This is a list of the 91 original (pre-war) Martin D-45s made by C.F. Martin & Co. between the years 1933 and 1942, generally recognized to be the most desired, and highly valued, acoustic guitars ever made; in American Guitars - An Illustrated History, author Tom Wheeler describes them as "among American guitar's irreplaceable treasures". [1] It is not known exactly how many still survive, however as information is available in print form or via web information, sale inventories, and so on, it can be collated here.
The listing of serial numbers presented below is from Mike Longworth's book "Martin Guitars - A History", [2] while associated information is from other sources as available, one particularly valuable source being the Martin D-45 Master List by Robert (Bob) Hamilton and Bruce Herrmann. [3] Instruments marked "[E]" are those known to exist according to either information contained herein or a separate version of the Martin D-45 Master List. [4]
s/n | Year | [E] | Description |
---|---|---|---|
53177 | 1933 | [E] | Special order for Gene Autry, "Gene Autry" on fingerboard, 12 fret model with slotted head and "torch" inlay on headstock, currently in the Autry National Center in Los Angeles (see illustration at right); photographs and other information available here. [5] This guitar was originally supplied to Mr. Autry at a cost of $210.00, including $10.00 extra for the pearl head and bridge inlay. [6] |
56394 | 1934 | [E] | Made for Jackie "Kid" Moore, 12 fret model with solid headstock featuring "torch" inlay. Presently in Hank Risan's Museum of Modern Instruments (MOMI) collection. [7] Featured in "Acoustic Guitar" "Great Acoustics" section, December 1999. [8] |
63715 | 1936 | [E] | First 14 fret model (14 frets clear of the body), special wide body (16 1/4 Inches). On loan to, and on display at, the Martin Museum in Nazareth from collector Sten Juhl according to. [9] [10] Shown in this video [11] from the Martin Museum. |
64890 | 1936 | [E] | D-45S Special wide body (16 1/4 Inches). Illustrated on p. 207 of Arlen Roth, "Complete Acoustic Guitar", 1985 (photo provided by Gruhn Guitars, Nashville), [12] also on p. 263 of the hardcover version of George Gruhn/Walter Carter book "Acoustic Guitars and Other Fretted Instruments" where it is credited to "Steve Shaw", therefore potentially included in the collection of the late Steven Kern Shaw (refer "Miscellaneous" section). |
65265 | 1937 | 2 pick guards according to the D-45 master list; current existence not known | |
67460 | 1937 | [E] | Third and last 12 fret model, all remainder are 14 frets; the only 12 fret instrument with solid (non slotted) head and vertical "C F Martin" inlay as per 14-fret models. Made for Harold A. Wagler, initials "HAW" in fingerboard. Illustrated on p. 248 of [13] and on page 263 of the hardcover version of George Gruhn/Walter Carter book "Acoustic Guitars and Other Fretted Instruments". Additional background information and photos of this guitar available here. [14] |
70592 | 1938 | [E] [4] | |
70593 | 1938 | [E] | Illustrated in the "Martin Guitar Book", also "The Vintage Guitar Vol. 3"; presently in the collection of Gary Rapoza; [15] |
70594 | 1938 | [E] | Previously owned by Ernest Tubb. Has additional rosewood overlay on headstock with "Texas Troubadour" in gold paint, "Ernest Tubb" in pearl lettering plus two non-original hexagon inlays in fingerboard, "THANKS" in large painted white letters (with green shadowing) across the back. Restored by Marty Lanham of the Nashville Guitar Company in 2020. [16] |
71039 | 1938 | [E] | Previously owned by Red Smiley, now in the collection of Mac Yasuda, [17] illustrations (from Japanese magazine) here. [18] This instrument has ornamental rhinestones inserted into the head, snowflake inlays have been replaced by more "modern" hexagons (engraved "RED" and "D-45" at the 12th and 19th frets, respectively), also the original D-45 back has been replaced by a later D-28 back at some point. Now in the collection of Mac Yasuda. Illustrated in his book "Rhinestones and Twanging Tones". |
71040 | 1938 | [E] | Owned at some point by David Bromberg, many repaired cracks in top, illustrated here. [19] At some time in Japan, illustrations (from Japanese magazine) here. [18] For sale at Gruhn in 2009 for $110,000 (inventory no. AA7972), additional discussion here. [20] Illustrated in M. Yasuda's book "Rhinestones and Twanging Tones". |
71041 | 1938 | [E] | Known to exist, cited in a post by John Arnold in this web page., [21] having been repaired in his workshop. It is cited as having forward-X bracing, snowflake inlay and being in excellent condition. |
71663 | 1938 | [E] | Special order with unique (?, for a D-45) sunburst top, tortoiseshell headstock veneer, F-9 (archtop) style hexagon fingerboard inlays (the latter later adopted as standard on D-45s from 1939 onwards) and additional white stripes on edges of fingerboard (also as per F-9 archtop). The "Teeter Guitar", owned at one time by noted repairman Don Teeter and illustrated on the cover his 1980 book "Acoustic Guitar: Adjustment, Care, Maintenance and Repair Volume II", [22] also featured on the cover of "Frets" magazine, May 1988 and in the "Encore" section of "Guitar Player" magazine, February 1992 [23] and as a foldout on page 49 of the 1st edition of Walter Carter's Martin book. Sold by Lark Street Music in 1987 for $18,000 according to this interview with Buzzy Levine; [24] presently in Hank Risan's Museum of Modern Instruments (MOMI) collection. [7] Some additional discussion of this instrument here [25] |
71664 | 1938 | [E] | Previously in Japan, illustrated on pp. 23–24 of the (Japanese) "Martin Vintage Guitar Guide", [26] pages also reproduced here. [27] Now in US. |
71665 | 1938 | [E] | "Possibly the last D-45 with snowflake inlays in fretboard", illustrated here. [3] illustrated in "The Vintage Guitar Vol. 3" |
72160 | 1939 | [E] | Formerly owned by Ernie Howery, Dave Portman and Jim Rickard; bought by Howery for $200 in the mid 1950s, then by Portman for $720 and a banjo in trade in 1962. [28] This instrument was used by Tony Rice on one track "I Don't Want Your Mandolins Mister" of his 1994 duet CD "Tone Poems" with David Grisman, and is illustrated on the cover of "Acoustic Guitar" magazine, January 1996, reproduced here. [29] Most recently in the collection of the late Steven Kern Shaw, now on display in the collection of instruments bequeathed by him to Belmont University, [30] as described and illustrated in this forum post. [31] |
72161 | 1939 | ||
72162 | 1939 | ||
72460 | 1939 | [E] | D-45S. The 'S' was for a 'special neck' which was narrower than 1 11/16", previously owned by Wilma Lee Cooper. Cited in a post by John Arnold in this web page, [21] having been for sale at Gruhn around 1990, in somewhat poor condition. Now extensively restored and refinished by TJ Thompson after 8 years, including addition of a thin layer of wood to the underside of the top to correct previous over-thinning. Formerly in the collection of Mac Yasuda; illustrated in his book "Rhinestones and Twanging Tones". Listed for sale at Carter Vintage Guitars, Nashville, as at March 2020, asking price $145,000. [32] |
72740 | 1939 | [E] | Known to exist, repaired by Martin during the period 1966-2001 according to this blog post. [33] |
72741 | 1939 | [E] | "Mother Maybelle", owned by Stephen Stills; [3] some additional information here. [34] |
72742 | 1939 | ||
73126 | 1939 | ||
73127 | 1939 | [E] [4] | |
73128 | 1939 | [E] | Owned at one time by Johnny Smith. [3] Seen at Gruhn Guitars, January 2013; [21] advertised for sale by Steve Swan Guitars, February 2015, [35] for $150,000, since sold; additional picture here [36] |
73129 | 1939 | [E] | Mentioned and illustrated in this thread, [37] for sale via Gruhn Guitars in 2012, asking price $185,000 (inventory no. AA8729). Purchased by Jim Irsay, CEO/Owner of the Indianapolis Colts. [38] |
73130 | 1939 | [E] | Previously owned by Mike Longworth in around 1975. Mentioned in a post by John Arnold in this web page [21] having been repaired in his workshop, cited as being sold by Gruhn: most likely as illustrated here [39] (archived copy of web page from 2007). More recent (2023) information here; [40] as at July 2024, consigned for auction via Heritage Auctions in Dallas, Texas. [41] As discussed on the UMGF (Unofficial Martin Guitar Forum) thread by numerous persons, this guitar has had substantial restoration including addition of a thin additional layer of spruce to the underside of the top to restore its original thickness, re-bracing, and refinishing through the operation of successive repairers, most recently by Michael Walker. |
73131 | 1939 | [E] [4] | Now in Japan. |
74011 | 1939 | [E] | D-45S Special order for country singer Ken MacKenzie, with singer's name inlaid in the fingerboard, see photos here. [42] Appears (with 11 other prewar D-45s) in a photograph of guitars from the Mac Yasuda collection in "The Vintage Guitar volume 3", copy and relevant information here [43] Illustrated Mac Yasuda's book "Rhinestones and Twanging Tones". |
74161 | 1940 | [E] | Previously owned by the well known Martin historian Mike Longworth and was on display in the Martin museum from 1974 to 1995 according to this article [44] prior to being consigned to auction at Christie's in April 1995 (the guitar failed to sell at that time). A 1981 photograph of this guitar in the Martin museum is available here. [45] Subsequently in a private collection. [46] |
74162 | 1940 | ||
74163 | 1940 | [E] | Single owner till 1987; sold by Gruhn Guitars in 2019, see here; [47] original finish, sale price $335,000. Description on the Gruhn site here (inventory number: AA10792). [48] |
74164 | 1940 | ||
74165 | 1940 | [E] | Previously owned by Marty Stuart, Johnny Cash and Hank Williams, Jr., see here; [37] also additional information below, in "Miscellaneous" section; donated by Stuart (along with the rest of his collection) to the Country Music Hall Of Fame in August 2024. [49] |
74166 | 1940 | [E] [4] | |
75100 | 1940 | [E] [4] | Once owned by Bernie Leadon of Eagles. Now in the collection of Mac Yasuda. |
75101 | 1940 | [E] | Sold by Gruhn Guitars in 2012 (inventory number AA6071), illustrated at, [3] see also, [50] the same instrument illustrated with a sold price $165,000 on this web page about the 2012 Dallas International Guitar Festival. [51] |
75102 | 1940 | [E] [4] | |
75103 | 1940 | ||
75104 | 1940 | [E] | Known to exist, repaired by Martin during the period 1966-2001 according to this blog post; [33] currently in Japan in the collection of the well known popular singer Fukuyama Masaharu. [37] |
75105 | 1940 | [E] | Known to exist, cited in a post by John Arnold in this web page, [21] seen at Gruhn Guitars. Refinished. |
75289 | 1940 | [E] | D-45L (Left hand). In the same family since the 1940s, in the United States. [52] Original finish. Present owner: Gary Rapoza. [53] |
75593 | 1940 | ||
75594 | 1940 | [E] | In the collection of Mac Yasuda, illustrated on the front cover of the "Martin Guitar Book", see reference below |
75595 | 1940 | [E] | Nicknamed "Old Red", formerly owned by Grant Boatright, see here. [54] This guitar is presently in the collection of Jonathan Kellerman, [3] and is included (among other guitars from his collection) in an article in "Vintage Guitar", October 2005. [55] |
75596 | 1940 | [E] | Illustrated on a Japanese website here, [56] also on pp. 27–28 of the (Japanese) "Martin Vintage Guitar Guide", [26] pages also reproduced here. [21] Currently in the collection of Nakakita Hideki, where it has been nicknamed Asano Yoshinaga after a 16th Century Japanese samurai warrior. [37] |
75597 | 1940 | ||
75598 | 1940 | [E] | Known to exist, cited in a post by John Arnold in this web page, [21] having been repaired in his workshop. Subsequently offered for sale at Gruhn Guitars, Nashville, July 2023, asking price $275,000. [57] Refinished. |
77060 | 1941 | ||
77061 | 1941 | ||
77062 | 1941 | ||
77063 | 1941 | [E] | Purchased new in 1941, currently in the possession of the original owner's daughter, see this post on the UMGF guitar forum. [58] |
77064 | 1941 | [E] | Featured in "The History of the American Guitar" by Tony Bacon (UK edition), see here. [59] |
77065 | 1941 | [E] | Previously sold by Elderly Instruments here (archived page from 2004, last advertised price $110,000 (previously $140,000)). [60] Apparently now in Japan, illustrated on pp. 29–30 of the (Japanese) "Martin Vintage Guitar Guide", [26] pages also reproduced here, [21] with incorrect serial number ("77066") |
78629 | 1941 | [E] | Surfaced in 2015, for sale at Norman's Rare Guitars according to information in this thread, [61] asking price $285,000 (later $250,000 as at November 2015). 2 YouTube videos available here; [62] [63] subsequently appears in the collection of the Songbirds Guitar Museum in Chattanooga, Tennessee, refer this "exhibits" page [64] and virtual museum tour. [65] Subsequently (July 2024) offered for sale by Well Strung Guitars, Farmingdale, NY for $419,995. [66] |
78630 | 1941 | ||
78631 | 1941 | [E] | Listed for sale in Christie's auction, 10 October 2008, pictures here, [67] also again on April 2009 (Sale 2152 Lot 31) [68] with a low estimate ($30,000-$40,000) but did not sell at that time. Listed again for auction at Skinner's, Boston Auction 2892B Lot 23, with same estimated sale price ($30,000-$40,000), as at May 2016., [69] sold for $27,060 including buyer's premium. Finish and several key parts non-original, top significantly thinned and in need of some restoration. [53] Present owner: Gary Rapoza. Subsequently (May 2021) for sale on Reverb, asking price $350,000.; [70] then (August 2021) at Carter Vintage Guitars, asking price $335,000. As at July 2024, offered by Lark Street Music, asking price $250,000, previously $299,000. [71] |
78632 | 1941 | ||
78633 | 1941 | ||
78634 | 1941 | [E] | Known to exist, cited in a post by John Arnold in this web page, [21] seen at a guitar show in 1992. Recently resurfaced and listed for sale in Australia, January 2015, [72] since sold. |
78879 | 1941 | [E] | Originally surfaced on eBay in 2008, see here, [73] also again since then for $250,000 (in January 2009). [3] Currently owned by Jacob Bunton |
78880 | 1941 | Appraised by Gruhn in 1973 for then owner Ben Speer of the Speer Family gospel group; [74] present whereabouts/continued existence not publicly known. | |
78881 | 1941 | [E] | Known to exist, repaired by Martin during the period 1966-2001 according to this blog post. [33] |
78882 | 1941 | [E] | Surfaced in 2012 at the Philadelphia Vintage Guitar Convention, [75] subsequently (2013) auctioned at Heritage Auctions, Dallas, details here, [76] fairly heavily restored though with partially original finish (sold price $110,500). The same instrument was subsequently offered for sale by Carter Vintage Guitars in January 2016, inventory no. GF959, asking price $150,000. [77] |
78883 | 1941 | [E] | Surfaced in 2018, offered for sale by Gryphon Stringed Instruments, California, asking price $135,000 in May 2018; [78] refinished; since sold (June 2018). |
78884 | 1941 | ||
79583 | 1941 | [E] | Surfaced in 2011 from the family of the original owner, who reportedly played on the Grand Ole Opry radio show several times, but all original and very lightly used; auctioned at Skinner's, Boston [79] (sold price $219,225), subsequently on sale at Rumbleseat Music, CA, and at Carter Vintage Guitars; some additional photos here [80] and here, [81] also various clips on YouTube |
79584 | 1941 | ||
79585 | 1941 | [E] [4] | |
79586 | 1941 | [E] | Originally owned by Bob Wills. In the collection of Hank Risan's Museum of Modern Instruments (MOMI) to 2022, [82] subsequently sold to a private collector via Emerald City Guitars, Seattle in 2022; more information and serial number visible via this YouTube video. [83] |
79587 | 1941 | [E] | Sold by Bernunzio Uptown Music, New York in 2010-11, details here (asking price $250,000); [84] stated as previously being in the possession of the same owner since the mid 1960s. |
79588 | 1941 | [E] [4] | |
80740 | 1942 | [E] | In the collection of Mac Yasuda, illustrated in "The Vintage Guitar Vol. 3" |
80741 | 1942 | [E] | Known to exist, repaired by Martin during the period 1966-2001 according to this blog post. [33] |
80742 | 1942 | [E] | In the collection of Mac Yasuda, illustrated in "The Vintage Guitar Vol. 3" |
80743 | 1942 | [E] | Owned by Stephen Stills "Darling"; [3] probably the instrument featured played by Stills on the January 1976 cover of "Guitar Player" magazine [85] |
80744 | 1942 | [E] | Known to exist, cited in a post by John Arnold in this web page, [21] seen in January 2010, repaired headstock break, refinished neck. |
80745 | 1942 | [E] | Surfaced in 2011 (offered on eBay for $325,000); purchased from seller by Gary Dick of Gary's Classic Guitars, details and pictures available here. [86] |
81242 | 1942 | [E] | D-45S Made for Austin Woods, "Austin" on fingerboard, oversize pickguard; currently on display at the Country Music Hall of Fame, Nashville. Illustrated on p. 248 of, [13] also reproduced here. [87] The last D-45 with a steel T-bar in the neck; the twelve D-45s that followed all have the ebony neck reinforcement. [88] |
81578 | 1942 | [E] | Originally owned and played by Smiley Maxedon. Sold by Elderly Instruments in 2000 (archived description here, [89] listed price $160,000); re-sold in 2007 and purchased for the C.F. Martin Museum at Nazareth, PA, for around $270,000 [90] also shown here; [3] shown by Chris Martin in this YouTube video; [91] illustrated on p. 47 of Jim Washburn's 2016 "Martin Archives" book. "Martin database" entry here [92] |
81579 | 1942 | [E] | Known to exist, repaired by Martin during the period 1966-2001 according to this blog post. [33] |
81580 | 1942 | [E] | Known to exist, repaired by Martin during the period 1966-2001. Originally owned by Wiley Jordan, whose band Wiley Jordan and the Sons of the South was popular in the 1940s and 1950s. He had the first radio and TV Country music show in Mississippi. He was the sole owner and it was passed on to his children.[ citation needed ] |
81581 | 1942 | ||
81582 | 1942 | ||
81583 | 1942 | [E] | Formerly owned by Alice Gerrard, pictured here [3] and on some of her album covers; subsequently by luthier and musician Wayne Henderson, [93] more pictures here. [94] Has oversize pickguard. |
82567 | 1942 | ||
82568 | 1942 | [E] | Offered on eBay in July 2008, sold for $350,000 according to this forum page. [95] Illustrated here. [3] |
82569 | 1942 | [E] | Previously belonged to Wilma Lee Cooper, sold by Gruhn (twice: last offered for $195,000 in August 2016, inventory no. AA9807 [96] ) and presently in the possession of country/folk/Americana performer Gillian Welch; see "Miscellaneous" section for more information in this and Wilma Lee Cooper's other original D-45. |
82570 | 1942 | [E] | Known to exist, cited in a post by John Arnold in this web page, [21] seen at North Carolina guitar show circa 1991. |
82571 | 1942 | [E] | Originally owned and played by Judge Lloyd Rea of Judge Lloyd Rea and the Oregon Trailblazers, see photo here. [97] Listed on eBay in February 2006, [98] sold for $255,100 according to this forum page. [99] Recent illustration here. [3] |
82572 | 1942 | [E] | Last "original series" D-45 made, subject of an article in "Great Acoustics" section of "Acoustic Guitar" magazine, May 2000, facsimile available here. [3] (According to this blog post [28] the actual guitar illustrated is incorrect, and is in fact 1939 instrument #72160 previously owned by Jim Rickard). Most recently in the collection of the late Steven Kern Shaw, now on display in the collection of instruments bequeathed by him to Belmont University, [30] as described and illustrated in this forum post. [100] |
George Gruhn, the well known Nashville instrument dealer talks in this 2010 interview with "Guitar International" magazine [101] about his one time considerable collection of vintage style 45 Martin instruments including 6 pre-war D-45s. This collection was sold in 1976 to finance the purchase of his house and the building in which his business was located. The "best sounding" (1942) D-45 was sold to Kentucky musician and repairman Harry Sparks for $7,500 [102] and can be seen in this video interview of Vince Gill, [103] who also owned the instrument for a while and has it on loan as at 2016 (serial number not known).
The well known U.S.-based Japanese collector Mac Yasuda has an extensive collection of American vintage guitars including 14 original D-45s according to this report [104] among others, some of which are detailed in the section above. In 2001 he published "The Vintage Guitar Vol. 3" which includes one photo of 12 D-45s as reproduced here, [21] as well as individual photos of 4 instruments. In 2010 he published another illustrated book in Japan, the "Martin Guitar Book" as detailed here, [105] which shows two D-45s (one pre-war s/n 75594, one recent) on the front cover. Among his collection is a 1940 (or 1941) D-45 previously owned by Bernie Leadon, [106] [107] another is s/n 74011 originally custom built for Ken MacKenzie (see relevant entry in main numeric section above); another is reportedly an instrument previously owned and played by Charlie Monroe which was purchased new in 1942. [108] Mr Yasuda is shown holding one of his D-45s, with a portion of his collection behind, in this photograph. [109]
The late Steven Kern Shaw, son of well known clarinetist Artie Shaw and grandson of Broadway composer Jerome Kern, has donated his substantial collection of iconic 20th century American-made instruments - including historic Gibson mandolins and Martin guitars - to Belmont University in Nashville as of November 2016, where they went on display in a museum opened in Spring 2017. [30] This collection includes four pre-war Martin D-45s according to this press release, [110] which also shows George Gruhn holding one of the pre-war D-45s (a 1939 instrument); the collection includes #82572, the last pre-war D-45 made, and also #72160 as well. [100] [31]
Marty Stuart currently owns and performs with a 1940 D-45 (#74165) which he obtained from Johnny Cash. The instrument has a pearl patch in the front (engraved "CASH") where some spruce was once damaged (example photos here [111] and here [112] ). Tut Taylor states here [113] that he originally acquired the guitar and sold it to Hank Williams, Jr, who later traded it to Johnny Cash; the same site includes some pictures of this guitar as originally published in "Best of Guitar Player: Vintage Gallery", July 1994. (The assertion repeated in Vintage Gallery that the guitar once belonged to Hank Williams, Sr., appears to be incorrect cf. the Tut Taylor recollection cited). A recent article on Stuart and his collection in "Guitar Aficionado" magazine here [114] discusses this instrument in some depth. A second D-45 previously belonging to both Cash and Stuart is mentioned in this forum post. [115]
At some point, Gruhn Guitars sold 2 Martin D-45s previously belonging to Wilma Lee Cooper, dated 1938 (this one with snowflake inlays and an oversize pickguard, previously owned by Lee Moore, Gruhn inventory number AA6291, serial number not known) and 1942 (s/n 82569, Gruhn inventory number AA6290; the latter is mis-labelled a D-43 on the Gruhn site). The guitars are illustrated here, [116] including this picture [117] of Wilma Lee with the 1938 guitar; at that time the 1942 D-45 had a sale price of $100,000. More recently, the 1942 instrument was again sold by Gruhn in 2016 (inventory no. AA9087, asking price $195,000) and is now owned by performer and songwriter Gillian Welch; [118] this picture [119] shows Gillian on stage with this guitar. Wilma Lee was also an owner of #72460 (1939), refer main list.
Actor and some time guitarist Steven Seagal possesses a pre-war D-45 with snowflake inlays (circa 1938) according to a 2006 interview with "Vintage Guitar" magazine reproduced here; [120] the same guitar is shown briefly in this video. [121]
This video [122] of the Songbirds Guitar Museum in Chattanooga includes footage of 2 pre-war Martin D-45s in that collection: one is no. 78629 (1941) as mentioned in the main list, the date and serial number of the other is not known at this time.
A 1939 D-45 (serial number not stated) is illustrated and discussed by George Gruhn in the July 2004 issue of "Vintage Guitar" magazine. [123]
A 1940 D-45 (serial number not stated) is presently in Hank Risan's Museum of Modern Instruments (MOMI) collection. [82] This collection also formerly housed a 1941 D-45 originally owned by Bob Wills, #79586, refer above section. [124]
A 1940 D-45 (serial number not stated) was being offered for sale by Gruhn Guitars in 2008/9 (inventory no. AA7977), asking price unknown. [20] Another 1940 D-45 (serial number not stated), refinished, is on sale at Gruhn for $195,000 as at June 2015 (inventory no. AA9506). [125]
A 1940 D-45 (serial number not stated) in superb condition, photographed in the UK is illustrated in this Getty Images entry; [126] the same image is used as an example of a 1940 D-45 on p. 33 of "The Ultimate Guitar Sourcebook" by Tony Bacon. [127]
U.S. Country artist Doyle Dykes owns a 1940 D-45 (serial number not stated), pictured in the May 2020 issue of Vintage Guitar magazine. [128] According to the article, at one point in the 1950s this instrument had to be returned to the Martin factory for a replacement top, and was fitted with a "plain", D-28 style top lacking the distinctive D-45 abalone trim. The guitar was originally owned by Dykes' uncle Doyle "Smitty" Smith, a professional guitarist in Washington, D.C., and came into Dykes' possession on his uncle's death; in 1988 Dykes gifted the instrument to country artist Roy Clark, and on the latter's death in 2018, his widow returned the instrument to Dykes. A photograph of this instrument in the hands of its original owner, before its top replacement, is included in the magazine article, and shows it to have originally been fitted with an unusual, large and asymmetrical double pickguard. [128] Several samples of Doyle playing this instrument are available on Youtube, example here. [129]
A 1941 D-45 (serial number not stated, no other information given) is illustrated here. [130]
A 1941 D-45 (serial number not stated), refinished with "multiple professionally repaired top cracks" and other issues was being offered for sale by Gruhn Guitars in 2007, inventory no. AA7628, asking price $85,000. [131]
A 1942 D-45, in superb condition (serial number not stated), was featured in "Vintage Guitar" magazine, May 2009, copy available here. [132]
A 1942 D-45 (serial number not stated, peghead repair by Dan Erlewine) was being offered for sale by Gruhn Guitars in 2007, asking price $175,000, inventory no. AA7596 [131] subsequently sold, archived details shown on Gruhn web site here. [133]
This Facebook page [134] includes photos of various D-45s, both original and reissues.
An article entitled "Martin D-45: A Chronicle of the Jewelled Dreadnought" appeared in the Japanese magazine "Acoustic Guitar Magazine", volume 4, Spring 2000 (Rittor Music, 2000) [135]
Some links to vintage film clips featuring Wilma Lee Cooper and Red Smiley playing their pre-war D-45s are given here. [136] Other 1930s-1960s country / bluegrass performers who have been pictured with their D-45s include Gene Autry (owner of the first D-45 guitar), Jackie "Kid" Moore, [137] Jimmy Martin, [138] Charlie Monroe, [108] Skeeter Bonn, Toby Stroud, [139] Ken MacKenzie, [140] Smiley Maxedon (see information above for #81578), Ernest Tubb, Red Allen (whose D-45 was apparently loaned to him by his group's bass player, Tom Morgan), [141] and Nolan "Cowboy Slim" Rinehart.
The D-45 was available only by special order until the late 1930s, when a flyer listed it as available as part of the regular Martin dreadnaught line for the price of $225, as compared with $75 for a D-18 and $115 for a D-28 (the list price on Gene Autry's initial 1933 order was $200, plus an additional $10 for the custom pearl inlay on the headstock and the bridge). When last available new from the Martin Guitar Company, the 1942 D-45 retailed at $250 (letter from Martin Guitar Company to Mr. Harold Wagler dated October 1963, reproduced here [142] ), equivalent to approximately $3,630 in 2014 dollars as a straight conversion, [143] however bearing in mind average incomes of the time, could be construed as between $6,700 and $11,100 in today's terms (same reference, calculated as labor value/income value). In accordance with its gradual acceptance as possibly the finest production steel-string acoustic guitar ever made, the value of an all original, pre-war Martin D45 has gone up considerably over the intervening 70+ years. In a Vintage Guitar Price Survey published by "Frets" magazine in May 1988, a 1939 D-45 in mint condition was estimated at average dealer price $15,000 (range $6,000-$22,000) and a 1942 D-45 (similar) at $13,000 (range $6,000-$21,000). By 2002 the Vintage Guitar Price Guide [144] listed prices of up to $200,000 for 1936–1937 D-45s and up to $150,000 for 1940–1942 models. By 2011 a valuation of $375,000 was being cited for a newly discovered 1942 example, [86] with values suggested elsewhere [145] in the range $175,000-$350,000 according to condition and rarity. According to a post in the Unofficial Martin Guitar Forum, a 1938 snowflake D-45 with forward-X bracing in "excellent original condition" recently changed hands for $400,000 in a private sale. [146]
The steel-string acoustic guitar is a modern form of guitar that descends from the gut-strung Romantic guitar, but is strung with steel strings for a brighter, louder sound. Like the modern classical guitar, it is often referred to simply as an acoustic guitar, or sometimes as a folk guitar.
Danelectro is a brand of musical instruments and accessories that was founded in Red Bank, New Jersey, in 1947. The company is known primarily for its string instruments that employed unique designs and manufacturing processes. The Danelectro company was sold to the Music Corporation of America (MCA) in 1966, moved to a much larger plant in Neptune City, New Jersey, and employed more than 500 people. Nevertheless, three years later Danelectro closed its plant.
The Gibson L-5 is a hollow body guitar first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan. The first guitar to feature F-holes, the L-5 was designed under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since. It was considered the premier guitar of the company during the big band era. It was originally offered as an acoustic instrument, with semi-acoustic models not made available until the 1940s.
A luthier is a craftsperson who builds or repairs string instruments.
Epiphone is an American musical instrument brand that traces its roots to a musical instrument manufacturing business founded in 1873 by Anastasios Stathopoulos in İzmir, Ottoman Empire, and moved to New York City in 1908. After taking over his father's business, Epaminondas Stathopoulos named the company "Epiphone" as a combination of his own nickname "Epi" and the suffix "-phone" in 1928, the same year it began making guitars. From the 1930s through to the early 1950s, Epiphone produced a range of both acoustic and (later) electrified archtop guitars that rivalled those produced by Gibson and were the instruments of choice of many professionals; a smaller range of flat-top guitars were also produced, some designations of which were later continued during the Gibson-owned era for the company.
The Fender Musical Instruments Corporation is an American manufacturer and marketer of musical instruments and amplifiers. Fender produces acoustic guitars, bass amplifiers and public address equipment; however, it is best known for its solid-body electric guitars and bass guitars, particularly the Stratocaster, Telecaster, Jaguar, Jazzmaster, Precision Bass, and the Jazz Bass. The company was founded in Fullerton, California, by Clarence Leonidas "Leo" Fender in 1946. Andy Mooney has served as the chief executive officer (CEO) since June 2015.
Orville H. Gibson was an American luthier who founded the Gibson Guitar Company in Kalamazoo, Michigan in 1902, makers of guitars, mandolins and other instruments.
The Gibson J-45 is a guitar manufactured by the Gibson Guitar Corporation. Generally regarded as Gibson's most famous and widely used acoustic guitar model, it is considered the workhorse of guitars. The Jumbo guitar is signified by the "J" and not to be confused with C.F. Martin & Company's Dreadnought body style. In 1934 the jumbo was Gibson's competing response to Martin's "D" line body shape of 1930s. The jumbo is distinctive from Martin's dreadnoughts: The Gibson J-45 body depth remains over 4″ deep from endpin to neck heel, it also features a slightly larger body than a Martin D-28 as well as the shape of the two competing body styles being quite different; Squarish upper bouts on the Martins opposed to a rounded or “sloped shoulder” on The Gibson. While Martin did produce the first sloped shoulder guitar the specs of the J-45 are dissimilar.
Sigma Guitars is a guitar manufacturing brand originally released by C.F. Martin as a line of guitars at affordable prices to compete with the increasing number of imported guitars from Japan and elsewhere. The Sigma line was discontinued by Martin in 2007. The rights to the name were acquired by German company AMI Musical Instruments GmbH, which relaunched the brand with guitars being produced in China.
Elderly Instruments is a musical instrument retailer in Lansing, Michigan, United States, with a reputation as a "megastore", a repair shop and a locus for folk music including bluegrass and "twang". Specializing in fretted instruments, including acoustic and electric guitars, banjos, mandolins, and ukuleles, Elderly maintains a selection of odd or rare instruments. Elderly is known as a premier repair shop for fretted instruments, as one of the larger vintage instrument dealers in the United States, and as a major dealer of Martin guitars in particular.
The dreadnought is a type of acoustic guitar body developed by American guitar manufacturer C.F. Martin & Company. The style, since copied by other guitar manufacturers, has become the most common for acoustic guitars.
George Gruhn is an American writer, businessman and ophiophilist. He is one of the foremost experts on vintage American guitars and fretted instruments, and the author of several books on the subject. He is the founder of Gruhn Guitars in Nashville, and has sold guitars to musicians such as Hank Williams, Jr., Eric Clapton, Brad Paisley, Lyle Lovett, Emmylou Harris, Billy Gibbons, Rick Nielsen, Vince Gill, and John Hiatt.
Gruhn Guitars is a musical instrument store located in Nashville. Founded in 1970 by George Gruhn, an expert on vintage American guitars and related instruments, Gruhn Guitars is known as a mecca for professional musicians and well-heeled collectors of vintage musical instruments.
A vintage guitar is an older guitar usually sought after and maintained by avid collectors or musicians. The term may indicate either that an instrument is merely old, or that is sought after for its tonal quality, cosmetic appearance, or historical significance.
Gibson, Inc. is an American manufacturer of guitars, other musical instruments, and professional audio equipment from Kalamazoo, Michigan, and now based in Nashville, Tennessee.
The Martin D-45 is a steel-string acoustic guitar model made by C. F. Martin & Company. The model was manufactured from 1933 to 1942, and in a second production series since 1968. Martin originally made the guitar's sides and backs of Brazilian rosewood. Martins are ranked among the highest-quality, as well as among the most expensive guitars, and the D-45, regarded as one of the first "luxury guitars", was listed in 2011 as the most valuable production-model guitar.
Recording King is a musical instruments brand currently owned by The Music Link Corporation, based in Hayward, California, which also produces other musical instrument lines.
The Gibson L series is a series of small-body guitars produced and sold by Gibson Guitar Corporation in the early 20th century. The first guitars of this series, Gibson L-0 and Gibson L-1, were introduced first as arch-tops (1902), and later as flat tops in 1926. The L series was later gradually replaced by the LG series in the 1940s.
The Gibson Country Western is a flat-top acoustic guitar model originally manufactured by the Gibson Guitar Corporation between 1956 and 1978. For the first 6(7) years of its manufacture it was a round-shouldered instrument, which changed to square-shouldered in 1962. Sheryl Crow preferred the 1962 model, and uses a modern version of her 1962 instrument released under her name.
The Gibson Southern Jumbo is a flat-top acoustic guitar model originally manufactured by the Gibson Guitar Corporation between 1942 and 1978. For the first 20 years of its manufacture it was a round-shouldered instrument, which changed to square-shouldered in 1962. Several modern reissues have been created by Gibson, based on the round-shouldered version.
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