Georg Philipp Telemann was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him.
According to historical sources, Telemann may have written over 50 operas; however, only 35 works are of sufficient substance to appear in his catalogue of works (see below), and only nine of these are preserved complete.[1]
Akademie für Alte Musik Berlin is a German chamber orchestra founded in East Berlin in 1982. Each year Akamus gives circa 100 concerts, ranging from small chamber works to large-scale symphonic pieces in Europe's musical centers as well as on tours in Asia, North America and South America.
Between 1716 and 1767, Georg Philipp Telemann wrote a series of Passions, musical compositions reflecting on Christ's Passion – the physical, spiritual and mental suffering of Jesus from the hours prior to his trial through to his crucifixion. The works were written for performance in German churches in the days before Easter. A prolific composer, Telemann wrote over 40 Passions for the churches of Hamburg alone, of which 22 have survived according to the present state of research. He also wrote several Passion oratorios. Unlike the Passions intended for liturgical performance, they were not closely set to the literal text of the Gospels.
The Hamburgische Kapitänsmusik refers to a body of compositions by Georg Philipp Telemann. They comprise sacred oratorios and secular serenades. However, the oratorios were intended to be performed in a secular setting, the Hamburg Drillhaus, and their characters are almost exclusively allegorical. The Kapitänsmusik was written for the annual banquet of the Hamburg militia captains. The works span the period from 1723 to 1766, although many of the manuscripts have now been lost, and in several of those years no banquet was held. Although Telemann’s grandson Georg Michael Telemann inherited many autographs and manuscript copies of Telemann’s vocal works, the rest of his musical estate, including the Kapitänsmusik, was sold at an auction in Hamburg on September 6, 1769. Much of that material has since disappeared, and the auction catalogue has not survived. Of the 36 Kapitänsmusiken that Telemann wrote, only 10 oratorios plus a few separate pieces are extant today.
Adalbert Kraus is a German tenor in opera and concert, known for singing the works of Johann Sebastian Bach.
Ludger Rémy was a German harpsichordist, conductor and musicologist.
Michael Schneider is a German flautist, recorder player, conductor and academic teacher. He is especially connected with later Baroque repertoire such as the works of Telemann and with early Classical repertoire such as the works of Carl Philipp Emanuel Bach, and founded the orchestra La Stagione to perform and record such repertoire.
Flavius Bertaridus, König der Langobarden is an opera by Georg Philipp Telemann performed in Hamburg at the Oper am Gänsemarkt in 1729. It is Telemann's only surviving opera in the German equivalent of the opera seria genre.
Don Quichotte auf der Hochzeit des Comacho, TVWV 21:32, is a one-act comic serenata by Georg Philipp Telemann. The libretto by the student poet Daniel Schiebeler is based on chapter 20 of volume 2 of Cervantes's novel Don Quixote. The opera premiered on 5 November 1761 in Hamburg. When first performed, it was given the title: Don Quichotte auf der Hochzeit des Comacho; later it was also known as Don Quixote der Löwenritter.
Gensericus oder Sieg der Schönheit TVWV 21:10 is a comic German-language opera in three acts by Georg Philipp Telemann. It was performed at the Oper am Gänsemarkt, while Keiser was director. Unlike Orpheus and Flavius Bertaridus, the opera contains no Italian-language set piece arias. The librettist was Christian Heinrich Postel.
Emma und Eginhard, oder Die Last-tragende Liebe, TWV 21:25, is a German Singspiel in three acts by Georg Philipp Telemann performed in Hamburg at the Oper am Gänsemarkt in 1728. The librettist was Christoph Gottlieb Wend.
Das ist je gewißlich wahr, TWV 1:183, is a cantata by Georg Philipp Telemann. Due to an erroneous attribution to Johann Sebastian Bach, it appears in the Bach-Werke-Verzeichnis (BWV) as No. 141, but was moved to Anhang III, the Appendix of spurious works, in the 1990s second edition of that catalogue.
Ich weiß, daß mein Erlöser lebt, TWV 1:877, BWV 160, is a church cantata composed around 1725 by Georg Philipp Telemann for Easter Sunday, formerly attributed to Johann Sebastian Bach.
Christian Heinrich Postel was a German jurist, epic poet and opera librettist, who wrote 28 libretti for the Oper am Gänsemarkt in Hamburg: set by composers such as Johann Philipp Förtsch, Reinhard Keiser and Georg Philipp Telemann. His texts for a St John Passion were set by composers Christian Ritter, Johann Mattheson and Johann Sebastian Bach in their respective St John Passion.
Georg Melchior Hoffmann was a Baroque composer who was influential as the leader at the Collegium Musicum in Leipzig. His compositions have been mistaken for those of Johann Sebastian Bach.
A church cantata or sacred cantata is a cantata intended to be performed during a liturgical service. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers like Georg Philipp Telemann composed cycles of church cantatas comprising all 72 of these occasions. Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum amount of Sundays after Epiphany and the maximum amount of Sundays after Trinity could not all occur.
The Telemann-Werke-Verzeichnis, abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by Martin Ruhnke.
Georg Philipp Telemann's collection of Twelve Fantasias for Viola da Gamba Solo, TWV 40:26–37, was published in Hamburg in 1735, titled Fantaisies pour la Basse de Violle. The fantasias for viola da gamba were considered lost until an original print was found in a private collection in 2015. They were published by Edition Güntersberg in 2016, and first recorded and performed again by Thomas Fritzsch the same year.
Daniel Schiebeler was a German writer, poet, librettist and Protestant hymnwriter. He wrote librettos for operas and oratorios, set by composers such as Georg Philipp Telemann, Johann Adam Hiller and Carl Philipp Emanuel Bach.
Johann Balthasar König was a German Baroque composer, especially of hymn melodies, having published a hymnal with 1,913 melodies. He was the church musician at Frankfurt's main Protestant church, the Katharinenkirche, and the town's Kapellmeister. He was also closely associated with Georg Philipp Telemann.
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