This is a list of works by Kahlil Gibran , including writings and the visual arts.
Title | Publisher | Location | Date | Language | Translated title |
---|---|---|---|---|---|
نبذة في فن الموسيقى | المهاجر | New York | 1905 | Arabic | A Profile of the Art of Music |
عرائس المروج | المهاجر | New York | 1906 | Arabic | Nymphs of the Valley |
الأرواح المتمردة | المهاجر | New York | 1908 | Arabic | Spirits Rebellious |
الأجنحة المتكسرة | مرآة الغرب | New York | 1912 | Arabic | Broken Wings |
دمعة وابتسامة | Atlantic | New York | 1914 | Arabic | A Tear and a Smile |
The Madman | Alfred A. Knopf | New York | 1918 | English | — |
المواكب | مرآة الغرب | New York | 1919 | Arabic | The Processions |
Twenty Drawings | Alfred A. Knopf | New York | 1919 | English | — |
العواصف | الهلال | Cairo | 1920 | Arabic | The Tempests |
The Forerunner | Alfred A. Knopf | New York | 1920 | English | — |
البدائع والطرائف | المطبعة العصرية | Cairo | 1923 | Arabic | The New and the Marvelous |
The Prophet | Alfred A. Knopf | New York | 1923 | English | — |
Sand and Foam | Alfred A. Knopf | New York | 1926 | English | — |
Jesus, the Son of Man | Alfred A. Knopf | New York | 1928 | English | — |
The Earth Gods | Alfred A. Knopf | New York | 1931 | English | — |
The Wanderer | Alfred A. Knopf | New York | 1932(posthumous) | English | — |
The Garden of the Prophet (revised by Mary Haskell then Barbara Young) | Alfred A. Knopf | New York | 1933 (posthumous) | English | — |
Lazarus and his Beloved (play) | New York Graphic Society | Greenwich | 1973 (posthumous) | English | — |
The Blind (play) | The Westminster Press | Philadelphia | 1981 (posthumous) | English | — |
الرجل غير المنظور (play) | دار أمواج | Beirut | 1993 (posthumous) | Arabic | The Man Unseen |
بين الليل والصباح (play) | دار أمواج | Beirut | 1993 (posthumous) | Arabic | Between Night and Morning |
الوجوه الملونة (play) | دار أمواج | Beirut | 1993 (posthumous) | Arabic | The Colored Faces |
بدء الثورة (play) | دار أمواج | Beirut | 1993 (posthumous) | Arabic | The Beginning of the Revolution |
ملك البلاد وراعي الغنم (play) | دار أمواج | Beirut | 1993 (posthumous) | Arabic | The King and the Shepherd |
The Banshee (unfinished play) | — | — | — | English | — |
The Last Unction (unfinished play) | — | — | — | English | — |
The Hunchback or the Man Unseen (unfinished play) | — | — | — | English | — |
To Albert Pinkham Ryder (printed privately in 1915 at Cosmus & Washburn) | — | — | — | English | — |
Writings published in periodicals:
Title | Periodical | Location | Date | Language | Translated title |
---|---|---|---|---|---|
أيها الليل | Al-Funoon | New York | April 1913 | Arabic [1] | O Night |
على باب الهيكل | Al-Funoon | New York | June 1913 | Arabic [2] | At the Temple's Gate |
يا زمان الحب | Al-Funoon | New York | June 1913 | Arabic [1] | O Time of Love |
قبل الانتحار | Al-Funoon | New York | August 1913 | Arabic [3] | Before committing suicide |
أبو العلاء المعري | Al-Funoon | New York | September 1913 | Arabic [1] | Abu al-Ala' al-Ma'arri |
الشاعر | Al-Funoon | New York | November 1913 | Arabic [1] | The Poet |
إلى المسلمين من شاعر مسيحي | Al-Funoon | New York | November 1913 | Arabic [4] | To Muslims from a Christian Poet |
أنت وأنا | Al-Funoon | New York | December 1913 | Arabic [1] | You and I |
رؤيا | Al-Funoon | New York | June 1916 | Arabic [5] | Vision |
يا نفس | Al-Funoon | New York | June 1916 | Arabic [1] | O Soul |
الليل والمجنون | Al-Funoon | New York | July 1916 | Arabic [1] | Night and the Madman |
الفارض | Al-Funoon | New York | July 1916 | Arabic [1] | Al-Farid |
بالله يا قلبي | Al-Funoon | New York | August 1916 | Arabic [1] | By God, O my Heart |
ما وراء الرداء | Al-Funoon | New York | September 1916 | Arabic [5] | Beyond the Robe |
مات أهلي | Al-Funoon | New York | October 1916 | Arabic [1] | Dead Are My People |
السم في الدسم | Al-Funoon | New York | November 1916 | Arabic [5] | Poison in the Fat |
Night and the Madman | The Seven Arts | New York | November 1916 | English | — |
بالأمس | Al-Funoon | New York | December 1916 | Arabic [1] | Yesterday |
The Greater Sea | The Seven Arts | New York | December 1916 | English | — |
الفلكي | Al-Funoon | New York | January 1917 | Arabic [1] | The Astronomer |
The Astronomer | The Seven Arts | New York | January 1917 | English | — |
On Giving and Taking | The Seven Arts | New York | January 1917 | English | — |
النملات الثلاث | Al-Funoon | New York | February 1917 | Arabic [1] | The Three Ants |
الكلب الحكيم | Al-Funoon | New York | February 1917 | Arabic [1] | The Wise Dog |
The Seven Selves | The Seven Arts | New York | February 1917 | English | — |
أغنية الليل | Al-Funoon | New York | March 1917 | Arabic [1] | Song of the Night |
البحر الأعظم | Al-Funoon | New York | March 1917 | Arabic [1] | The Great Sea |
الله | Al-Funoon | New York | April 1917 | Arabic [1] | God |
يا صاحبي | Al-Funoon | New York | May 1917 | Arabic [1] | My Friend |
Poems from the Arabic | The Seven Arts | New York | May 1917 | English | — |
البنفسجة الطموحة | Al-Funoon | New York | August 1917 | Arabic [1] | The Ambitious Violet |
الغزالي | Al-Funoon | New York | September 1917 | Arabic [1] | Al-Ghazali |
العاصفة | Al-Funoon | New York | September 1917 | Arabic [1] | The Tempest |
بلأمس واليوم وغدا | Al-Funoon | New York | October 1917 | Arabic [1] | Yesterday, Today and Tomorrow |
موشحات جديدة : البحر ؛ الشرورة ؛ الجبار الرئبال ؛ الشهرة | Al-Funoon | New York | October 1917 | Arabic [6] | New verses: The Sea; Blackbird; The Colossus; Fame |
ابن سينا وقصيدته | Al-Funoon | New York | October 1917 | Arabic [1] | Avicenna and his Poem |
الأرض | Al-Funoon | New York | October 1917 | Arabic [1] | The Earth |
الحكيمان | Al-Funoon | New York | November 1917 | Arabic [1] | The Wise Man |
بين الفصل والفصل | Al-Funoon | New York | November 1917 | Arabic [6] | Between chapter and chapter |
[Untitled] | Al-Funoon | New York | June 1918 | Arabic [6] | — |
الأمم وذواتها | Al-Funoon | New York | August 1918 | Arabic [6] | The World and Itself |
[Untitled] | Al-Funoon | New York | August 1918 | Arabic [6] | — |
War and the Small Nations | The Borzoi | New York | 1920 | English | — |
Seven Sayings | The Dial | New York | January 1921 | English [7] | — |
Lullaby | The New Orient | New York | July 1925 | English [7] | — |
The Blind Poet | The New Orient | New York | July 1926 | English [7] | — |
To Young Americans of Syrian Origin | The Syrian World | New York | July 1926 | English | — |
Youth and Age | The Syrian World | New York | December 1926 | English | — |
(Syrian Folk Songs:) O Mother Mine (Moulaya) (translation) | The Syrian World | New York | March 1927 | English | — |
(Syrian Folk Songs:) I wandered among the Mountains (translation) | The Syrian World | New York | May 1927 | English | — |
(Syrian Folk Songs:) Three Maiden Lovers (translation) | The Syrian World | New York | September 1927 | English | — |
The Two Hermits | The Syrian World | New York | October 1927 | English | — |
When My Sorrow Was Born | The Syrian World | New York | December 1927 | English | — |
War | The Syrian World | New York | January 1928 | English | — |
Said a Blade of Grass | The Syrian World | New York | March 1928 | English | — |
Critics | The Syrian World | New York | April 1928 | English | — |
War and the Small Nations | The Syrian World | New York | May 1928 | English | — |
Love | The Syrian World | New York | June 1928 | English | — |
The King of Aradus | The Syrian World | New York | September 1928 | English | — |
The Plutocrat | The Syrian World | New York | October 1928 | English | — |
A Man from Lebanon Nineteen Centuries Afterward | The Syrian World | New York | November 1928 | English | — |
The Great Recurrence | New York Herald Tribune Magazine | New York | December 23, 1928 | English [7] | — |
Night | The Syrian World | New York | December 1928 | English | — |
Defeat | The Syrian World | New York | January 1929 | English | — |
The Great Longing | The Syrian World | New York | February 1929 | English | — |
The Saint | The Syrian World | New York | March 1929 | English | — |
Fame | The Syrian World | New York | April 1929 | English | — |
Out of My Deeper Heart | The Syrian World | New York | May 1929 | English | — |
Snow | New York Herald Tribune Magazine | New York | December 22, 1929 | English [7] | — |
The Two Learned Men | The Syrian World | New York | January 1930 | English | — |
On Giving and Taking | The Syrian World | New York | March 1930 | English | — |
Helpfulness | The Syrian World | New York | April 1930 | English | — |
On the Art of Writing | The Syrian World | New York | May 1930 | English | — |
On Hatred | The Syrian World | New York | June 1930 | English | — |
Greatness | The Syrian World | New York | September 1930 | English | — |
The Tragic Love of a Caliph | The Syrian World | New York | October 1930 | English | — |
On Giving and Taking | The Syrian World | New York | October 1930 | English | — |
Song | The Syrian World | New York | December 1930 | English | — |
A Marvel and a Riddle | The Syrian World | New York | January 1931 | English | — |
Past and Future | The Syrian World | New York | February 1931 | English | — |
Speech and Silence | The Syrian World | New York | March 1931 | English | — |
Picture | Title | Year | Collection |
---|---|---|---|
Untitled | c. 1900–1931 | Museo Soumaya | |
Untitled | 1903 | Telfair Museums | |
Comforting Angel | c. 1904 | ||
The Vision of Adam and Eve | c. 1904 | Telfair Museums | |
Medusa | c. 1905–1908 | Telfair Museums | |
Untitled | 1905 | Telfair Museums | |
Untitled | 1905 | Telfair Museums | |
Untitled (Self-Portrait) | 1905 | ||
Untitled | 1907 | Telfair Museums | |
Charlotte Teller | 1908 | Telfair Museums | |
Charlotte Teller | 1908 | Telfair Museums | |
Charlotte Teller | 1908 | Telfair Museums | |
Evocation of Sultana Tabet (?) | 1908 | ||
Head of Emily Michel | 1908 | Telfair Museums | |
Head of Micheline and Line Drawing of Sultana's Head | 1908 | Telfair Museums | |
The Head of Orpheus Floating Down the River Hebrus to the Sea | c. 1908–1914 | Telfair Museums | |
Head of Sultana Tabit | 1908 | Telfair Museums | |
Portrait of Amin Rihani | c. 1908–1912 | Barjeel Art Foundation | |
Portrait of the Artist's Mother | c. 1908–1914 | Telfair Museums | |
Portrait of Charlotte Teller | c. 1908–1910 | ||
Portrait of Yamile | c. 1908–1910 | ||
Untitled | 1908 | Telfair Museums | |
Untitled | 1908 | Telfair Museums | |
Untitled | 1908 | Telfair Museums | |
Untitled | 1908 | Telfair Museums | |
Untitled (Marianna Gibran) | c. 1908–1914 | Telfair Museums | |
Portrait of Emilie Michel (Micheline) | 1909 | Museo Soumaya | |
Ages of Women | 1910 | Museo Soumaya | |
Ameen Rihani | c. 1910–1915 | Telfair Museums | |
Francis Mar[r]ash | c. 1910 | ||
Mary Haskell | 1910 | Telfair Museums | |
Micheline | c. 1910–1912 | Telfair Museums | |
Portrait of Charles William Eliot | 1910 | ||
Portrait of Mary Haskell | 1910 | Telfair Museums | |
Self-Sketch | 1910 | Telfair Museums | |
Untitled | 1910 | Telfair Museums | |
Untitled | 1910 | Telfair Museums | |
Untitled | 1910 | Telfair Museums | |
Untitled | 1910 | Telfair Museums | |
Untitled | 1910 | Telfair Museums | |
Untitled | c. 1910–1913 | Telfair Museums | |
Untitled | c. 1910–1914 | Telfair Museums | |
Untitled | c. 1910–1915 | Telfair Museums | |
Portrait of Charlotte Teller | c. 1911 | ||
Self Portrait | c. 1911 | ||
Self Portrait and Muse | 1911 | Museo Soumaya | |
Untitled | 1911 | Telfair Museums | |
Untitled | 1911 | Telfair Museums | |
Untitled | c. 1911–1915 | Telfair Museums | |
Untitled (Rose Sleeves) | 1911 | Telfair Museums | |
Unfinished Portrait of a Lady | c. 1912 | ||
Untitled | 1912 | Telfair Museums | |
Untitled | 1912 | Telfair Museums | |
Untitled | 1912 | Telfair Museums | |
Untitled | c. 1912–1915 | Telfair Museums | |
Untitled | c. 1912–1916 | Telfair Museums | |
Untitled | c. 1912–1918 | Telfair Museums | |
The Gift | c. 1913–1917 | Telfair Museums | |
Spirit of the Centaurs | 1913 | Museo Soumaya | |
Untitled | 1913–1917 | Telfair Museums | |
Portrait of Mrs. Alexander Morten | 1914 | ||
Albert Pinkham Ryder | 1915 | Metropolitan Museum of Art | |
The Blind | 1915 | ||
Portrait of the American painter Albert Ryder | 1915 | ||
Untitled | c. 1915–1918 | Telfair Museums | |
Untitled | c. 1915–1918 | Telfair Museums | |
Uplifted Figure | 1915 | Telfair Museums | |
The Great Longing | 1916 | Telfair Museums | |
John Masefield | 1916 | Metropolitan Museum of Art | |
Towards the Infinite | 1916 | Metropolitan Museum of Art | |
Design for Converse Honor | 1917 | Telfair Museums | |
The Greater Self | 1917 | Telfair Museums | |
Study of a Face | 1917 | Telfair Museums | |
Untitled | 1917 | Telfair Museums | |
Untitled | c. 1917–1920 | Telfair Museums | |
The Three are One | 1918 | Telfair Museums | |
The Triangle | 1918 | ||
Hands, Female, Nude, Baby | 1919 | Brooklyn Museum | |
And The Lamb Prayed In His Heart | 1920 | Harvard Art Museums | |
The Dying Man and the Vulture | 1920 | Telfair Museums | |
Head of Christ | 1920 | Telfair Museums | |
The Heavenly Mother | 1920 | Telfair Museums | |
Man in search of existence | c. 1920 | ||
Johan Bojer | 1920 | Metropolitan Museum of Art | |
Mother and Child | 1920 | Telfair Museums | |
The Slave | 1920 | Harvard Art Museums | |
Untitled | 1920 | Telfair Museums | |
Spirit of Light or Spiritual Communion | 1921 | Telfair Museums | |
Untitled | 1921 | Telfair Museums | |
Profile of Mary Haskell | 1922 | Telfair Museums | |
Dr. John F. Erdmann | 1923 | Metropolitan Museum of Art | |
Face of Almustafa | 1923 | ||
The Triad-Being descending towards the Mother-Sea | 1923 | ||
Mrs. Whitney | 1924 | Metropolitan Museum of Art | |
The Summit | c. 1925 | Telfair Museums | |
Untitled | c. 1925 | Telfair Museums | |
The Blessed Mountain | c. 1926 | Telfair Museums | |
Mrs. Erdmann, Mrs. Whitney and Mrs. Kusar | 1926 | Metropolitan Museum of Art | |
Jesus, Son of Man | c. 1928 | Telfair Museums | |
Human figures spread out below a dark landscape | 1930 | ||
The Outstretched Hand | 1930 | Telfair Museums | |
Untitled | 1930 | Telfair Museums | |
Untitled | 1930 | Telfair Museums | |
Untitled | 1930 | Telfair Museums | |
Crossed Open Embrace | c. 1931 | Telfair Museums | |
Life | c. 1931 | Telfair Museums | |
Head of Micheline | undated | Telfair Museums | |
I Have Come Down the Ages | Metropolitan Museum of Art | ||
Three standing figures | undated | Barjeel Art Foundation | |
Standing figure and child | undated | Barjeel Art Foundation | |
Mother Earth | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums | |
Untitled | undated | Telfair Museums |
Gibran Khalil Gibran, usually referred to in English as Kahlil Gibran, was a Lebanese-American writer, poet and visual artist, also considered a philosopher although he himself rejected the title. He is best known as the author of The Prophet, which was first published in the United States in 1923 and has since become one of the best-selling books of all time, having been translated into more than 100 languages.
Harold Witter Bynner, also known by the pen name Emanuel Morgan, was an American poet and translator. He was known for his long residence in Santa Fe, New Mexico, and association with other literary figures there.
Mikha'il Nu'ayma, better known in English by his pen name Mikhail Naimy, was a Lebanese Greek Orthodox poet, novelist, and philosopher, famous for his spiritual writings, notably The Book of Mirdad. He is widely recognized as one of the most important figures in modern Arabic literature and one of the most important spiritual writers of the 20th century.
Gandalf is an Austrian new-age composer. He plays a wide variety of instruments, including guitar, keyboard, synthesizers and sitars. He includes electronic sounds in his music and is most renowned for forming the fellowship of the ring.
The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran. It was originally published in 1923 by Alfred A. Knopf. It is Gibran's best known work. The Prophet has been translated into over 100 different languages, making it one of the most translated books in history, as well as one of the best selling books of all time. It has never been out of print.
May Elias Ziadeh was a Lebanese-Palestinian poet, essayist, and translator, who has written many different works both in Arabic and in French.
Youssef Saadallah Howayek (1883–1962) was a painter, sculptor and writer from Helta, in modern-day Lebanon.
Paul-Gordon Chandler is the Bishop of the Episcopal Diocese of Wyoming in the USA. An author, art curator, peacemaker, and social entrepreneur, his previous roles have included serving as both a non-profit executive and US Episcopal priest. Paul-Gordon Chandler grew up in West Africa (Senegal) and has lived and worked in leadership roles throughout the world, with an emphasis on the Middle East and Africa, with ecumenical publishing, relief and development agencies, the arts and The Episcopal Church. His acclaimed book on Kahlil Gibran, the best-selling Lebanese born poet-artist and author of The Prophet, is IN SEARCH OF A PROPHET: A Spiritual Journey with Kahlil Gibran.
The Mahjar was a literary movement started by Arabic-speaking writers who had emigrated to America from Ottoman-ruled Lebanon, Syria and Palestine at the turn of the 20th century. Like their predecessors in the Nahda movement, writers of the Mahjar movement were stimulated by their personal encounter with the Western world and participated in the renewal of Arabic literature, hence their proponents being sometimes referred to as writers of the "late Nahda". These writers, in South America as well as the United States, contributed indeed to the development of the Nahda in the early 20th century. Kahlil Gibran is considered to have been the most influential of the "Mahjar poets" or "Mahjari poets".
Francis bin Fathallah bin Nasrallah Marrash, also known as Francis al-Marrash or Francis Marrash al-Halabi, was a Syrian scholar, publicist, writer and poet of the Nahda or the Arab Renaissance, and a physician. Most of his works revolve around science, history and religion, analysed under an epistemological light. He traveled throughout Western Asia and France in his youth, and after some medical training and a year of practice in his native Aleppo, during which he wrote several works, he enrolled in a medical school in Paris; yet, declining health and growing blindness forced him to return to Aleppo, where he produced more literary works until his early death.
Khalil or Khaleel means friend and is a common male first name in the Middle East, the Caucasus, the Balkans, North Africa, West Africa, East Africa, Central Asia and among Muslims in South Asia and as such is also a common surname. It is also used amongst Turkic peoples of Russia and African Americans. The female counterpart of this name is Khalila or Khaleela.
Kahlil G. Gibran, sometimes known as "Kahlil George Gibran", was a Lebanese American painter and sculptor from Boston, Massachusetts. A student of the painter Karl Zerbe at the School of the Museum of Fine Arts, Boston, Gibran first received acclaim as a magic realist painter in the late 1940s when he exhibited with other emerging artists later known as the "Boston Expressionists". Called a "master of materials", as both artist and restorer, Gibran turned to sculpture in the mid-fifties. In 1972, in an effort to separate his identity from his famous relative and namesake, the author of The Prophet, Gibran Kahlil Gibran, who was cousin both to his father Nicholas Gibran and his mother Rose Gibran, the sculptor co-authored with his wife Jean a biography of the poet entitled Kahlil Gibran His Life And World. Gibran is known for multiple skills, including painting; wood, wax, and stone carving; welding; and instrument making.
The Book of Khalid (1911) is a novel by Arab-American writer Ameen Rihani. Composed during a sojourn in the mountains of Lebanon, it is considered to be the first novel by an Arab-American writer in English. His contemporary, Khalil Gibran, illustrated the work, and the story is often seen as an influence on Gibran's own well-known book The Prophet.
Alexandre Najjar is a Lebanese and French writer, lawyer, businessman, journalist and literary critic. He was born in Beirut and studied at Panthéon-Assas University and University of Paris 1 Pantheon-Sorbonne. He holds a Doctorate in Business administration and is specialized in banking and finance law. He is the author of more than 30 books translated into more than 12 languages. In addition to poetry and novels, he has written non fiction works like the biography of Khalil Gibran, the author of The Prophet., a book about the 1936 Summer Olympic Games in Nazi Germany and a book about the Arab Spring.
The Baháʼí Faith (بهائی) has a following of at least several hundred people in Lebanon dating back to 1870. The community includes around 400 people, with a centre in Beit Mery, just outside the capital Beirut, and cemeteries in Machgara and Khaldeh. On the other hand, the Association of Religion Data Archives estimated some 3,900 Baháʼís in 2005.
Margaret McQueen Crosland is an English literary biographer and translator. She has also used the pen name Leonard de Saint-Yves.
Suheil Badi Bushrui was a professor, author, poet, critic, translator, and peace maker. He was a prominent scholar in regard to the life and works of the Lebanese-American author and poet Kahlil Gibran.
Al-Funoon was an Arabic-language magazine founded in New York City by Nasib Arida in 1913 and co-edited by Mikhail Naimy, "so that he might display his knowledge of international literature." As worded by Suheil Bushrui, it was "the first attempt at an exclusively literary and artistic magazine by the Arab immigrant community in New York."
Mary Elizabeth Haskell, later Minis, was an American educator, best known for having been the benefactress of Lebanese-American writer, poet and visual artist Kahlil Gibran.
Abd al-Masih Haddad was a Syrian writer of the Mahjar movement and journalist. His magazine As-Sayeh, started in 1912 and continued until 1957, presented the works of prominent Mahjari literary figures in the United States and became the "spokesman" of the Pen League which he co-founded with Nasib Arida in 1915 or 1916. His collection Hikayat al-Mahjar, which he published in 1921, extended "the scope of the readership of fiction" in modern Arabic literature according to Muhammad Mustafa Badawi.