A harpsichord is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute.
A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ.
The virginals is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods.
The Ruckers family were harpsichord and virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influence stretched well into the 18th century, and to the harpsichord revival of the 20th.
Pascal-Joseph Taskin was a Holy Roman Empire-born French harpsichord and piano maker.
Hieronymus Albrecht Hass was a German harpsichord and clavichord maker. He was the father of Johann Adolph Hass, who also made harpsichords and clavichords.
The Kirkman family were English harpsichord and later piano makers of Alsatian origin, active from the 1750s until the late 1800s.
The Couchet family were Flemish harpsichord and virginal makers in Antwerp, closely associated with, and descendants of, the Ruckers family.
The harpsichord was an important keyboard instrument in Europe from the 15th through the 18th centuries, and as revived in the 20th, is widely played today.
Cawton Aston was an English builder of spinets.
Ioes Karest, also known as Joos Karest, was a Flemish harpsichord builder.
(Franz Hermann) Martin Skowroneck was a German harpsichord builder, one of the pioneers of the modern movement of harpsichord construction on historical principles.
Moritz Georg Moshack was a builder of Danish clavichords. Three of his instruments are known to exist: a fret-free clavichord dating to 1768 at the Norsk Folkemuseum, Oslo, Norway; a single manual harpsichord dating to 1770 at the Falsters Minder Museum, Nykøbing, Falster, Denmark; and the fret-free Clavichord dating to 1770 at the Danish Music Museum in Copenhagen, Denmark.
The Denis family were French harpsichord makers from the mid 16th century to the beginning of the 18th century, by which time the Blanchet family had superseded them as the main harpsichord building dynasty in Paris. Members of the Denis family headed the instrument makers' guild for several generations, but only four harpsichords by members of the family have survived to modern times, and three spinets. Several of the Denis instruments are signed in red chalk under the sound board with the makers name, place of construction and date, along with three five-pointed stars. Instruments by the Denis family were held in high regard well after their time, as witnessed by an entry in the Encyclopédie Methodique from 1785: "The best makers of ordinary harpsichords have been the Ruckers in Antwerp... and Jean Denis of Paris".
Albert Delin was a harpsichord maker in the Austrian Netherlands.
Antoine Vater was a notable harpsichord maker in Paris of German origin.
Girolamo Zenti was an Italian harpsichord maker and organ builder in the 17th century. He is known as the probable inventor of the bentside spinet and for having traveled unusually extensively to practice his trade at the courts of Europe, including Rome, Florence, Paris, London and Stockholm.
The Antunes family were Portuguese harpsichord- and early piano builders in the 18th and 19th centuries.
The Russell Collection is a substantial collection of early keyboard instruments assembled by the British harpsichordist and organologist Raymond Russell. It forms part of the Musical Instrument Museums collection of the University of Edinburgh, and is housed in St Cecilia's Hall. Its full name is the Raymond Russell Collection of Early Keyboard Instruments.
The Gräbner family were German harpsichord-, clavichord-, organ- and eventually piano makers from the 17th century to the beginning of the 19th century. They are best known for their harpsichords, which represent a mid-german style of building, distinct from the better known northern style as represented by Hass, Mietke and Zell. The Gräbner family ran the most prominent instrument making workshop in Dresden, and were purveyors of harpsichords and organs to the court of Saxony. J.S. Bach was aquatinted with members of the Gräbner family and Christian Heinrich Gräbner studied organ playing under Bach.
