"One Week" is a song by Canadian rock band Barenaked Ladies released as the first single from their 1998 album, Stunt. It was written by Ed Robertson, who is featured on the lead vocal of the rapped verses. Steven Page sings lead on the song's chorus, while the two co-lead the prechoruses in harmony. The song is notable for its significant number of pop culture references, and remains the band's best-known song in the United States, where it topped the Billboard Hot 100. Coincidentally, when the song reached No. 1 on the Billboard Hot 100, it remained in the top spot for one week.
"My Favorite Mistake" is the first single from Sheryl Crow's third studio album, The Globe Sessions (1998), released on August 31, 1998, through A&M Records. Crow wrote the song about a relationship with a man who proves to be unfaithful and is widely believed to have been written about Eric Clapton. Released in 1998, the single peaked at number 20 on the US Billboard Hot 100, becoming Crow's fifth top-20 single in the United States, while reaching number two in Canada and giving Crow her seventh top-five hit there. In the United Kingdom, it reached number nine, becoming her last top-10 single in Britain.
"What It's Like" is a song by American musician Everlast. It was released in July 1998 as the lead single from his second studio album, Whitey Ford Sings the Blues (1998). The song is typical of the style Everlast embraced after leaving hip hop trio House of Pain, which combines rock, hip-hop and blues while incorporating characterization and empathy towards impoverished protagonists.
"Angel" is a song by Canadian singer-songwriter Sarah McLachlan. The song first appeared on McLachlan's fourth studio album, Surfacing, in 1997 and was released as the album's fourth and final single in September 1998. The lyrics are about the death of musician Jonathan Melvoin (1961–1996) from a heroin overdose, as McLachlan explained on VH1 Storytellers. It is sometimes mistitled as "In the Arms of an Angel". or "Arms of the Angel".
"Sweetest Thing" is a song by Irish rock band U2. It was originally released as a B-side on the "Where the Streets Have No Name" single in 1987. The song was later re-recorded and re-released as a single in October 1998 for the band's compilation album The Best of 1980–1990.
"Smooth" is a song performed by American rock band Santana and Rob Thomas of Matchbox Twenty, who sings the lead vocals. It was released on June 15, 1999, as the lead single from Santana's 1999 studio album, Supernatural. It was written by Itaal Shur and Thomas, who re-wrote Shur's original melody and lyrics, and produced by Matt Serletic.
"The Way" is a song by American alternative rock band Fastball. It was released on January 7, 1998, as the lead single from their second studio album, All the Pain Money Can Buy (1998). The song was written by the band's lead vocalist, Tony Scalzo, and was produced by the band and Julian Raymond. Scalzo was inspired to write the song after reading about the disappearance of an elderly couple who were found dead in their car many miles away from their intended destination.
"Anything but Down" is a song by American singer-songwriter Sheryl Crow. Released as the third single from her third studio album, The Globe Sessions (1998), it fared better than its predecessor "There Goes the Neighborhood" in the United States, reaching number 49 on the Billboard Hot 100 and number seven on the Billboard Adult Contemporary chart. The song also reached number 11 in Canada and number 19 in the United Kingdom.
"It's All Been Done" is a song by Canadian alternative rock group Barenaked Ladies. It was released as the second single from their fourth studio album, Stunt (1998). The song was successful in Canada, peaking at No. 1 on the RPM 100 Hit Tracks chart and becoming the band's highest-charting song in their native country. The song was used as the theme song for the television series Baby Blues. The song is also notable for being one of the band's first to feature an electric guitar solo by Ed Robertson.
"Slide" is a song by American alternative rock group Goo Goo Dolls. It was released as the first single from their sixth studio album, Dizzy Up the Girl, in September 1998. According to lead guitarist John Rzeznik, the song is about a Catholic girl who becomes pregnant and discusses with her boyfriend how they should respond to it. Musically, the track is a jangle pop and alternative rock song.
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan, and produced by T Bone Burnett. It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
"Closing Time" is a song by American rock band Semisonic. It was released on March 10, 1998, as the lead single from their second studio album, Feeling Strangely Fine, and began to receive mainstream radio airplay on April 27, 1998. The ballad was written by Dan Wilson and produced by Nick Launay.
"Sunny Came Home" is a folk-rock song by American musician Shawn Colvin. It is the opening track on her 1996 concept album, A Few Small Repairs, and was released as a CD and cassette single on June 24, 1997. In the United Kingdom, the song was originally released in July 1997 but did not chart until a re-release in May 1998.
"Hands" is a song by American singer Jewel, released as the first single from her second studio album, Spirit (1998). Jewel wrote the song following an incident in which she considered stealing a sundress after getting fired from various jobs due to kidney troubles, and she decided that her hands were better suited to writing songs than stealing clothes. Written as one of the last songs for the album, the lyrics express how the smallest decisions have the power to make change. A piano-driven ballad, the song was serviced to American radio stations on October 7, 1998, ahead of its planned release date of October 19 due to a radio leak in Dallas, Texas.
"3AM" is the third single and the third track from American rock band Matchbox 20's debut album, Yourself or Someone Like You (1996). Written by Rob Thomas, Jay Stanley, John Leslie Goff, and Brian Yale, the song was inspired by Thomas dealing with his mother's cancer as a teenager. The song was officially serviced to US modern rock radio in October 1997 and was given a commercial release outside North America the following month.
"Black Balloon" is a song by American rock band Goo Goo Dolls. It was released in June 1999 as the fourth single from the band's sixth studio album, Dizzy Up the Girl (1998), and reached No. 3 in Canada, No. 16 in the United States, and No. 23 in Iceland.
"Every Morning" is a song by American rock band Sugar Ray, released as the lead single from their third studio album, 14:59 (1999). The track is an alternative rock and flamenco pop song that references Malo's "Suavecito" and Hugh Masekela's "Grazing in the Grass". Serviced to US radio in December 1998, "Every Morning" was released in Japan in January 1999 and in the United States two months later, making it Sugar Ray's first commercially available single in the US.
"Save Tonight" is a song written and performed by Swedish rock musician Eagle-Eye Cherry, released on 7 October 1997 as the lead single from his debut album, Desireless (1997). It is the album's opening track and gained substantial radio success, reaching number three in Ireland, number five in the United States, number six in the United Kingdom, and number two in Cherry's native Sweden. "Save Tonight" was awarded the Rockbjörnen award in the "Swedish song of the year 1997" category.
"Sweet Surrender" is a song by Canadian singer Sarah McLachlan. It was released in 1997 as the second single from her fourth studio album, Surfacing (1997). The song peaked at number two in Canada and number 28 on the US Billboard Hot 100. In 2001, a maxi-single with remixes by DJ Tiësto was released peaking at number six on the US Hot Dance Club Play chart, three years after its original release.
"Someday" is a song by American rock band Sugar Ray. First serviced to American radio in June 1999, the song was released on September 7, 1999, as the second US single and third single overall from the band's third album, 14:59 (1999). The song reached number seven on both the US Billboard Hot 100 and the Billboard Modern Rock Tracks chart, as well as number four on Canada's RPM Top Singles chart and number 25 in New Zealand.
