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"Little Brown Jug" is a song written in 1869 by Joseph Eastburn Winner, originally published in Philadelphia with the author listed as Winner's middle name "Eastburn".
It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era.
In 1939, Glenn Miller and His Orchestra released a hit version of the song on RCA Bluebird, as an A side 78 single, B-10286-A, in a new arrangement by Bill Finegan backed with "Pavanne". The recording was an early chart hit for Glenn Miller. The song was performed in Glenn Miller's Carnegie Hall concert that year and became a staple of the Glenn Miller Orchestra repertoire, and a classic of the Big Band era.
The personnel on the Glenn Miller recording: Saxes: Hal McIntyre, Tex Beneke, Wilbur Schwartz, Stanley Aronson, Al Klink; Trumpets: Bob Price, R. D. McMickle, Legh Knowles; Trombones: Glenn Miller, Paul Tanner, Al Mastren; Piano: Chummy MacGregor; String Bass: Rowland Bundock; Guitar: Allen Reuss; Drums: Moe Purtill.
The song was featured in and was central to the plot of the 1954 Universal Pictures film biography The Glenn Miller Story starring James Stewart and June Allyson. The Universal International Orchestra under the direction of Joseph Gershenson released a recording of the song from The Glenn Miller Story soundtrack as a single backed with "A String of Pearls" on Decca Records in the U.S. and on Brunswick Records in the UK in 1954.
Subsequently, in 1947 it was recorded by the accordionist John Serry Sr. and the guitarist Tony Mottola with the noted Joe Biviano Accordion & Rhythm Sextette for Sonora records. [1]
It was also sung by Carl "Alfalfa" Switzer and Harold "Slim" Switzer in an Our Gang (Little Rascals) short.
The song's lyrics are about a man and his wife and their hard life due to alcoholism. The tone and tune, however, are bright and cheerful, indicating the irony of the singer not knowing his degraded condition. The first verse of the song is:
My wife and I live all alone,
In a little log hut, we called our own
She loved gin, and I loved rum
I tell you what we'd lots of fun. [2]
In the 1948 Famous Studios Screen Song animated short titled "Little Brown Jug", a "bouncing ball" cartoon, it is sung with the music credited to Winston Sharples and entirely new lyrics by Buddy Kaye.
The song has been recorded by the following performers in addition to those listed above:
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You may hear Little Brown Jug performed by the Joe Biviano Accordion and Rhythm Sextette with John Serry and Tony Mottola in 1946 Here on Archive.org |
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
"Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early African-American musical traditions, the song was probably composed in the late 1860s by Wallace Willis and his daughter Minerva Willis, both Choctaw freedmen. Performances by the Hampton Singers and the Fisk Jubilee Singers brought the song to the attention of wider audiences in the late 19th century. The earliest known recording of "Swing Low, Sweet Chariot" was recorded in 1894, by the Standard Quartette.
"Shine On, Harvest Moon" is a popular early-1900s song credited to the married vaudeville team Nora Bayes and Jack Norworth. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was debuted by Bayes and Norworth in the Ziegfeld Follies of 1908 to great acclaim. It became a pop standard, and continues to be performed and recorded in the 21st century.
John Serry Sr. was an American concert accordionist, arranger, composer, organist, and educator. He performed on the CBS Radio and Television networks and contributed to Voice of America's cultural diplomacy initiatives during the Golden Age of Radio. He also concertized on the accordion as a member of several orchestras and jazz ensembles for nearly forty years between the 1930s and 1960s.
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"Ta-ra-ra Boom-de-ay" is a vaudeville and music hall song first performed by the 1880s. It was included in Henry J. Sayers' 1891 revue Tuxedo in Boston, Massachusetts. The song became widely known in the 1892 version sung by Lottie Collins in London music halls, and also became popular in France.
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular song, written in 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard.
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"Somebody Stole My Gal" is a popular song from 1918, written by Leo Wood. In 1924, Ted Weems & his Orchestra had a five-week run at number one with his million-selling version. Its Pee Wee Hunt and his orchestra version is also known in Japan, particularly in Osaka and surrounding area as the theme song used by Yoshimoto Kogyo for their theatre comedies at Namba Grand Kagetsu and other venues.
"That's a Plenty" is a 1914 ragtime piano composition by Lew Pollack. Lyrics by Ray Gilbert were added decades later. Several popular vocal versions have been recorded, but it is more often performed as an instrumental.
This is a timeline documenting events of jazz in the year 1945.
This is a timeline documenting events of Jazz in the year 1947.
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Glenn Miller Plays Selections From the Film "The Glenn Miller Story" is a 1954 compilation album by Glenn Miller and his Orchestra. The collection contained songs featured in the 1954 Universal-International film The Glenn Miller Story starring James Stewart and June Allyson. It was the first Glenn Miller album to be certified Gold in the U.S.
The Glenn Miller Story is a 1954 soundtrack album released on Decca Records with songs from The Glenn Miller Story, the film biography of Glenn Miller, starring James Stewart and June Allyson. The collection had eight songs from the film recorded under the direction of Joseph Gershenson.
Thomas Henry Delaney was an American blues and jazz songwriter, pianist and singer, who wrote a number of popular songs, mainly in the 1920s. His work was recorded by many of the more fashionable singers and musicians of the period and later times, including Lillyn Brown, Lucille Hegamin, Original Dixieland Jass Band, Ethel Waters, Earl Hines, Count Basie, Bix Beiderbecke, Big Joe Williams, Clara Smith, Alberta Hunter, Clarence Williams, James P. Johnson, Woody Herman, Bukka White, Toots Thielemans, and Dinah Washington.
"La Cinquantaine" is a piece of music which was composed by Jean Gabriel-Marie in 1887.
Pure Gold is a 1975 compilation album of 10 studio recordings by Glenn Miller and his Orchestra recorded between 1939 and 1942 by RCA Victor. The recordings were all originally issued as 78 RPM records on the RCA Bluebird and Victor labels and was certified Gold by the RIAA. The album was originally issued on LP and compact disc in reprocessed (fake) stereo sound; in 1988, RCA remastered the album in original monophonic sound for its second CD reissue.