List of compositions by Franz Lachner

Last updated

This is a partial list of compositions by Franz Lachner .

Contents

Works with opus number

By opus number:

Opus no.NameKeyEarliest known date
1Rondeau brillant for piano [1] A minor-A majorPublished 1824 ca.
2Piano Sonata [2] [3] F minorComposed 1825, published 1826/27
3Momento capriccioso for piano [3] A minorPublished 1824
8Rondeau brillant for pianoE majorc1823
12Introduction et Variations sur un thême suisse pour piano et cor ou violoncelleF major?
14Cello Sonata [4] [3] A majorComposed 1826, published 1828 ca.
15Introduction et variations brillantes sur un theme original for piano [3] E majorPublished 1827/28 or earlier
17Rondeau Brillant for pianoB minorPublished 1828
20Sonata for Piano 4-handsC minor [5] Published by 1827 [6]
21Nocturne No. 1 in French Style (for piano 4-hands) [7] E majorPublished 1826
22Deuxième Nocturne à quatre mains pour le Pianoforte sur de thêmes favoris de l’Opéra Oberon de C. M. de WeberE majorPublished 1826
23Morgenhymne. Chor f. Sopran, Alt, Tenor u. Bass m. willk. Begl. d. Pfte oder d. Physharmonica.?1829 [8] [9]
25Sonata for Piano [10] F major [11] Published 1828 or earlier
26Three Scherzi for 4 Hands [11] D minor, E major, G majorComposed 1830
274 Lieder (texts by Heine, von Osten and Chamisso. Voice, cello (bassoon), piano)1832 publication [3]
28Waldklänge (1, 2 for soprano, horn and piano, 3 for voice, violin and piano) [12] ?Published 1834
29Serenade for four cellosG minor-major [3] Composed and published 1829
30Herbst, Verlangen, Bewußtsein – songs after Rellstab for voice, cello or horn & piano [13] ?Published 1832
31Die vier Menschenalter, Cantata after Seidl for 3 solo voices, chorus, orchestra?Published 1835 (overture), [14] 1836 (vocal score) [15]
32Symphony No. 1E major1828 [16]
33Sangerfährt (Bard's Journey), for voice and piano, to texts by Heinrich Heine [17] ?1831-2 [18]
343 Gedichte (texts by Heine. Voice, cello and piano)published 1833 [3]
363 Deutsche Gesänge (voice, cello, piano. Heine & Uhland)published 1833 [3]
39Sonata, for piano four-handsF major [11] 1832 ca., published 1834 [3]
40Der Sternenkranz for 4 Men's VoicesA majorPublished 1835 [19]
41Symphony No. 3D minor1834 [20]
44Symphony No. 2F major [3] [21] Composed 1833
48Deutsche Gesänge [22] n/a1836 [19]
496 Deutsche Gesänge mit Begleitung des Piano Forten/a1836 [19]
51Geistliche lieder for voice and organ or pianoC minor/E [23] 1837 [19]
52Symphony No. 5 "Passionate/a"C minor1835, premiered 23 April 1839 [24] [25]
52(a?) (may be a misprint for Op. 92)Mass for voices, orchestra and organEpublished 1844 (HMB 1845 but January 1845, so 1844) [19] [26] [27]
546 deutsche Gesänge for baritone (or alto) and pianon/apub. 1837 [19]
56Symphony No. 6D major (D major – B major – B minor – D) [28] published 1837 [29]
56 also3 deutsche Gesänge?1838? [19]
58Erhörung, f. eine Singst. m. Begl. d. Pfte u. Vclle (od. Horn.) after Otto Prechler1838, [30] published 1839 [31]
58 alsoSymphony No. 7D minor1839 or 1840 [32] [33] [34] [35]
59 Frauenliebe und -leben (after Chamisso), song-cycle for voice, horn and pianoE major1838, [36] published 1839 [31]
59 alsoDer Sänger am Rhein, 6 lieder for voice and pianoPublished 1835
60Der Sturm for chorus and optional pianoE-flat majorPublished 1839
613 Gesänge von Koch [37] ?by 1860
62Vorüber! (song to text by Otto Prechtler)F minor1840 or earlier (publication) [3]
62 alsoIntroduction und Fuge für Piano-forte (or organ...) zu vier HändenD minorc. 1835 [38]
63Vöglein mein Bote (songcycle, 3 songs) Die Armesünder-Blum. Die Männer sind mechant! 3 Lieder. (Vöglein flieg' fort – Am Kreuzweg wird begraben – Du sagtest mir es, Mutter.)No. 1 is in C major with text by Johann Gabriel Seidl 1840 [39] [40]
64-66Gesänge für vier Männerstimmenpublished 1842 [41]
703 Lieder for voice and piano?published 1842 [42]
713 songs for 4-part men's chorus [37] ?by 1843 [43]
71 (also) [24] Catarina Cornaro Königin von Cypern (Große Oper in 4 Ackten) (opera)?1841. Premiered Munich, 1841 (overture published 1843 [44] ) [45] [46] [47]
75String Quartet No. 1B minor [48] published in 1843 by Schott, Mainz. [8] [19] [49]
76String Quartet No. 2 (Allegro-Adagio-Scherzo-Allegro)A majorPublished 1843 [8] [50]
77String Quartet No. 3E major [3] 1843 publication
77 also3 Gesänge for 3 sopranos and pianoPublished 1845
783 Gesänge for voice and pianoPublished 1845
794 Gesänge for male chorusPublished 1845
80Gesänge f. 3 Sopranstimmen m. Begl. d. Pfte. (in several volumes)?3rd volume published 1847 [51]
814 Lieder1846 [52] Published 1847 [53]
81 also7 Lieder (different set)1845 [54]
82 Frauenliebe und -leben (after Chamisso) Song-cycle for soprano, clarinet and piano. Arrangement of Op. 59. [55] ?Published 1847 [56]
847 Lieder for Bass?pub. 1847 [57]
85Psalm 63 for female chorus and piano or harpE majorpub. 1847 [58]
863 Gedichte von F. Rückert, f. 2 Singstimmen m. Pftebegl.?pub. 1847 [59]
88Mass?pub. 1847 [58]
88 also4 Gedichte for chorus?pub. 1847 [58]
89Kriegers Gebet for male chorus and military bandE majorpub. 1847 [60]
9015 Vespers for Chorus and Organ (Psalmi Vespertini)?Manuscript, possibly unpublished. An 1850 manuscript copy exists [61]
91Der 133te Psalm (for 4 women's voices)B major [62] pub. 1849 [63]
92Mass for two "voix égales" (of the same vocal type) and organ [58] [64] E1847 [58]
933 Gedichte von Dräxler-Manfred f. vierstimmigen Männerchor (with piano or wind)?pub. 1848 [65]
943 Gedichte for male chorus?pub. 1849
96Sängerfahrt, 18 songs for voice and piano?pub. 1851-52
976 vocal duets [37] ?by 1860
98Mass for soloists, chorus, orchestra and organ [24] E?
99Three canons for three sopranos and piano [37] ?1853 [66] Published 1855 [19]
100Symphony No. 8G minor(1851?) Published by 1855 [19]
1013 Lieder for voice and piano, to text by Emanuel Geibel: Des Müden Abendlied
Die junge Nonne
Schmetterling
unknown1856 (pub.) [19]
1023 Psalmen for 2 choruses1856 (pub.)
103Festchor zu Mozart's Säkularfeier for 2 bassoons, brass, timpaniE majorpub. 1857 [19]
104Siegesgesang aus Hermannschlacht by Friedrich Gottlieb Klopstock for male chorus and wind bandB minor-B major1856 [19]
1053 Gesänge for 3 Women's Voices and piano?1857 [19]
1066 Duets after L. Koch for soprano, alto and piano?1857 [19]
1074 Poems by L. Koch for vocal quartet?1858 [19]
1083 Quartets for Women's Voices?by 1860 [19]
1096 Piano Pieces (ded. to Betty Schott)n/a1858 [19] [3]
11012 Gesänge: für Sopran, Alt, Tenor & Baß [67] ?by 1860 [68]
11112 Lieder for soprano (or tenor) and piano?1861
112Sturmesmythe after Nikolaus Lenau for Men's Chorus and OrchestraC major1861 [19]
113Suite No. 1 for OrchestraD minor1861 [69]
1143 Chöre for male chorus1863 publication
115Suite No. 2 for Large OrchestraE minor [70] 1863? [71]
1164 Lieder for voice and piano(texts by von Fallersleben) [3] 1863 publication
117 Psalm 150 for male chorus and orchestraE major [3] 1863 [8] [72]
118Bundeslied, for Men's Chorus, to words by Theodor HeigelE major1864 ca. [73]
119Drei Gedichte von L. Koch?Published 1865 [74]
120String Quartet No. 4D minorpublished in 1849?? (A search of HMB gives 1866 which seems more likely) [19] [75] [76]
121String Quintet (quartet plus contrabass)C minor [5] pub. 1864 [77]
122Suite No. 3 for Large OrchestraF minor [78] published 1866 [79]
123Festlied for male chorus and wind bandE majorPublished 1867
128Drei Lieder für Männerstimmen [80] ?Published 1867
129Suite No. 4 for Large OrchestraE major [5] [81] 1865? by 1866. [82] [83]
130Mass for two choirs and soloistsF major [84] 1872 [19]
1312 Motetten (1 for soprano and chorus, 2 for chorus)Published 1872
132Ave Maria (soprano, small choir, small ensemble)?1870 [19]
133Ave Maria for alto, 2 violas, 2 cellos and double Bass, or alto and organG major1869 [19]
1346 Lieder for voice and pianoPublished 1868
135Suite No. 5 for Large OrchestraC minorpublished in 1868 [85]
136Zigeunerlied for bass, male chorus and pianoG minorPublished 1868
136 alsoAn die Nacht for male chorusE majorPublished 1869
137 (WulL G9)Gebet after a text by Emanuel Geibel (for voice, 2 violins, 2 cellos and bass, or voice and organ or melodium)C major1870 [86] [87]
138Variations for Piano 4-HandsE minorpublished 1869 [19] [88]
139Piano Quintet No. 1C minorpublished 1870 [89]
140Suite for Piano and Violin (or Violoncello)A minor [90] published in 1870 [19]
140 alsoAbendfriede von Lenau für Männerchor und Orchester [91] ?ca. 1870?
1414 Gesänge for male chorus or 3 voices?Published 1870
142Suite for PianoC minorpublished in the 1860s [5]
143Fest-marsch für Blech-instrumente (brass and drums)E major [92] by 1873 [93]
145Piano Quintet No. 2A minor1869 [94]
146RequiemF minor1856, revised 1865 [95] published 1871 [19]
149Gebet for 2 sopranos and organF major1868
150Suite for Orchestra No. 6C major [96] published 1872 [19] [97]
152Six Songs for Alto with Pianon/a?by 1872 [98]
153Horch! Die Vesper-Hymne Klingt for 2 chorusesF majorPublished 1861
154Stabat Mater for Mixed Choir a cappella?1872 [19]
155Mass for 5 Part Chorus (S/A/T/2B), Soloists, and Organ ad lib.D minorby 1872 [19]
156 Octet [99] Bpublished by 1850?
160Elegie: Quintet for 5 Cellos1834 [100] 1872 [19]
161Psalm 30 (soprano and orchestra, or piano, or organ)?1873 [19]
162Ave Maria for Soprano, chorus & accompaniment (new edition of Op. 132)F majorPublished 1873 [3]
163Psalm 26 (bass voice and orchestra, or piano, or organ)?1873 [19]
166Abend-Elegie : für eine Tenorstimme, Violine und Orgel oder Harmonium oder Pianoforte [91] ?ca. 1880
1673 Chöre for male chorus?1874
168Stabat Mater [24] for female chorus, 2 violas, 2 cellos and double bass, or female chorus and organ or physharmonika?Published by J.Aibl in mid-1870s?
169String Quartet No. 5G majorPublished in 1875 [19] [101]
169 also9 Gesänge for chorusPublished 1875
170Ball-Suite for orchestraD majorby 1875 [102]
1726 Piano Piecesn/a1876 [19] [3]
173String Quartet No. 6E minor1848-9 [103] [104]
175Organ Sonata No. 1F minor1877 [105]
176Organ Sonata No. 2C Major1877 [105]
177Organ Sonata No. 3E minor1877 [105]
1784 Gesänge for 2 female voices1875 [106]
179Hornesklänge (for Male chorus and winds)E majorPublished 1877 [3]
180Martini Kirchweihe for baritone and male chorusE minorPublished 1877 [3]
181Kriegsgesang for Men's Voices and Orchestra after Cavallo.?1877 [19]
182Gruß des Regensburger Liederkranzes an die Festgenossen for male chorus?Published 1877
1843 Lieder for 2 voices and piano??
1854 Gesänge for 4 voices?1879
1864 Gesänge for 4 voices?1880
1876 Songs for 4 Female Voices [24] n/a1880s?
190Suite No. 7 for OrchestraD minor1881 [69]
191Partsongs for male chorusn/aPublished 1885

Works without opus number

NameKeyEarliest known date
Concertino for Bassoon and OrchestraE major1824
Fantasie for Horn and PianoF minor1825 [107]
Fantasie for PianoF minorComposed 1877
Festhymne zur Enthüllung des König Ludwigs Denkmal for voices and wind band?Composed 1862 ca.
Frühlingsnähe for voice and pianoF majorComposed 1844
5 Lieder for Voice, Cello and Piano?Composed 1851
4 Lieder for Voice, Cello (or horn) and Piano?Published 1832
March for pianoE majorComposed 1863 or earlier
Wind Quintet No. 1F major1823 [108] [109]
Wind Quintet No. 2E major1827 [109] [110]
Septet [109] [111] E major1824 (completed by Franz Beyer)
Die Liebesboten (song, text by Heinrich Heine)A minor1826 [112]
FestouvertüreE- major1854
Flute ConcertoD minor1832 [113]
Harp ConcertoD minor?
Andante for Brass InstrumentsA majorComposed 1833
Moses (oratorio)?1833? [114]
Andante for orchestraD majorComposed 1837?
Ave Maria for soprano and harpB major?
9 Entreactes for orchestra?Composed 1826
Symphony No. 4E major [3] [115] [116] [117] 1834 [118] [115] [3]
Psalm 134 [91] ?1870?
Psalm 42 for chorusD minorComposed 1837
Nonet F major1875 [8]
Piano TrioC minorComposed 1829 [3]
Piano TrioE majorComposed 1828
Praeludium for pianoA minorPublished 1877
RêverieG majorPublished 1887
Seebild for voice and pianoF majorPublished 1856
Die stille Nacht for voice and pianoF majorPublished 1883
Zur Grundsteinlegung des K. Maximilaneums for male chorus and wind bandE majorComposed 1857 ca.
Notte Soave Delizia for alto, horn and piano (Italian version of Op. 58, Erhörung) [30] ?1838-40? [119]
Cantate Domino canticum novum for 4 voices, orchestra, WulL C2 (manuscript) [120] E major1830? [121]
Fantasy for Piano [122] ?1885?
String QuartetE major1824 [123]
Elegy for flute and organ?1879 [124]

Notes

  1. OCLC   165288424
  2. OCLC   165288552
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 IMSLP[ full citation needed ]
  4. OCLC   49418761 and Persistent NYPL record for cello sonata. P.J. Tonger. 1998. Retrieved 12 March 2016.
  5. 1 2 3 4 Netherlands Royal Library [ full citation needed ]
  6. OCLC   62628756
  7. "Kurze Anzeigen". Allgemeine musikalische Zeitung (in German). 29 (40): 688. 3 October 1827. Retrieved 24 January 2024.
  8. 1 2 3 4 5 See Kronseder worklist.
  9. Published in 1833 according to Bussenius (1856).
  10. OCLC   165288554
  11. 1 2 3 "Title Page of BSB Scan of Opp. 25, 26 and 39" . Retrieved 7 August 2010.
  12. Helena Dearing, Sopran: Lachner, Waldvögelein on YouTube
  13. "Entry for Herbst at Recmusic.org". 1995–2003. Retrieved 10 February 2009.
  14. HMB
  15. HMB
  16. "Description of Lachner Symphony 1". Naxos.com. December 1985. Retrieved 10 February 2009.
  17. "Recmusic.org entry for Sangerfährt, with texts" . Retrieved 10 February 2009.
  18. "Description of Teldec Premiere of Sangerfährt" . Retrieved 10 February 2009.
  19. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 Publication date from Hofmeister – http://www.hofmeister.rhul.ac.uk (note: this link now back as of early 2011. If broken again, scans of the publication can be perused more directly at ONB at "ONB Hofmeister Scan Archive 1829–1947 mostly" (in German). Österreichische Nationalbibliothek (Austrian National Library). Retrieved 4 February 2011. and sometimes through Google Books.
  20. Hall, Charles J. (2002). Chronology of Western Classical Music. Taylor & Francis. p. 317. ISBN   0-415-94216-0. Note: date in Hall 2002 may be date of earliest performance or of publication, not of composition, e.g. as with the Octet – under 1851 though apparently published in 1850. Some more information is now available @ IMSLP.
  21. Wulf (1999), p. 45.
  22. Allgemeine musikalische Zeitung, Volume 39 at Google Books, page VIII, table of contents for 1837 volume
  23. Wulf (1999), p. 543.
  24. 1 2 3 4 5 Austrian Library Musiksammlung Catalog[ full citation needed ]
  25. "Description of Recording of Symphony no. 5". Naxos.com. December 1993. Retrieved 11 February 2009.
  26. This work is also called WulL A3, after its place in the Wulf (1999) catalogue. See RISM   450041482 for information on a manuscript copy (18601864, Heilige Kapelle, Altötting) of this work, in short score and parts - SATB, strings, clarinets, bassoons, trumpets, trombones, timpani.) As often RISM's entry has two incipits.
  27. "Austrian National Library Parts for Mass in E-flat". 1850s. Retrieved 12 March 2016.
  28. Allgemeine musikalische Zeitung, Volume 40 at Google Books, 23 June 1838, p. 371. (Published by Häslinger but still unrecorded.)
  29. University of Rochester Library – date for Symphony 6
  30. 1 2 RISM   456081915
  31. 1 2 Hofmeister
  32. Hall 2002, p. 336.
  33. also "Symphonie Nr. 7". klassika.info (in German). July 2009. Retrieved 3 February 2011.
  34. OCLC   959697325 and RISM   456081750, 1840 manuscript, where it's called "Elegie in Form einer Sinfonie" Op. 58.
  35. Further discussed in Fifield (2016), The German Symphony Between Beethoven and Brahms: The Fall and Rise of a Genre, p. 76 who notes that the composer reworked the first two movements 42 years later as the first two movements of his Suite No. 7, Op. 190 (1881)
  36. RISM   456081928
  37. 1 2 3 4 Hofmeister (1860), p. 343.
  38. Youens, Susan (2007), Heinrich Heine and the Lied at Google Books. Cambridge University Press. ISBN   0-521-82374-9. p. 327.
  39. "Hofmeister at RHUL". October 1840. Retrieved 5 March 2013.
  40. RISM   455028634 Autograph of No. 1 at Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek, Musikabteilung, Speyer
  41. See HMB
  42. HMB.
  43. See HMB
  44. "Hofmeisters Monatsberichte". 1843. Retrieved 10 December 2010.
  45. RISM   451501489 Score, parts, at Detmold; (also RISM   452502335 (Hamburg) which gives premiere date as 3 December 1841, Munich Hofoper.
  46. IMSLP
  47. Should not be confused with Donizetti's better-known opera of slightly later.
  48. NYPL link for opus 75, 1840s publication. Collection of the Flonzaley Quartet. Les fils de B. Schott. Retrieved 16 March 2016.
  49. New Grove, p. 349 – see Google Books search
  50. Allmusic entry for date.
  51. HMB 1847 p. 177
  52. RISM   456081952
  53. HMB.
  54. HMB
  55. "Cornell Library Catalog Description of Frauenliebe und Leben" . Retrieved 19 January 2018.
  56. "Frauenliebe und -leben, Op 82: Introduction". Hyperion. Retrieved 1 September 2017.
  57. HMB 1847 page 161
  58. 1 2 3 4 5 Hofmeister, 1847, page 117
  59. HMB 1847 page 157
  60. Hofmeister, 1847, page 104
  61. OCLC   959697024, also RISM   456082059, in regards the Op. 90 Vespers
  62. Score and Parts at BSB Bavarian Library, IMSLP
  63. HMB 1849 page 58.
  64. OCLC   163493558
  65. HMB 1848 page 96
  66. RISM   456081713
  67. Lachner: 12 Gesänge: für Sopran, Alt, Tenor & Baß at Google Books.
  68. Hofmeister, Adolf Moritz (and Wilhelm Altmann?) Handbuch der musikalischen Literatur; oder, allgemeines systematisch-geordnetes Verzeichnis der in Deutschland und in den angrenzenden Ländern gedruckten Musikalien auch musikalischen Schriften und Abbildungen, mit Anzeige der Verleger und Preise at Google Books. 3rd Edition of 1860. page 344.
  69. 1 2 "Page about Suites 1 and 7". Naxos.com. June 1990. Retrieved 10 February 2009.
  70. OCLC   174601851
  71. Dwight's Journal of Music at Google Books – apparently premiered at the Festival of the Lower Rhine in mid-May 1863.
  72. OCLC   165288339
  73. OCLC   165869211
  74. OCLC   165365028
  75. "NYPL permalink for quartet op. 120" . Retrieved 12 March 2016.
  76. However, Kronseder gives 1849 for publication, not just composition, date of this work. This is hard to verify.
  77. Kronseder gives 1834.
  78. Selmar Bagge, ed. (1866). "Review of Publication of Third Suite, with Music Examples. Prelude is in F minor. Some other sources claim A major, but this is clearer evidence". Leipziger Allgemeine musikalische Zeitung. 1 (9): 70–73.
  79. OCLC   165288621; University of Rochester Libraries for key and date
  80. OCLC   165288220.
  81. downloadable from Google books and IMSLP[ full citation needed ]
  82. Leipziger Allgemeine musikalische Zeitung at Google Books. Review of 4th Suite, Vienna performance, p. 105. (another review, of the Munich premiere of the suite, is around p. 142 of the journal, from May 1866.)
  83. The Musical World at Google Books Possibly (and as confirmed by the review of the actual concert, which quotes the work which can be compared in full score online), the "New" suite for orchestra mentioned as part of the lineup of the new series of concerts for the coming Vienna season 1865 to '66. Probably though not definitely ready by that point (not definitely...) when the article was written in November 1865. As noted in the other link, given its Vienna premiere in a concert reviewed in the Leipzig AMZ in March 1866, so composed and premiered no later than then at any rate!
  84. OCLC   213328159
  85. University of Rochester Library for key and date of Suite No. 5
  86. RISM   455022022 1872 autograph manuscript at Münchner Stadtbibliothek, Musikbibliothek, München. WulL means as usual Wulf (1999) catalogue). Originally intended? to be published as Op. 161 from RISM's notes
  87. "Hofmeister at RHUL". September 1870. Retrieved 5 March 2013. (announcement of publication by Schott Music.
  88. Dutch Royal Library
  89. "Hofmeister Monatsbericht for Piano Quintet 1" . Retrieved 16 October 2010.
  90. IMSLP score of Violin Suite
  91. 1 2 3 Dresden Library
  92. Organ arr. of score is at IMSLP
  93. publication date from Hofmeister Monatsbericht
  94. "Details of Piano Quintet 2 at NYPL" . Retrieved 12 March 2016.
  95. Woolf, Jonathan (February 2007). "Review of Carus Recording of Requiem" . Retrieved 11 February 2009.
  96. downloadable from Google Books and in part from IMSLP
  97. OCLC   40121303; "University of Michigan Permalink to Suite No. 6" . Retrieved 11 February 2009.
  98. OCLC   62628562
  99. Howell, Christopher (May 2002). "Review: Lachner: Nonet, Octet". Musicweb International. Retrieved 2 October 2015.
  100. RISM   456081751 Teilautograph for Elegie Op. 160, 1834
  101. "NYPL Permalink for Quartet in G by Lachner" . Retrieved 10 February 2009.
  102. OCLC   84865307
  103. "Page about Quartet no. 6". Edition Silvertrust. Retrieved 10 February 2009.
  104. Published 1849 according to Kronseder.
  105. 1 2 3 Fenech, Gerald (2008). "Review of Recording of the Lachner Organ Sonatas". Classical.net. Retrieved 11 February 2009.
  106. RISM   456081988
  107. Persistent NYPL link for F minor fantasy. Kunzelmann. 1983. Retrieved 12 March 2016.. Note that the horn and piano fantasy of 1825 may not have been published until the 1980s.
  108. Hall 2002, p. 273.
  109. 1 2 3 Lachner, Franz Paul (2004). Ladson Jonathan Saylor (ed.). Two Woodwind Quintets. A-R Editions. ISBN   9780895795465. OCLC   54699772.
  110. Persistent NYPL record for Wind Quintet No. 2. Musica Rara. 1984. Retrieved 24 September 2018.
  111. See: [Mus.ms. 5793 D-Mbs Mus.ms. 5792] & RISM   456081795 D-Mbs Mus.ms. 5793 @ RISM, and Beyer's OCLC   19557729 completion published in 1988 (perhaps in 1967 and reprinted – unclear).
  112. RISM   201002050 Autograph with 1826 ("Wien den 17 Dezembr. [1]826") date at Leipziger Stadtbibliothek – Musikbibliothek, Leipzig
  113. "Persistent NYPL record for Flute Concerto" . Retrieved 10 February 2009.
  114. Fifield, Christopher. (2005) Bruch: His Life and Works at Google Books. Boydell Press. p. 256. ISBN   1-84383-136-8.
  115. 1 2 RISM   456081788 Autograph, Symphony No. 4 score ("D-Mbs Mus. ms. 5753")
  116. Composed by November 1834 according to the autograph at RISM; conducted by 17 February? in Vienna (the fifth symphony was premiered there on 19 February) 1836 by the composer according to the Allgemeine musikalische Zeitung (p. 107) from that month.
  117. 'Die Componisten der neueren Zeit: Adam, Auber, Beethoven, Bellini... , p. 66, at Google Books. 1856. Published by Diabelli, according to the 1856 source. Symphony 7 of 1838(–39?) "Elegie in Form einer Symphonie is implied to not have been published." Fifield's more recent book "The German Symphony between Beethoven and Brahms", which discusses Lachner at length, and RISM entries on the 1838 Elegie, note that two movements of the Elegie were later used in the published Suite No. 7.
  118. Hall 2002, p. 317.
  119. RISM   456081941
  120. RISM   600160278 Cantate Domino at Hofburgkapelle, Wien. WulL - refers to Wulf (1999) worklist.
  121. "ÖNB-suche (Austrian National Library Advanced Search)" (in German). Retrieved 12 March 2016.
  122. OCLC   497695450. Included in a collection of memoria for Vincenzo Bellini?
  123. Early manuscript quartet in E-flat major – "Streich-Quartett für 2 Violinen, Viola, Violoncell von Fr. Lachner. (Wien 1824)" – in the Nachlass Franz Paul Lachner, Munich Library, Mus.ms. 5790. RISM   456081812
  124. OCLC   959698521

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A septet is a formation containing exactly seven members. It is commonly associated with musical groups but can be applied to any situation where seven similar or related objects are considered a single unit, such as a seven-line stanza of poetry.

Giuseppe Maria Gioacchino Cambini was an Italian composer and violinist.

<span class="mw-page-title-main">Andreas Romberg</span> German violinist and composer

Andreas Jakob Romberg was a German violinist and composer.

<span class="mw-page-title-main">Friedrich Gernsheim</span> German composer, conductor, pianist and teacher (1839–1916)

Friedrich Gernsheim was a German composer, conductor and pianist.

<span class="mw-page-title-main">Woldemar Bargiel</span> German composer (1828–1897)

Woldemar Bargiel was a German composer and conductor of the Romantic period.

Nikolay Alexandrovich Sokolov was a Russian composer of classical music and a member of the circle that grew around the publisher Mitrofan Belyayev.

<span class="mw-page-title-main">Ludvig Norman</span>

Ludvig Norman was a Swedish composer, conductor, pianist, and music teacher. Together with Franz Berwald and Adolf Fredrik Lindblad, he ranks among the most important Swedish symphonists of the 19th century.

<span class="mw-page-title-main">Johannes Verhulst</span> Dutch composer and conductor

Johannes Josephus Hermanus Verhulst was a Dutch composer and conductor. As a composer mainly of songs and as administrator of Dutch musical life, his influence during his lifetime was considerable.

<span class="mw-page-title-main">Wilhelm Berger</span>

Wilhelm Reinhard Berger was a German composer, pianist and conductor.

Richard Wüerst was a German composer, music professor and pedagogue.

Joseph Küffner (Kueffner) was a German musician and composer who, among other achievements, contributed significantly to the guitar repertory, including chamber music.

Hermann Bischoff was a German composer of classical music.

<span class="mw-page-title-main">Jakob Rosenhain</span> German Jewish pianist and composer

Jakob Rosenhain was a German Jewish pianist and composer.

<span class="mw-page-title-main">Heinrich XXIV, Prince Reuss of Köstritz</span> German composer

Prince Heinrich XXIV Reuss of Köstritz, also Prince Heinrich XXIV Reuss, Younger Line was a German composer.

<span class="mw-page-title-main">Friedrich Baumfelder</span> German composer, conductor, and pianist

Friedrich August Wilhelm Baumfelder was a German composer of classical music, conductor, and pianist. He started in the Leipzig Conservatory, and went on to become a well-known composer of his time. His many works were mostly solo salon music, but also included symphonies, piano concertos, operas, and choral works. Though many publishers published his work, they have since fallen into obscurity.

Franz Seraphin Lauska, baptised as Franciscus Ignatius Joannes Nepomucensis Carolus Boromaeus, was a Moravian pianist, composer, and teacher of Giacomo Meyerbeer. The name "Seraphin" was a later name affix, which Lauska never used. Lauska was considered "one of the most brilliant executants of his time."

<span class="mw-page-title-main">Heinrich Esser</span> German violinist, conductor and composer

Heinrich Joseph Esser was a German violinist, influential conductor and composer.

<span class="mw-page-title-main">Eduard de Lannoy</span> Flemish composer, teacher, conductor, and writer

Baron Henri Eduard Joseph de Lannoy, was a Flemish composer, teacher, conductor, and writer on music who spent most of his life in Austria. His compositions bridge the classical and early romantic styles. His full name and title in German was 'Heinrich Eduard Josef, Freiherr von Lannoy'.