This is a list of songs set in or referring to the city of Nashville, Tennessee that were written or performed by notable musicians.
20.000 Meilen by Chuckamuck
John Benson Sebastian (born March 17, 1944) is an American singer, songwriter and musician who founded the rock band the Lovin' Spoonful. He made an impromptu appearance at the Woodstock festival in 1969 and scored a U.S. No. 1 hit in 1976 with "Welcome Back."
The Lovin' Spoonful is an American folk-rock band formed in Greenwich Village, New York City, in 1964. The band was among the most popular groups in the United States for a short period in the mid-1960s and their music and image influenced many of the contemporary rock acts of their era. Beginning in July 1965 with their debut single "Do You Believe in Magic", the band had seven consecutive singles reach the Top Ten of the U.S. charts in the eighteen months that followed, including the number-two hits "Daydream" and "Did You Ever Have to Make Up Your Mind?" and the chart-topping "Summer in the City".
Hoyt Wayne Axton was an American singer-songwriter, guitarist and actor. He became prominent in the early 1960s, establishing himself on the West Coast as a folk singer with an earthy style and powerful voice. Among his best-known songs are "Joy to the World", "The Pusher", "No No Song", "Greenback Dollar", "Della and the Dealer" and "Never Been to Spain".
John Marty Stuart is an American country and bluegrass music singer, songwriter, and musician. Active since 1968, Stuart initially toured with Lester Flatt, and then in Johnny Cash's road band before beginning work as a solo artist in the early 1980s. He is known for his combination of rockabilly, country rock, and bluegrass music influences, his frequent collaborations and cover songs, and his distinctive stage dress.
Donald William "Bob" Johnston was an American record producer, best known for his work with Bob Dylan, Johnny Cash, Leonard Cohen, and Simon & Garfunkel.
"Summer in the City" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, Mark Sebastian and Steve Boone, the song was released as a non-album single in July 1966 and was included on the album Hums of the Lovin' Spoonful later that year. The single was the Lovin' Spoonful's fifth to break the top ten in the United States, and the only one by the group to reach number one. A departure from the band's lighter sound, the recording features a harder rock style. The lyrics differ from most songs about the summer by lamenting the heat, contrasting the unpleasant warmth and noise of the daytime with the relief offered by the cool night, which allows for the nightlife to begin.
Hums of the Lovin' Spoonful is the third studio album by the American folk rock band the Lovin' Spoonful. It was released in November 1966 by Kama Sutra Records. It peaked at No. 14 on the Billboard Pop Albums chart.
Thomas Grady Martin was an American session guitarist in country music and rockabilly.
Paul Kennerley is an English singer-songwriter, musician, and record producer working in the American contemporary country music industry.
What's Shakin' is a compilation album released by Elektra Records in May 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
Bryn Davies is an American bassist, cellist, and occasional pianist. She grew up in Livermore, California. In 1997 she majored in Jazz Performance at the Berklee College of Music in Boston, Massachusetts. There she met mandolin player Billy Bright and guitarist Brian Smith, with whom she formed the Two High String Band. In 1997, Bryn began working with Peter Rowan as the Texas Trio, which toured the US and eventually would become the Peter Rowan & Tony Rice Quartet.
Erik Jacobsen is an American record producer, song publisher and artist manager. He is best known for his work in the 1960s with Tim Hardin, the Lovin' Spoonful, the Charlatans, and Sopwith Camel, and later with Norman Greenbaum, Tazmanian Devils and Chris Isaak. Retiring after forty years in the studio, he began working in video production. His first major video project was an auto-biographical webside, All About Erik, launched in 2019. His next, Erik's Travels, features his prize-winning travel documentaries, and was launched in 2024.
The Lovin' Spoonful Anthology is a compilation album by the folk rock group the Lovin' Spoonful, released in 1990.
Justin Townes Earle was an American singer-songwriter and musician. After his debut EP, Yuma (2007), he released eight full-length albums. He was recognized with an Americana Music Award for Emerging Artist of the Year in 2009 and for Song of the Year in 2011 for "Harlem River Blues". His father is alternative country artist Steve Earle.
"Daydream" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, it was issued as a single in February 1966 and was the title track of the band's second album, Daydream, released the following month. The song was the Lovin' Spoonful's third consecutive single to enter the top ten in the United States, and it was their best performing to that point, reaching number two. The single's European release coincided with a British and Swedish promotional tour, leading the song to be the band's first major hit outside North America. It topped sales charts in Canada and Sweden, and it was ultimately the band's most successful record in the United Kingdom, where it reached number two.
Henry M. "Hank" DeVito is an American musician and photographer known primarily for his pedal steel guitar work and songwriting.
Harry Stinson is an American multi-instrumentalist, noted as a session drummer and vocalist in the Nashville music community. He is also a songwriter and producer.
Greg Morrow is an American drummer, percussionist, session musician, mixing engineer, and vocalist.
"Nashville Cats" is a song by the American folk-rock band the Lovin' Spoonful. Written by John Sebastian, the song appeared on the band's 1966 album Hums of the Lovin' Spoonful, and it was also issued on a single released the same day as the album. The single peaked at number eight on the Billboard Hot 100 chart, marking the seventh and final time the band reached the American Top Ten.