 | |
Die gute Nacht, die ich dir sage
| v pf | 1841 | 1992 | ||
Sie liebten sich beide
| v pf | 1842 | unpubl. | revised as Op. 13 No. 6 | |
Op. 13 | 6 Lieder
| v pf | 1842–43 1,5. 1843 | 1843 | 1. 2nd version of Ihr Bildnis 2. 2nd version |
Lorelei
| v pf | 1843 | 1990 | ||
Oh weh des Scheidens, das er tat
| v pf | 1843 | |||
Mein Stern
| v pf | 1846 | |||
Beim Abschied
| v pf | 1846 | |||
Op. 23 | 6 Lieder aus "Jucunde" von Hermann Rollet
| v pf | 1853 | 1855 | |
Das Veilchen
| v pf | 1853 |
Robert Schumann was a German composer, pianist, and music critic of the early Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music.
Clara Josephine Schumann was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs.
The Piano Quintet in E-flat major, Op. 44, by Robert Schumann was composed in 1842 and received its first public performance the following year. Noted for its "extroverted, exuberant" character, Schumann's piano quintet is considered one of his finest compositions and a major work of nineteenth-century chamber music. Composed for piano and string quartet, the work revolutionized the instrumentation and musical character of the piano quintet and established it as a quintessentially Romantic genre.
Joseph Freiherr von Eichendorff was a German poet, novelist, playwright, literary critic, translator, and anthologist. Eichendorff was one of the major writers and critics of Romanticism. Ever since their publication and up to the present day, some of his works have been very popular in German-speaking Europe.
Johann Gottlob Friedrich Wieck was a noted German piano teacher, voice teacher, owner of a piano store, and author of essays and music reviews. He is remembered as the teacher of his daughter, Clara, a child prodigy who was undertaking international concert tours by age eleven and who later married her father's pupil Robert Schumann, in defiance of her father's extreme objections. As Clara Schumann, she became one of the most famous pianists of her time. Another of Wieck's daughters, Marie Wieck, also had a career in music, although not nearly so illustrious as Clara's. Other pupils included Hans von Bülow.
Bernhard E. Scholz, was a German conductor, composer and teacher of music.
Max Herbert Eulenberg (1876–1949), was a German poet and author born in Cologne-Mülheim, Germany. He was married from 1904 to Hedda Eulenberg.
Marie Wieck was a German pianist, singer, piano teacher, and composer. She was the daughter of renowned piano teacher Friedrich Wieck and the younger half-sister of Clara Schumann who was 12 years older.
Christian Ludwig Schuncke was a German pianist and composer, and close friend of Robert Schumann. His early promise was eclipsed by his death from tuberculosis at the age of 23.
Frédéric Chopin's Variations on "Là ci darem la mano" for piano and orchestra, Op. 2, was written in 1827, when he was aged 17. "Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“. Chopin's work inspired Robert Schumann's famous exclamation: "Hats off, gentlemen, a genius." The work is often recorded and played in concert. A typical performance lasts from 17 to 19 minutes. One autograph of the version for solo piano is held by the Austrian National Library.
Beatrix Borchard is a German musicologist and author. The focus of her publications is the life and work of female and male musicians, such as Clara and Robert Schumann, Amalie and Joseph Joachim, Pauline Viardot-Garcia, and Adriana Hölszky. Also among her topics are the role of music in the process of Jewish assimilation, the history of musical interpretation, and strategies of Kulturvermittlung.
Nancy Bassen Reich was an American musicologist, most renowned for her 1985 biography of Clara Schumann.
Hartmut Steinecke was a German literary critic and university lecturer.
Hans Joachim Marx is a German music historian. He has been professor of European music history at the University of Hamburg.
Eva-Ruth Weissweiler is a German writer, musicologist and non fiction writer.
Mariane Bargiel was a German pianist, soprano and piano teacher. She was the mother of Clara Schumann.
Daniela Philippi is a German musicologist with a research focus on Christoph Willibald Gluck, Antonín Dvořák and Czech music history and music of the 20th century.
Virginia Livia Frege, née Gerhardt was a German singer (soprano), Prima Donna of the Leipzig Stadttheater, arts patron and co-founder of the Leipzig Bach Society. She was referred to as the "Queen of Leipzig's romantic song singing". Frege is best known for her performances of the works by Felix Mendelssohn Bartholdy. Her repertoire included songs by Heinrich Marschner, Franz Schubert, Robert Schumann and Mendelssohn.
August Adolph Anastasius Bargiel was a German pianist, violinist, and piano and voice pedagogue. Between 1825 and 1841 he was married to Mariane Tromlitz, the mother of Clara Schumann by her previous husband, Friedrich Wieck. From 1810 to 1819 he was a member of the Leipzig Gewandhaus Orchestra, where he later opened a music school. After 1826 he worked as a music teacher in Berlin.
Florence May was an English pianist who was the student and biographer of Johannes Brahms.