Twenty-nine people are recorded as having directed fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng , the colony's first domestically produced film, [2] and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. [lower-alpha 1] [3] Thirteen directors active in the Indies continued to direct films after 1950, including Usmar Ismail: his 1950 film Darah dan Doa (The Long March) is generally considered the first truly Indonesian film. [4]
The colony's first directors, L. Heuveldorp and George Krugers, were of European or mixed descent. [5] They were followed by ethnic Chinese soon after, when Nelson Wong made his debut in 1928 with Lily van Java ; [6] other Chinese directors included Lie Tek Swie (1929), Wong's brothers Joshua and Othniel (1930), and The Teng Chun (1931). Ethnic Chinese directors dominated the colony's cinema for the remainder of its existence. [7] The first native director, Bachtiar Effendi, made his debut in 1932 with the talkie Njai Dasima ; [8] another native director would not appear until Andjar Asmara and Rd Ariffien made their debuts in 1940. [9] [10]
The directors active in the Indies came from various backgrounds. Some, like The Teng Chun, Fred Young, and the Wongs, had been interested in film since their youth. [11] Others, such as Njoo Cheong Seng and Andjar, had a background in theatre. [12] Still others, including Albert Balink and Ismail, were journalists by trade. [13] [14] They were all men; the first woman to direct a film in the Indonesian archipelago, Ratna Asmara, made her debut after the Indies were dissolved. [15] Between them, the 29 men directed some 103 films, at times working collaboratively; it was not unusual for them to take more than one role in production. [7] However, they generally had less creative control than the producer. [16]
The following list is sorted alphabetically by default, with further sorting capability in certain fields; owing to differing naming conventions between cultures, not all entries are sorted by last name. The list only counts fictional films directed by the subjects and does not include films from other genres or films in which the person held other roles. The names of persons credited with an abbreviated name are written in full, where available.
† | Indicates continued directorial activity after 1949 |
The Wong brothers were three ethnic Chinese film directors and cameramen active in the cinema of the Dutch East Indies. The sons of an Adventist preacher, the brothers – Nelson (1895–1945), Joshua (1906–1981), and Othniel (1908–1986) – received much of their education in the United States before going to Shanghai and establishing The Great Wall Productions.
Fred Young was an ethnic Chinese film director and producer active in the Dutch East Indies and its successor state, Indonesia. He reportedly studied film in Hollywood as a youth, but only entered the nation's film industry in 1940. After he made his debut as a writer with Sorga Palsoe, he was involved in some 36 productions, 23 as director.
Roestam Sutan Palindih was an Indonesian film director and writer. He was born in Fort de Kock, Dutch East Indies in 1898. He finished his education in various cities, including Batavia, Bandung, Padang, and Medan. In the 1920s and 30s Rustam held a variety of jobs, including as the owner of a small shop and a farmer. He eventually became involved with the journalistic and literary industries, working at Balai Pustaka and heading the newspaper Neratja. From 1933 until 1938 he was a member of a native political council, vocally opposing the Dutch colonial presence in the Indies.
Gadis Desa is a 1949 comedy from what is now Indonesia written and directed by Andjar Asmara. Starring Basuki Djaelani, Ratna Ruthinah, Ali Joego, and Djauhari Effendi, it follows the romantic hijinks of a village girl who is taken to be a rich man's second wife. The film, produced by a Dutch-run company, is recognised as the first in which future "father of Indonesian film" Usmar Ismail was involved.
Astaman also known as Tirtosari, was an Indonesian actor active from the 1910s until the mid-1970s. He was a leading actor in the influential theatre company Dardanella and, after entering the film industry with 1940s Kartinah, acted in 43 films.
Air Mata Iboe is a 1941 drama film from the Dutch East Indies directed and written by Njoo Cheong Seng. Starring Fifi Young, Rd Ismail, Ali Sarosa, and Ali Joego, it followed a mother who raises her children lovingly but is ultimately betrayed by her eldest sons when she falls upon hard times. The film, billed as a "musical extravaganza," featured a soundtrack by R. Koesbini, and an eponymous title song written by Njoo.
Panggilan Darah is a 1941 film from the Dutch East Indies written and directed by Sutan Usman Karim and produced by Tjho Seng Han for Oriental Film. The black-and-white film starred Dhalia and Soerip as orphaned sisters trying to make a living in the colonial capital of Batavia before moving to Kudus to work at a clove cigarette factory.
Elang Darat is a 1941 film from the Dutch East Indies which was directed by Inoe Perbatasari and produced by The Teng Chun for Jacatra Film. A detective film, it follows a man who comes to a village to track the villainous bandit known only as "Elang Darat".
Djaoeh Dimata is a 1948 film from what is now Indonesia written and directed by Andjar Asmara for the South Pacific Film Corporation (SPFC). Starring Ratna Asmara and Ali Joego, it follows a woman who moves to Jakarta to find work after her husband is blinded in an accident. SPFC's first production, Djaoeh Dimata took two to three months to film and cost almost 130,000 gulden.
Dasima is a 1940 film from the Dutch East Indies directed by Tan Tjoei Hock and produced by The Teng Chun. It is the third adaptation of G. Francis' 1896 novel Tjerita Njai Dasima.
Dhalia was an Indonesian actress active for over fifty years. She was nominated for three Citra Awards at the Indonesian Film Festival, winning one.
Hadidjah was an Indonesian film actress best known for partnership with Moh Mochtar in seven films released by Java Industrial Film between 1939 and 1941. She was the mother of Citra Award-winning musician Idris Sardi.
Ng. Ratu Djoewariah was an Indonesian actress active in the 1940s and 1950s.
Anastasya Soerip was an Indonesian singer and actress.
Air Mata Mengalir di Tjitarum is a 1948 film from what is now Indonesia, written and directed by Roestam Sutan Palindih for the Tan & Wong Bros Film Company.
Pantjawarna is a 1941 film from the Dutch East Indies.
Ali Joego was a stage and film actor and director active in the Dutch East Indies and Indonesia. During his twenty-year career he appeared in thirty films and directed seven.
Oriental Film was a film production company in Batavia, Dutch East Indies. Established by ethnic Chinese businessman Tjo Seng Han in 1940, it completed four black-and-white films before it was closed in 1941. All the company's films were screened into the 1950s but may now be lost. They were directed by two men, Njoo Cheong Seng and Sutan Usman Karim, and launched the careers of actors such as Dhalia and Soerip.