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Frank Weston Benson made Murals as well as portraits, waterscapes, wildlife, landscapes and other works of art.
Benson was commissioned by the Library of Congress of the United States in the 1890s; he completed murals of the Four Seasons and Three Graces for the project. [1]
| Title | Image | Year | Collection | Comments and SIRIS ID [nb 1] |
|---|---|---|---|---|
| Aglaia (or The Graces: Aglaia), mural |  | 1896 | Library of Congress, Washington, DC | Subject: Aglaia, patroness of Husbandry, seated in landscape, holding shepherd's crook. SIRIS Control Number 08480647. [2] |
| Euphrosyne (or The Graces: Euphrosyne), mural |  | 1896 | Library of Congress, Washington, DC | Subject: Euphrosyne, patroness of Beauty, seated in landscape, looking at herself in hand mirror. SIRIS Control Number 08480649 [2] |
| Thalia (or The Graces: Thalia), mural |  | 1896 08480648 | Library of Congress, Washington, DC | Subject: Thalia, patroness of Music, seated in landscape, holding lyre. |
| The Four Seasons, mural |    | 1896 | Library of Congress, Washington, DC | |
| Sketch for a Mural, oil on canvas |  | c. 1890 | Dimensions: 32.9 in x 40.1 in (83.6 cm x 101.9 cm). SIRIS Control Number 62641460 [2] |
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”
Willard Leroy Metcalf was an American painter born in Lowell, Massachusetts. He studied at the School of the Museum of Fine Arts, Boston, and later attended Académie Julian, Paris. After early figure-painting and illustration, he became prominent as a landscape painter. He was one of the Ten American Painters who in 1897 seceded from the Society of American Artists. For some years he was an instructor in the Women's Art School, Cooper Union, New York, and in the Art Students League, New York. In 1893 he became a member of the American Watercolor Society, New York. Generally associated with American Impressionism, he is also remembered for his New England landscapes and involvement with the Old Lyme Art Colony at Old Lyme, Connecticut and his influential years at the Cornish Art Colony.
William McGregor Paxton was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States.
Frank Weston Benson, frequently referred to as Frank W. Benson, was an American artist from Salem, Massachusetts known for his Realistic portraits, American Impressionist paintings, watercolors and etchings. He began his career painting portraits of distinguished families and murals for the Library of Congress. Some of his best known paintings depict his daughters outdoors at Benson's summer home, Wooster Farm, on the island of North Haven, Maine. He also produced numerous oil, wash and watercolor paintings and etchings of wildfowl and landscapes.
Save Outdoor Sculpture! (SOS!) was a community-based effort to identify, document, and conserve outdoor sculpture in the United States. The program was initiated in 1989 and ended in 1999.
Eve is an outdoor sculpture of the biblical Eve created by Robert William Davidson in 1931. It is currently located in a fountain at Ball Nurses' Sunken Garden and Convalescent Park on the campus of Indiana University-Purdue University Indianapolis (IUPUI). The overall dimensions of this bronze sculpture are 5’ tall, 2’ long, and 1’ wide.
East Gate/West Gate, a public sculpture by Sasson Soffer, is located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. This sculpture is on loan from the Indianapolis Museum of Art and was installed on campus on March 22, 2009. It was transported from the Indianapolis Museum of Art to its current location, in front of University Library, from the Indianapolis Museum of Art via helicopter. East Gate/West Gate was constructed in 1973 and consists of stainless steel pipe. Its dimensions are 24'x 40'x 30' and weighs 840 lbs.
Stumbling Man is an outdoor sculpture by American artist David K. Rubins (1902–1985) located on the grounds of the Indianapolis Museum of Art (IMA), which is near downtown Indianapolis, Indiana. The sculpture is cast bronze and is in the shape of a man crouched upon the ground.
Two Lines Oblique Down, Variation III is a kinetic artwork by American artist George Rickey and located at the Indianapolis Museum of Art, near downtown Indianapolis, Indiana. The sculpture was made in 1970, and it is constructed from stainless steel.
Sunlight is an oil painting by Frank Weston Benson currently in the permanent collection at the Indianapolis Museum of Art.
Mary Brewster Hazelton was an American portrait painter. She attended the School of the Museum of Fine Arts, Boston, where she was later an instructor. Among her other achievements, Hazelton was the first woman to win an award open to both men and women in the United States when she won the Hallgarten Prize from the National Academy of Design in 1896. Her portrait paintings are in the collections of the Massachusetts State House, Harvard University, Peabody Essex Museum, and Wellesley Historical Society. The professional organizations that Hazelton was affiliated with included the Wellesley Society of Artists, of which she was a founding member, and The Guild of Boston Artists, of which she was a charter member. She lived her adult life with her sisters in the Hazelton family home in Wellesley, Massachusetts.
Alice Kent Stoddard (1883–1976) was an American painter of portraits, landscapes, and seascapes. Many of her works, particularly portraits, are in public collections, including University of Pennsylvania's portrait collection, Woodmere Art Museum, and other museums. She lived and painted on Monhegan Island in Maine, an enclave of artists. During World War II, she worked as a combat artist and drafted designs for airplanes. She married late in life to Joseph Pearson, who had been a friend and taught at the Pennsylvania Academy of the Fine Arts.
Georgia O'Keeffe made a number of Red Canna paintings of the canna lily plant, first in watercolor, such as a red canna flower bouquet painted in 1915, but primarily abstract paintings of close-up images in oil. O'Keeffe said that she made the paintings to reflect the way she herself saw flowers, although others have called her depictions erotic, and compared them to female genitalia. O'Keeffe said they had misconstrued her intentions for doing her flower paintings: "Well – I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower – and I don't."
Bertha Sophia Menzler-Peyton (1871-1947) was an American painter active in Chicago, where she was born.