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East German literature is the literature produced in East Germany from the time of the Soviet occupation in 1945 until the end of the communist government in 1990. The literature of this period was heavily influenced by the concepts of socialist realism and controlled by the communist government. As a result, the literature of the German Democratic Republic (East Germany) was for decades dismissed as nothing more than "Boy meet Tractor literature", but its study is now considered a legitimate field. Because of its language, the literature is more accessible to western scholars and is considered to be one of the most reliable, if not the most reliable, sources about East Germany. [1]
The criticism of Georg Lukács greatly impacted the literature of the GDR. His theories served as a middle ground between the necessary creative independence of the author and the theory of socialist realism as it was functioning at that time in the Soviet Union, paving the way for an East German literature that was to be more independent and original than what was to be found in the soviet bloc. Central to Luckacs' theories was the importance of the quest for individual identity, which he felt was not portrayed by socialist realism. He rejected the work of many authors, including Willi Bredel, James Joyce, Franz Kafka, and Ernst Ottwalt for reasons pertaining to the development of characters. He was against the notion that a character can develop fully with only one major change in their lives without relation to the entire experience of the individual, usually the conversion to socialism in the socialist realist novels, which is what he, as a socialist, was most concerned with. Lukács took Goethe's work Wilhelm Meister's Lehrjahre as the model that authors should attempt to emulate. [2]
The literature of this period was largely anti-fascist. This literature was written by those exiles who had managed to escape Nazi Germany and then had to be naturalized after the war had ended. The typical biography for an exile author of this time included an active interest in the defense of the Weimar Republic and democratic power against state authority, followed by exile during the time of National Socialism and then return to the Soviet Occupation Zone to support through their literature the development of an antifascist-democratic reform.
This period saw literature and other art forms become an official part of government planning. Culture and art were to reflect the ideals and values of socialism and to function as a means of educating the masses, an idea known as socialist realism. Special government divisions were set up, notably the Amt für Literatur und Verlagswesen (Office for Literature and Publishing) and the Staatlichen Kommission für Kunstangelegenheiten (State Arts Commission).
The literature produced during the 1950s is known as Aufbau which means 'building up'. [3] It is concerned with the establishment of industry and raises the ordinary worker to the status of hero.
The beginning of this period is marked by the construction of the Berlin Wall dividing East and West Berlin. Aufbauliteratur was replaced by increasingly critical Ankunftsliteratur (literally: arrival literature) which was much less ideological but practical and realistic out of which the later artistic opposition to the ruling Socialist Unity Party of Germany (SED) grew, although still aligned with the SED's cultural and political program. [4]
German Romanticism makes a comeback, both its writers and the cultural milieu. "The enthusiastic reception, republishing, and reworking of romantic authors by East German writers during the 1970s is in part motivated by the numerous parallels between the situations of the Germans in the Napoleonic era and in the GDR, both suffering under political and social suppression and the loss of autonomy, in particular the suppression of free speech." [5] The expatriation of protest singer Wolf Biermann in 1976 profoundly affected many of the writers in this era.
One of the most important developments in East German literature in the 1980s is known as the "Prenzlauer-Berg-Connection." This area in Berlin became home to a new generation of young people and their artistic underground. They expressed themselves through punk, illegal performance, multimedia experiments, and publishing unofficial magazines and literature. Prenzlauer Berg also attracted those who were officially cut off from East German culture. Many consider the literature produced in this period among the best of the entire GDR. [6]
The 1990s saw the reunification of East and West Germany and the abrupt demise of the dream of a German "socialist utopia." This placed authors in an unusual context. The world in which they had been writing was being dismantled. At the same time, that world was also being disregarded as irrelevant with a focus on the future in the new unified Germany.
German literature comprises those literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by dialects.
Günter Schabowski was an East German politician who served as an official of the Socialist Unity Party of Germany, the ruling party during most of the existence of the German Democratic Republic (GDR). Schabowski gained worldwide fame in November 1989 when he improvised a slightly mistaken answer to a press conference question about the future of the Berlin Wall. That raised popular expectations much more rapidly than the government planned and so massive crowds gathered the same night at the Wall, which forced its opening after 28 years. Soon afterward, the entire inner German border was opened.
Christa Wolf was a German novelist and essayist. She is considered one of the most important writers to emerge from the former East Germany.
Articles related to East Germany include:
Karl Wolf Biermann is a German singer-songwriter, poet, and former East German dissident. He is perhaps best known for the 1968 song "Ermutigung" and his expatriation from East Germany in 1976.
Jurek Becker was a Polish-born German writer, screenwriter and East German dissident. His most famous novel is Jacob the Liar, which has been made into two films. He lived in Łódź during World War II for about two years and survived the Holocaust.
Helmut Flieg was a German writer, known by his pseudonym Stefan Heym. He lived in the United States and trained at Camp Ritchie, making him one of the Ritchie Boys of World War II. In 1952, he returned to his home to the part of his native Germany which was, from 1949 to 1990, the German Democratic Republic. He published works in English and German at home and abroad, and despite longstanding criticism of the GDR remained a committed socialist. He was awarded the 1953 Heinrich Mann Prize, the 1959 National Prize of East Germany, and the 1993 Jerusalem Prize.
Anna Seghers, is the pseudonym of German writer Anna Reiling, who was notable for exploring and depicting the moral experience of the Second World War. Born into a Jewish family and married to a Hungarian Communist, Seghers escaped Nazi-controlled territory through wartime France. She was granted a visa and gained ship's passage to Mexico, where she lived in Mexico City (1941–47).
Johannes Robert Becher was a German politician, novelist, and poet. He was affiliated with the Communist Party of Germany (KPD) before World War II. At one time, he was part of the literary avant-garde, writing in an expressionist style.
Irmtraud Morgner was a German writer, best known for works of magical realism concerned predominantly with the role of gender in East German society.
Hans Mayer was a German literary scholar. Mayer was also a jurist and social researcher and was internationally recognized as a critic, author and musicologist.
Volker Braun is a German writer. His works include Provokation für mich – a collection of poems written between 1959 and 1964 and published in 1965, a play, Die Kipper, and Das ungezwungene Leben Kasts (1972).
Alexander Stephan was a specialist in German literature and area studies. He was a professor, Ohio Eminent Scholar, and Senior Fellow of the Mershon Center for International Security Studies at Ohio State University (OSU).
Franz Fühmann was a German writer who lived and worked in East Germany. He wrote in a variety of formats, including short stories, essays, screenplays and children's books. Influenced by Nazism in his youth, he later embraced socialism.
Adolf Endler was a lyric poet, essayist and prose author who played a central role in subcultural activities that attacked and challenged an outdated model of socialist realism in the German Democratic Republic up until the collapse of communism in the early 1990s. Endler drew attention to himself as the "father of the oppositional literary scene" at Prenzlauer Berg in the eastern part of Berlin. In 2005 he was made a member of the Deutsche Akademie für Sprache und Dichtung in Darmstadt.
Daniela Dahn is a German writer, journalist and essayist. Since the reunification of Germany in 1990, Dahn has been an outspoken critic of the reunification process. Her highly personal style of writing, and her strident political opinions, have stirred controversy within Germany, but Dahn, who considered herself a dissident within East Germany before 1989, advocates for a critical journalism that continues the democratic tradition of challenging the government and policies of reunified Germany.
Helga Königsdorf was an East German statistician and novelist. She is notable for becoming distinguished in two distinct careers - science and literature. She wrote three books on mathematics, two co-written with her husband Olaf Bunke, who outlived her by seven years, and thirteen literary books of her own. My Indecent Dreams, her first collection of short stories, was published at the age of 40. Fission is her best known novel. Ms Königsdorf passed away in 2014 at the age of 75 as a result of Parkinsons Disease.
György Lukács was a Hungarian Marxist philosopher, literary historian, literary critic, and aesthetician. He was one of the founders of Western Marxism, an interpretive tradition that departed from the Soviet Marxist ideological orthodoxy. He developed the theory of reification, and contributed to Marxist theory with developments of Karl Marx's theory of class consciousness. He was also a philosopher of Leninism. He ideologically developed and organised Lenin's pragmatic revolutionary practices into the formal philosophy of vanguard-party revolution.
Aufbauliteratur is the name given to the literature produced in Eastern Germany between state foundation and construction of the Berlin Wall, that is between 1949 and 1961, by authors close to the state's ideology and congruent with the ruling party's political program. It was aimed at the intellectual construction of the Socialist state. The area is preceded by the less directed and only marginal literature produced post the Second World War, and followed by Ankunftsliteratur, the literature written to internalize a sense of arrival which was much less ideological but practical and realistic, still aligned with the SED.
Paul Wiens was a German poet, translator and author of radio plays and screenplays in the German Democratic Republic.