During the last three decades of the 19th century, Ira D. Sankey partnered Dwight Moody in a series of religious revivalist campaigns, mainly in North America and Europe. Moody preached, Sankey sang; as part of his musical ministry, Sankey collected hymns and songs, and in 1873 published in England the original edition of Sacred Songs and Solos , a short collection of 24 pages containing some of the favourite hymns that Sankey had introduced during the first Moody and Sankey evangelistic tour of Britain, in 1873–1875. Over the following years new, expanded editions of Sacred Songs were produced, containing many standard hymns as well as revivalist songs, the final edition from the 1900s containing 1,200 pieces. Sankey wrote the words for very few of these, but he composed and/or arranged new tunes for many of the hymns in the collection, particular for those written by Fanny Crosby. The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
Hymn No. [2] | Hymn title [2] | First line [2] | Words [2] [n 1] | Notes |
---|---|---|---|---|
8 | Grace! 'tis a charming sound | P. Doddridge and A.M. Toplady | ||
35 | Room for Thee | Thou didst leave Thy throne and thy Kingly crown | E.S. Elliott | |
39 | Tell the Glad Story Again! | Tell the glad story of Jesus | Julia Sterling* | |
43 | Tell me the story of Jesus | F.J. Crosby | ||
48 | Jesus knows thy sorrow | W.O. Cushing | ||
49 | The Love of Jesus | What a blessed hope is mine | Robert Bruce* | |
54 | Song of Immanuel | Come, sing the sweet song of the ages | Mrs R.N. Turner | |
62 | Seeking for the Lost | He is seeking for the lost | Rebecca R. Springer | |
71 | Oh, precious words that Jesus said | F.J. Crosby | ||
76 | O love that passeth knowledge | Lyman G Cuyler* | ||
83 | Blessed Redeemer, full of compassion | F.J. Crosby | ||
96 | Oh, wondrous Name by prophets heard | Julia Sterling* | ||
97 | The Ninety and Nine | There were ninety and nine that safely lay | Elizabeth C. Clephane | |
104 | The Lily of the Valley | I've found a friend in Jesus | C.W. Fry | Tune from unknown source arranged by Sankey [4] |
114 | Room at the Cross | Look away to the cross of the Crucified One | F.J. Crosby | |
125 | The Cleansing Fountain | Behold a fountain deep and wide | Ira D. Sankey | |
128 | Substitution | O Christ, what burdens bow'd thy head | Mrs A.R. Cousin | |
139 | The Cross of Jesus | Beneath the cross of Jesus | Elizabeth C. Clephane | |
159 | What a Gathering! | On that bright and golden morning when the Son of Man shall come | F.J. Crosby | |
164 | The King is Coming | Rejoice! Rejoice! Our King is coming | Rian A. Dykes* | |
170 | Waiting for Thy Coming | We are waiting, blessed Saviour | F.J. Crosby | |
172 | He is coming, the Man of Sorrows | Alice Monteith* | ||
174 | When the King Shall Come | Oh, the weary night is waning | F.J. Crosby | |
186 | Coming | O watchman on the mountain height | W.O. Cushing | |
192 | Holy Spirit, lead us now | John H. Yates | ||
195 | Come, Holy Spirit, like a dove descending | Robert Bruce* | ||
200 | Descend, O Flame of sacred fire | F.J. Crosby | ||
206 | We praise thee, we bless Thee, our Saviour Divine. | F.J. Crosby | Arranged by Sankey from a tune by Thomas Koschat (1845–1914) [5] | |
210 | Glory ever be to Jesus | Ira D. Sankey | ||
211 | Redeemed! | Redeem'd from death, redeem'd from sin | S.F. Smith | |
220 | Praise the Lord and worship Him, a song prepare | F.J. Crosby | ||
231 | Hark, hark, my soul! angelic songs are swelling | F.W. Faber | Arranged by Sankey and Charles Crozat Converse [6] | |
233 | God is Love! His Word proclaims it | Julia Sterling* | ||
234 | Let us sing again the praise of the Saviour | Lyman G. Cuyler* | ||
236 | Come, and let us Worship | Come, oh come and let us worship | Lyman G. Cuyler* | |
238 | A Song of Praise | God of love and God of might | R.F. Gordon | |
247 | Oh serve the Lord with gladness | F.J. Crosby | ||
250 | How Can I Keep from Singing? | My life flows on in endless song | R. Lowry | |
257 | Oh, tell me the story that never grows old | James M. Gray | ||
264 | Oh Wonderful Word | Oh, wonderful, wonderful Word of the Lord | Julia Sterling* | |
266 | Thanks for the Bible | Thanks for Thy Word, O blessed Redeemer | F.J. Crosby | |
293 | Once more at rest, my peaceful thoughts are blending | F.J. Crosby | ||
294 | An Evening Prayer | Stealing from the world away | Ray Palmer | |
304 | Simeon | Let us sing of the wonderful mercy of God | Lyman G. Cuyler* | |
308 | Oh welcome, hour of prayer | John H. Yates | ||
312 | Once more, O Lord, we pray | W.O. Cushing | ||
315 | For the tempted, Lord, we pray | Mrs M.H. Gates | ||
324 | Bless This Hour of Prayer | Lord, we gather in Thy name | F.J. Crosby | |
328 | Hear us, O Saviour, while we pray | F.J. Crosby | ||
335 | Why not Tonight? | Oh, do not let the Word depart | Miss E. Reed | |
346 | Not far, not far from the Kingdom | |||
348 | Why waitest thou, O burdened soul | F.J. Crosby | ||
349 | Come, oh come with thy broken heart | F.J. Crosby | ||
350 | I Am Praying For You | I have a Saviour, he's pleading in glory | S. O'M. Clough | |
353 | The Story Must Be Told | Oh, the precious gospel story | F.J. Crosby | |
361 | Behold, behold the wondrous love | F.J. Crosby | ||
383 | Whoever Will! | O wandering souls, why will you roam | Alice Monteith* | |
387 | Take the wings of the morning | Robert Lowry | ||
391 | Call them in – the poor, the wretched | Anna Shipton | ||
394 | Wilt thou not come, O soul oppressed | Ira D. Sankey | ||
395 | The Harbour Bell | Our life is like a stormy sea | John H. Yates | |
397 | Look unto Me, and be ye saved! | W.P. MacKay | ||
402 | Believe and Obey! | Press onward, press onward, and trusting the Lord | Julia Sterling* | |
407 | Come, thou weary, Jesus calls thee | S.C. Morgan | ||
413 | Oh, What a Saviour! | Come to the Saviour, here His loving voice | Julia Sterling* | |
419 | Whosoever Calleth | Oh hear the joyful message | Julia Sterling* | |
423 | Come, Wanderer, Come | Why perish with cold and with hunger? | Mary A. Baker | |
429 | Yet there is room! The Lamb's bright hall of song | Horatius Bonar | Sankey records this as the first gospel song he composed (1874). [7] | |
432 | The Handwriting on the Wall | At the feast of Belshazzar and a thousand of his lords | Knowles Shaw | Sankey's arrangement of Shaw's original tune [8] |
436 | Oh, give thy heart to Jesus | W.O. Cushing | ||
438 | Look not behind thee; O sinner, beware! | F.J. Crosby | ||
444 | The Father's House | O wanderer, come to the Father's home! | W.O. Cushing | |
447 | Welcome, Wanderer, Welcome! | In the land of strangers | Horatius Bonar | |
449 | Tenderly Pleading | Turn thee, O lost one, careworn and weary | F.J. Crosby | |
459 | Believe ye that He is Able? | O souls in darkness groping | Julia H. Johnson | |
463 | The Prodigal's Return | Afflictions, tho' they seem severe | John Newton | Tune from unknown source, arranged by Sankey [9] |
465 | Room for Jesus | Hast thou no room within thy heart | John H. Yates | |
467 | I come, O blessed Lord | Ellen K. Bradford | ||
468 | Jesus, I will trust Thee | Mary J. Wilson | ||
476 | Take Me as I Am | Jesus my Lord, to Thee I cry | Eliza H. Hamilton | |
481 | I am Coming | Lone and weary, sad and dreary | Allie Starbright | |
492 | Jesus Christ is passing by | J. Denham Smith | ||
495 | O Blessed Lord, I Come | O Jesus, Saviour, here my call | F.J. Crosby | |
507 | Onward, upward, homeward | Albert Midlane | ||
517 | God will take care of you | F.J. Crosby | ||
519 | Hiding in Thee | Oh, safe to the Rock that is higher than I | W.O. Cushing | |
527 | My Hiding Place | Thou art, O Lord, my Hiding Place | R. Hutchinson | |
531 | In the shadow of the Rock | Ray Palmer | ||
532 | Take Thou my hand and lead me | Julia Sterling* | ||
535 | He Will Safely Hide Me | In the Secret of His presence He will hide me | F.J. Crosby | |
539 | A Shelter in the Time of Storm | The Lord's our Rock, in Him we'll hide | V.J.C. | |
541 | Under His Wings | Under His wings I am safely abiding | W.O. Cushing | |
544 | Where my Saviour Leads | Where my Saviour's hand is guiding | F.J. Crosby | Tune of unknown origin arranged by Sankey [10] |
546 | The Shadow of the Rock | Lead to the shadow of the Rock of Refuge | F.J. Crosby | |
551 | Firm as a Rock that is in the mighty ocean | F.J. Crosby | ||
559 | The Lord is my Refuge, my Strength and Shield | F.J. Crosby | ||
579 | Near to Thee | Thou whose hand thus far has led me | Julia Sterling* | |
620 | It passeth knowledge, that dear love of Thine | Mary Shekelton | ||
631 | Let us Walk in the Light | There is a Light, a blessed Light | F.J. Crosby | Tune of unknown origin arranged by Sankey [11] |
636 | Help me, O Lord, the God of my salvation | F.J. Crosby | ||
651 | Precious Thoughts | To the cross of Christ I cling | Mary Tilden* | |
670 | Onward, soldiers, onward today! | F.J. Crosby | ||
672 | A Soldier of the Cross | Am I a soldier of the Cross | Isaac Watts | |
677 | The Ship of Temperance | Take courage, temperance workers | John G. Whittier | |
678 | A Song for Water Bright | A song, a song for water bright | G. Cooper | |
682 | Faith is the Victory | Encamped along the hills of light | John H. Yates | |
686 | Be ye strong in the Lord | E. Nathan | ||
693 | Onward, Upward | Onward, upward, Christian soldier | F.J. Crosby | |
699 | O brother, life's journey beginning | Ira D. Sankey | ||
702 | Out of Darkness into Light | Long in darkness we have waited | W.O. Lattimore | |
709 | Able to Deliver | O troubled heart, be thou not afraid | F.J. Crosby | |
712 | O child of God, wait patiently | Alice Monteith* | ||
716 | Thy Saviour Knows Them All | O troubled heart, there is a balm | F.J. Crosby | |
720 | Paul and Silas | Night has fallen on the city | P.P. Bliss | |
722 | The Many Mansions | How oft our souls are lifted up | Charles Bruce* | |
724 | How dear to my heart, when the pathway is lonely | F.J. Crosby | Tune of unknown origin arranged by Sankey [12] | |
725 | All, All is Well | Where'er my Father's hand may guide me | W. Robert Lindsay* | |
732 | Rest in the Lord | Rest in the Lord, O weary, heavy-laden | F.J. Crosby | |
739 | My Great Physician | Thou art my great Physician | F.J. Crosby | |
756 | The Master's Call | Behold, the Master now is calling | Julia Sterling* | |
758 | Gather the Golden Grain | Leave not for tomorrow the work of today | F.J. Crosby | |
760 | Is thy cruse of comfort failing? | Mrs E.R. Charles (arr.) | ||
766 | Gather in the Sheaves | In the early morning/Verdant fields adorning | Robert Bruce* | |
771 | Cast thy bread upon the waters | Anonymous | ||
775 | They that be Wise | Oh list to the voice of the Prophet of old | F.J. Crosby | |
782 | Who will man the life-boat? | C.E. Breck (arr.) | ||
792 | Who is on the Lord's side? | Frances R. Havergal | ||
796 | Where the Saviour leads | If in the valley where the bright waters flow | F.J. Crosby | |
798 | Only Remembered | Fading away like the stars of the morning | Horatius Bonar | |
802 | While the days are going by | George Cooper | ||
808 | There is joy in the Saviour | There is joy in the service of Jesus our Lord | Lyman G. Cuyler* | |
816 | Speak to them gently | Speak gently, speak gently, oh grieve not again | F.J. Crosby | |
818 | Not now, my child! A little more rough tossing | Mrs Pennefather | ||
822 | Wells of Salvation | With joy I draw from out God's well | Phoebe A. Holder | |
828 | Trav'lling to the better land | Ira D. Sankey (arr.) | ||
830 | Light after darkness, gain after loss | Francis R. Havergal | ||
834 | Press On | Press on, press on, O pilgrim | F.J. Crosby | |
836 | Trusting Jesus | Simply trusting every day | E. Page | |
838 | Children of the heavenly King | J. Cennick | Arranged by Sankey from a tune by T.C. O'Kane [13] | |
839 | Only to Know | Only to know that the path I tread | Allie Starbright | |
846 | I Know he is Mine | A long time I wander'd in darkness and sin | P.P. Bliss | |
850 | I came a wanderer and alone | Julia Sterling* | ||
851 | We have a firm foundation | Lyman G. Cuyler* | ||
860 | Thy Hand Upholdeth Me | I know Thy hand upholdeth me | F.J. Crosby | |
864 | I am Redeemed | I am redeemed, oh, praise the Lord | Julia Sterling* | |
876 | It came to me one precious day | E.S. Ufford | ||
886 | Joy in Sorrow | I've found a joy in sorrow | J. Crewdson | |
899 | He has Taken my Sins Away | I will praise the Lord with heart and voice | Lyman G. Cuyler* | |
903 | Full Assurance | Drawing near with full assurance | D.W. Whittle | |
910 | A Little While | Oh for the peace that floweth as a river | J. Crewdson | |
912 | Gathered Home | Shall we all meet at home in the morning? | Ira D. Sankey (arr.) | |
927 | After the darkest hour | M.R. Tilden* | ||
928 | When the Shadows Flee Away | We are marching to a city | Julia Sterling* | |
930 | Far away beyond the shadows | Julia Sterling* | ||
933 | Just beyond the silent river | Ira D. Sankey | ||
945 | When the Mists have Rolled Away | When the mists have rolled in splendour | Annie Herbert | |
951 | Still, still with Thee, when purple morning breaketh | Harriet B. Stowe | ||
958 | A Song of Heaven and Homeland | Sometimes I hear strange music | E.E. Rexford | |
963 | Where God and the Angels are | There may be stormy days | L.W. Mansfield | |
971 | The Homeland Shore | Far, far beyond the storms that gather | F.J. Crosby | Arranged by Sankey from a tune by S.C. Foster [14] |
974 | Never Say Good-bye | Oh, blessed home where those who meet | F.J. Crosby | |
977 | How Long? | The weary hours like shadows come and go | Sarah Doudney | |
979 | The Everlasting Hills | Oh, the music rolling onward | F.J. Crosby | |
985 | Beyond the sea, life's boundless sea | W.O. Cushing | ||
989 | There is a Paradise of rest | W.R. Lindsay* | ||
993 | Do They Know? | In the land where the bright ones are gathered | W.O. Cushing | |
996 | Come up Higher | Climbing up the steepsa of glory | W.O. Cushing | |
997 | Oh world of joy untold | F.J. Crosby | ||
1002 | Songs of gladness – never sadness | Horatius Bonar | ||
1018 | O Homeland! O Homeland! | Lucy Rider Meyer | ||
1024 | Ten thousand times ten thousand | Dean Alford | ||
1025 | Out of the shadow-land, into the sunshine | Ira D. Sankey | ||
1026 | There'll be no dark valley when Jesus comes | W.O. Cushing | ||
1028 | The Resurrection Morn | On the Resurrection morning | Sabine Baring-Gould | |
1029 | Only waiting till the shadows | Mrs Frances L. Mack | ||
1034 | Grand in the song of the Easter morn | Anna D. Walker | ||
1038 | Through the Valley of the Shadow | I must walk through the valley of the shadow | Ira D. Sankey | |
1041 | The Christian's "Good-night" | Sleep on, beloved, sleep, and take thy rest | Sarah Doudney | |
1043 | Eternity! | Oh, the clanging bells of time! | Mrs E.H. Gates | |
1058 | The Bountiful Harvest | We praise Thee O Lord, for the bountiful harvest | F.J. Crosby | |
1073 | Tell it Out! | Tell it out among the nations that the Lord is King | Frances R. Havergal | Arranged by Sankey from a tune by F.R. Havergal [15] |
1081 | The Lord is King! | Hear the everlasting song | Julia Sterling* | |
1083 | Thou shalt Reign! | Great Jehovah, mighty Lord | F.J. Crosby | |
1085 | Send the Gospel Light | Send the Light, oh, send it quickly | F.J. Crosby | |
1091 | Words of Cheer | We come today from near and far | Allen A. Judson* | |
1097 | Army of Endeavour, hear the trumpet call | Ira D. Sankey | ||
1098 | The Christian Endeavour Army | On, march on, O Army of Endeav'rers! | F.J. Crosby | |
1099 | Walking in the sunshine, beautiful and bright | W.R. Lindsay* | ||
1100 | Endeavouer's Marching Song | Christian soldiers all, hear our Leader's call | F.J. Crosby | |
1103 | Onward, O Junior Endeav'rers | F.J. Crosby | ||
1106 | Oh, help me tell the story | Edward Shiras | ||
1108 | Our Christian Band | With cheerful songs and hymns of praise | Lyman G. Cuyler* | |
1112 | Work and Pray | Let us work and pray together | Julia Sterling* | |
1118 | This is our Endeavour | Lonely hearts to comfort, weary lives to cheer | F.J. Crosby | |
1123 | Our Junior Band is marching on | F.J. Crosby | ||
1157 | Hark! hark! the song from youthful voices breaking | Julia Sterling* | ||
1159 | We Will Follow Thee | Saviour, where thou leadeth | F.J. Crosby | |
1188 | If I were a voice, a persuasive voice | Charles Mackay |
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes. Including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century.
Ira David Sankey was an American gospel singer and composer, known for his long association with Dwight L. Moody in a series of religious revival campaigns in America and Britain during the closing decades of the 19th century. Sankey was a pioneer in the introduction of a musical style that influenced church services and evangelical campaigns for generations, and the hymns that he wrote or popularized continued to be sung well into the 21st century.
Frances Jane van Alstyne, more commonly known as Fanny J. Crosby, was an American mission worker, poet, lyricist, and composer. She was a prolific hymnist, writing more than 8,000 hymns and gospel songs, with more than 100 million copies printed. She is also known for her teaching and her rescue mission work. By the end of the 19th century, she was a household name.
"How Can I Keep From Singing?" is an American folksong originating as a Christian hymn. The author of the lyrics was known only as 'Pauline T', and the original tune was composed by American Baptist minister Robert Lowry. The song is frequently, though erroneously, cited as a traditional Quaker or Shaker hymn. The original composition has now entered into the public domain, and appears in several hymnals and song collections, both in its original form and with a revised text that omits most of the explicitly Christian content and adds a verse about solidarity in the face of oppression. Though it was not originally a Quaker hymn, Quakers adopted it as their own in the twentieth century and use it widely today.
George Frederick Root was an American songwriter, who found particular fame during the American Civil War, with songs such as "Tramp! Tramp! Tramp!" and "The Battle Cry of Freedom". He is regarded as the first American to compose a secular cantata.
Kingdom songs are the hymns sung by Jehovah's Witnesses at their religious meetings. Since 1879, the Watch Tower Society has published hymnal lyrics; by the 1920s they had published hundreds of adapted and original songs, and by the 1930s they referred to these as "Kingdom songs" in reference to God's Kingdom.
Philip Paul Bliss was an American composer, conductor, writer of hymns and a bass-baritone Gospel singer. He wrote many well-known hymns, including "Hold the Fort" (1870), "Almost Persuaded" (1871); "Hallelujah, What a Saviour!" (1875); "Let the Lower Lights Be Burning"; "Wonderful Words of Life" (1875); and the tune for Horatio Spafford's "It Is Well with My Soul" (1876). Bliss was a recognized friend of D. L. Moody, the famous Chicago preacher. Bliss died in the Ashtabula River Railroad Disaster on his way to one of Moody's meetings. An outspoken Abolitionist, he served as a Lieutenant during the American Civil War.
Robert Lowry was an American preacher who became a popular writer of gospel music in the mid- to late-19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
The Redemption Hymnal is a red-covered hymnbook containing 800 evangelical hymns, first published by the Elim Publishing House in London, in 1951. The hymnal was compiled by a committee of leaders from the three main Pentecostal denominations in the United Kingdom: Assemblies of God in Great Britain, Elim Pentecostal Church and the Apostolic Church (denomination). It is strongly associated with the emergence of the Pentecostal movement in the United Kingdom.
Sacred Songs and Solos is a hymn collection compiled by Ira David Sankey, who partnered Dwight Lyman Moody in a series of evangelical crusades from 1870 until Moody's death in 1898. The collection first appeared in 1873, and has subsequently been published in many editions and formats, expanding to a final volume of 1200 pieces that appeared around 1907. Although the publication was and is popularly known as Sankey and Moody's Songs, or The Sankey-Moody Hymnbook, many of the tunes and lyrics are by other authors, and the volume includes many standard church hymns. Around 200 of the tunes were written or arranged by Sankey.
To God Be the Glory is a hymn with lyrics by Fanny Crosby and tune by William Howard Doane, first published in 1875.
"Gwahoddiad" is a Welsh hymn of American origin.
"The Lily of the Valley" is a Christian hymn written by William Charles Fry (1837–1882) in London for the Salvation Army. Ira D. Sankey arranged the words to the music of "The Little Old Log Cabin In The Lane" composed by Will Hays.
Edwin Othello Excell, commonly known as E. O. Excell, was a prominent American publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings during the late nineteenth and early twentieth centuries. Some of the significant collaborators in his vocal and publishing work included Sam P. Jones, William E. Biederwolf, Gipsy Smith, Charles Reign Scoville, J. Wilbur Chapman, W. E. M. Hackleman, Charles H. Gabriel and D. B. Towner.
George Coles Stebbins (1846–1945) was a gospel song writer. Stebbins was born February 26, 1846, in Orleans County, New York, where he spent the first 23 years of his life on a farm. In 1869 he moved to Chicago, Illinois, which marked the beginning of his musical career.
Lewis Hartsough was a Methodist evangelist and gospel song writer.
Hubert Platt Main (1839-1925) MA D.D. was a hymn writer and publisher.
Lydia Baxter was an American poet and hymnwriter. She is chiefly remembered as the author of "The Gate Ajar for Me" and other Sunday school hymns, which became widely known and very popular. This song in particular, and some events associated with it, influenced Ira D. Sankey, American gospel singer and composer, to write his first hymn.