Works |
---|
Landscapes by Frank Weston Benson are one of the types of art work made by Frank Weston Benson. He also made portraits, waterscapes, wildlife, interiors and other works of art.
In 1888 Benson married Ellen Perry Peirson. Together they had four children: Eleanor (born 1890), George (born 1891), Elisabeth (born 1892) and Sylvia (born 1898). The Benson family spent 7 summers starting in 1893 in Newcastle, New Hampshire. Starting 1901 the Benson family stayed at Wooster Farm on New Haven Island on Penobscot Bay in Maine and in 1906 they bought the property. [1] Benson enjoyed creating idyllic paintings of his family out of doors at their summer home in New Haven, Maine. One daughter noted that "Papa would often have us put on our best white dresses and then ask us to sit in the grass or play in the woods. We thought it was so silly and the maids made such a fuss when they saw the clothes afterwards." [2]
Just at the turn of the century, Benson made Impressionist paintings of his children, Eleanor, Elisabeth, George and Sylvia at their summer home on New Haven Island in Maine. His work was well received by critics and collectors and won awards. Benson, eager to paint his children on sunny days, often asked his daughters to don their best white dresses and sit in the grass or play in the woods.
Between 1890 and 1898 Benson produced many en plein air landscape and seascape paintings of New Hampshire, including the Mount Monadnock, New Castle and Portsmouth regions. [3]
Title | Image | Medium | Year | Collection | Comments and SIRIS ID [nb 1] |
---|---|---|---|---|---|
Landscape | 1890–1898 | ||||
Mount Monadnock | oil on canvas | c. 1890 | 24 in x 30 in (61 cm x 76.2 cm) Scene: Mount Monadnock, NH. | ||
Mount Monadnock | oil on canvas | c. 1890 | 16 in x 20 in (40.6 cm x 50.8 cm) Scene: Mount Monadnock, NH. SIRIS Control Number 89170057 [4] | ||
View in Mexico near Santiago | Online image [5] | oil on canvas | 1898 | 5.5 in x 10 in (14 cm x 25.4 cm) | |
Benson Family at Wooster Farm | 1901 | Chazen Museum of Art, University of Wisconsin-Madison, Madison, WI | 24.9 in x 29.9 in (63.2 cm x 75.9 cm). Scene: artist's family at Wooster Farm, North Haven, ME. | ||
Evening Light | oil on canvas | 1908 | Cleveland Museum of Art, Cleveland, OH | 25.3 in x 30.5 in (64.3 cm x 77.5 cm) Benson's wife, Ellen, and four children walk across a meadow in the painting Evening Light. Eleanor waits on the left for her mother and other children to walk towards her. George has a fishing pole carried over his shoulder. [6] SIRIS Control Number 89170043 [4] | |
The House at North Haven (or Wooster Farm) (or The Farm at North Haven) | Online image [7] | 1912 | 30.5 in x 49 in (77.5 cm x 124.5 cm) Scene: white farmhouse nestled in trees in middle-ground with seascape in distance. SIRIS Control Number 89170067 [4] | ||
The High Carry | etching/prints | 1915 | Museum of Fine Arts, Boston, Boston, MA | 9.9 in x 7.9 in (25.1 cm x 20.1 cm). Scene: 3 figures traveling in mountainous landscape; one figure is porting canoe. | |
The Hillside (or Reading in Sun and Shade) | oil on canvas | 1921 | 25.1 in x 30.3 in (63.8 cm x 77 cm). Scene: landscape near coast with female figure reclining on grassy hillside, pink parasol held over her head as she reads; overhead are billowy clouds in clear blue sky; on left, glimpse of ocean. SIRIS Control Number 82190634 [4] | ||
River Scene | oil on canvas | 1921 | Scene: river winds through countryside. | ||
Cedars | watercolor, brush and blue | c. 1921 | Museum of Fine Arts, Boston, MA | 14.9 in x 21.6 in (37.8 cm x 54.9 cm) | |
Through the Willows | 1922 | ||||
Iris and Lilies | watercolor on paper | 1922 | 14.1 in x 20.6 in (35.8 cm x 52.3 cm) Scene: close-up of still pond water with lily pads and irises. Ellen, Benson's wife, planted water lilies and iris in a pond behind their summer home, Wooster Farm on North Haven Island, Maine, which was a frequent subject in Benson's paintings. [8] SIRIS Control Number 8A730023 [4] | ||
Meadows in Winter | watercolor on paper | 1922 | Museum of Fine Arts, Boston, MA | 13.8 in x 19.7 in (35.1 cm x 50 cm) Scene: winter landscape with patches of tall grass poking through snow-covered meadow and small stream winding into distance. SIRIS Control Number 20493114 [4] | |
Through the Willows | watercolor over graphite on paper | 1922 | Art Institute of Chicago, Chicago, IL | 16.2 in x 20.2 in (41.1 cm x 51.3 cm) | |
The Bridge | Online image [9] | drypoint etching on copper plate/print | 1923 | Cleveland Museum of Art, Cleveland, OH; Westmoreland Museum of American Art, Greensburg, PA; Achenbach Foundation for Graphic Arts, California Palace of the Legion of Honor, San Francisco, CA; Museum of Fine Arts, Boston, Boston, MA | 13.6 in x 10.7 in (34.5 cm x 27.2 cm) |
Snowladen Spruce (or Snow-laden Spruce) | Online image [10] | watercolor on paper | 1927 | Museum of Fine Arts, Boston, MA | 20.1 in x 25.1 in (51.1 cm x 63.8 cm) Scene: snowscape. SIRIS Control Number 89170040 [4] |
Wooster Farm | Online image [11] | watercolor on paper | 1927 | 15 in x 21.5 in (38.1 cm x 54.6 cm). Scene: close-up of front of house (artist's summer residence, North Haven, Maine) with bench's back facing viewer; trees at right. SIRIS Control Number 89170061 [4] | |
Dublin Woods | Online image [12] | oil on canvas | 1931 | 20 in x 17.9 in (50.8 cm x 45.5 cm) | |
Willow Trunks | watercolor, brush and blue | 1933 | Museum of Fine Arts, Boston, Boston, MA | 20.1 in x 24.9 in (51.1 cm x 63.2 cm) | |
Woman in White Gazing over a Cliffside | Online image [13] | oil on canvas | 17 in x 13 in (43.2 cm x 33 cm) Scene: small female figure in cliffside landscape. | ||
Amphitheater in the Park | Online image [14] | watercolor on paper | 6.3 in x 9 in (16 cm x 22.9 cm) | ||
Mountain Sleet | drypoint etching/print | 9.5 in x 11.7 in (24.1 cm x 29.7 cm) | |||
Six Blue Hills | drypoint etching/print | Museum of Fine Arts, Boston, Boston, MA | |||
Young Girl Picking Flowers at Springtime | Online image [15] | oil on board | |||
The Peabody Essex Museum (PEM) in Salem, Massachusetts, US, is a successor to the East India Marine Society, established in 1799. It combines the collections of the former Peabody Museum of Salem and the Essex Institute. PEM is one of the oldest continuously operating museums in the United States and holds one of the major collections of Asian art in the United States. Its total holdings include about 1.3 million pieces, as well as twenty-two historic buildings.
Frank Weston Benson, frequently referred to as Frank W. Benson, was an American artist from Salem, Massachusetts known for his Realistic portraits, American Impressionist paintings, watercolors and etchings. He began his career painting portraits of distinguished families and murals for the Library of Congress. Some of his best known paintings depict his daughters outdoors at Benson's summer home, Wooster Farm, on the island of North Haven, Maine. He also produced numerous oil, wash and watercolor paintings and etchings of wildfowl and landscapes.
Stephen Arnold Douglas Volk was an American portrait and figure painter, muralist, and educator. He taught at the Cooper Union, the Art Students League of New York, and was one of the founders of the Minneapolis School of Fine Arts. He and his wife Marion established a summer artist colony in western Maine.
Joseph Lindon Smith, was an American painter, best known for his extraordinarily faithful and lively representations of antiquities, especially Egyptian tomb reliefs. He was a founding member of the art colony at Dublin, New Hampshire.
The Guild of Boston Artists was founded in 1914 by a handful of Boston artists working in the academic and realist traditions. Among the founding members were Frank Weston Benson, William McGregor Paxton and Edmund C. Tarbell, who served as its first president through 1924. The organization holds exhibitions of its members' work several times a year as well as numerous one-person shows. Founded with the intention to promote the highest standards of quality, The Guild also hosts programs and competitions.
Alonzo Victor Lewis (1886–1946) was an American artist. He is primarily known for public sculptures in the State of Washington; he also painted in the Impressionist style.
The Essex Institute (1848–1992) in Salem, Massachusetts, was "a literary, historical and scientific society." It maintained a museum, library, historic houses; arranged educational programs; and issued numerous scholarly publications. In 1992 the institute merged with the Peabody Museum of Salem to form the Peabody Essex Museum.
Sunlight is an oil painting by Frank Weston Benson currently in the permanent collection at the Indianapolis Museum of Art.
Gardner (Cassatt) Held by His Mother is a drypoint print dated circa 1889 by the American painter, printmaker, pastelist, and connoisseur Mary Cassatt. The example illustrated is in the collection of the Cooper-Hewitt Museum and is a gift of Samuel Putnam Avery.
Mary Brewster Hazelton was an American portrait painter. She attended the School of the Museum of Fine Arts, Boston, where she was later an instructor. Among her other achievements, Hazelton was the first woman to win an award open to both men and women in the United States when she won the Hallgarten Prize from the National Academy of Design in 1896. Her portrait paintings are in the collections of the Massachusetts State House, Harvard University, Peabody Essex Museum, and Wellesley Historical Society. The professional organizations that Hazelton was affiliated with included the Wellesley Society of Artists, of which she was a founding member, and The Guild of Boston Artists, of which she was a charter member. She lived her adult life with her sisters in the Hazelton family home in Wellesley, Massachusetts.
Lucy Ellen Hayward Barker was an American painter.
Elizabeth Hamilton Huntington, was a 20th-century American painter best known for her still life and floral paintings, often executed in pastel on paper.