The folding harpsichord was a kind of harpsichord meant for travel. Since it could be folded up into a fairly compact space, it was more easily transported than a conventional harpsichord. The folding took place on hinges and was in the longitudinal dimension, preserving the tension on the strings. The folded instrument formed a package about the size of a large suitcase. [1]
It is sometimes called by its French equivalent, clavecin brisé, which means "broken harpsichord," or by the German term, Reisecembalo, which means "travel harpsichord."
As can be seen in the first illustration, the folding harpsichord is built in three separate sections. The folding scheme relies on the fact that the two smaller sections each terminate with a sharply angled segment at the end away from the player. A hinge is placed connecting the far apex of the smallest section to its neighbor. When the smallest section is fully rotated counterclockwise on this hinge, its angled segment abuts that of its neighbor (the join can be seen on in the detail figure below). At this point, the two smaller sections form a single rectangle, similar in size to the longest section. This larger rectangle is then folded vertically on additional hinges (visible) so that it is aligned with the longest section. Once the keyboards are slid inward like drawers and the end covers are folded shut, the instrument is in its compact and portable form.
It is not certain who invented the folding harpsichord. In 1700, the French harpsichord maker Jean Marius presented his instrument to the Académie des Sciences, and was granted a 20-year patent for it. [2] However, Laurence Libin found tentative evidence that the original inventor was a builder named Giuseppe Mondini, a cleric from Imola, Italy who worked in the 17th century. [3]
Marius's claim to be the original inventor was disputed at the time he made it by the Paris guild of instrument makers, to which he did not belong. Marius succeeded in fending off the guild's legal challenge and "registered his letters patent from the king in the parliament of Paris (on 30 Sept 1702)." (Cohen 2009b).
Among the early owners of a folding harpsichord were the Medici family of Florence. An inventory of the Medici instruments made by Bartolomeo Cristofori in 1716 records the presence of one in the collection; Libin judges that it was probably made by Marius. The instrument was likely the purchase of Grand Prince Ferdinando, an avid collector of musical instruments under whose auspices Cristofori invented the piano. [4]
Frederick the Great of Prussia, a devotee of both war and music, took a folding harpsichord with him on his campaigns. [5] The instrument belonged to his grandmother, Queen Sophia Charlotte. As Kottick observes "it is fairly complex for a traveling instrument"; [2] there are three choirs of strings (disposition 2 x 8', 1 x 4'). The range is GG/BB to c3, with a short octave in the bass. [2] Kottick also notes: "It even includes a device to give the tuning note. The atypical soundboard painting consists of not only flowers and insects, [6] but also wrought-iron patterns and figures from the commedia dell'arte, one of whom is doing something naughty to another." [2]
A folding harpsichord may have been owned by Prince Leopold of Anhalt-Cöthen during the time he employed Johann Sebastian Bach as his Kapellmeister. The prince took Bach and his musicians with him when he traveled. [7] A record from the Cöthen court shows a payment to Bach (March 1723) for requilling the plectra of "das Reise Clavesin" ("the traveling harpsichord"). [8]
The famous castrato Farinelli (Carlo Broschi) owned two folding harpsichords, mentioned in his will from 1782. [4]
In modern times, portability continues to be an issue for harpsichordists, and the Italian builder Augusto Bonza has produced new instruments modeled after an original built ca. 1700 by Carlo Grimaldi (see below). Bonza's full-size folding harpsichord weighs about 10 kilograms (22 pounds) and fits within a space of 110 by 23.5 cm. [9]
According to Libin, "documentary evidence and surviving examples confirm that folding harpsichords were esteemed outside France as well as within." [4] However, folding harpsichords have not always been positively assessed by modern scholars. Kottick and Lucktenberg judge that "their utility was no doubt balanced by their somewhat dubious musical worth." [5] Good calls them "convenient for traveling but for little else." [13] Libin's own verdict is less harsh; they "sacrifice loudness for convenience of transport". [14]
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: CS1 maint: archived copy as title (link)A harpsichord is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute.
Bartolomeo Cristofori di Francesco was an Italian maker of musical instruments famous for inventing the piano.
A spinet is a smaller type of harpsichord or other keyboard instrument, such as a piano or organ.
A fortepiano[ˌfɔrteˈpjaːno], sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose today in specialist workshops.
A clavicytherium is a harpsichord in which the soundboard and strings are mounted vertically facing the player. The primary purpose of making a harpsichord vertical is the same as in the later upright piano, namely to save floor space. In a clavicytherium, the jacks move horizontally without the assistance of gravity, so that clavicytherium actions are more complex than those of other harpsichords.
Wolfgang Joachim Zuckermann was a German-born American harpsichord maker and writer. He was known for inventing a highly popular kit for constructing new instruments and wrote an influential book, The Modern Harpsichord. As a social activist, he authored books including The Mews of London and The End of the Road.
Gottfried Silbermann was a German builder of keyboard instruments. He built harpsichords, clavichords, organs, and fortepianos; his modern reputation rests mainly on the latter two.
Pascal-Joseph Taskin was a Belgium-born French harpsichord and piano maker.
The oval spinet is a type of harpsichord invented in the late 17th century by Bartolomeo Cristofori, the Italian instrument maker who later achieved fame for inventing the piano. The oval spinet was unusual for its shape, the arrangement of its strings, and for its mechanism for changing registration.
Hieronymus Albrecht Hass was a German harpsichord and clavichord maker. He was the father of Johann Adolph Hass, who also made harpsichords and clavichords.
The harpsichord was an important keyboard instrument in Europe from the 15th through the 18th centuries, and as revived in the 20th, is widely played today.
The spinettone was a kind of harpsichord invented in the late 17th century by Bartolomeo Cristofori, who was later the inventor of the piano. Other names for this instrument were spinettone da teatro, spinetta traversa.
Conrad Graf was an Austrian-German piano maker. His pianos were used by Beethoven, Chopin, and Robert and Clara Schumann, among others.
Gabriel Anton Walter was a builder of pianos. The Grove Dictionary of Music and Musicians describes him as "the most famous Viennese piano maker of his time".
John Challis (1907–1974) was an American builder of harpsichords and clavichords, at one time the only such maker of harpsichords in the United States.
Ioes Karest was a Flemish harpsichord builder.
(Franz Hermann) Martin Skowroneck was a German harpsichord builder, one of the pioneers of the modern movement of harpsichord construction on historical principles.
Edward (Leon) Kottick is a leading expert on the harpsichord and the author of three widely read books on the subject. He is a retired musicology professor at the University of Iowa in Iowa City and is an experienced builder of harpsichords.
Leopoldo Franciolini (1844–1920) was an Italian antique dealer who was active in the late 19th and early 20th centuries. He is remembered as a fraudster who sold faked and altered historical musical instruments. To this day his work is a barrier to the scholarly study of instruments of the past.
Girolamo Zenti was an Italian harpsichord maker and organ builder in the 17th century. He is known as the probable inventor of the bentside spinet and for having traveled unusually extensively to practice his trade at the courts of Europe, including Rome, Florence, Paris, London and Stockholm.