Live at Sweet Basil Vol. 2 | ||||
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Live album by Gil Evans & the Monday Night Orchestra | ||||
Released | 1987 | |||
Recorded | August 27, 1984 at Sweet Basil, NYC | |||
Genre | Jazz | |||
Length | 74:46 | |||
Label | Gramavision 18-8708-1 | |||
Producer | Horst Liepolt & Shigeyuki Kawashima | |||
Gil Evans chronology | ||||
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Live Sweet Basil Vol. 2 is a live album by jazz composer, arranger, conductor and pianist Gil Evans recorded by King Records (Japan) in New York in 1984 featuring Evans with his Monday Night Orchestra which included George Adams, Howard Johnson, and Lew Soloff and originally released in the US on the Gramavision label. [1]
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.
In music, an arrangement is a musical reconceptualization of a previously composed work. It may differ from the original work by means of reharmonization, melodic paraphrasing, orchestration, or development of the formal structure. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings... Arranging is the art of giving an existing melody musical variety".
Allmusic awarded the album 2 stars, stating, " Although arranger/keyboardist Gil Evans is the leader of the 14-piece band, he has a very minor presence on the set, letting his talented sidemen get self-indulgent and take seemingly endless solos. Because the supporting cast includes such fine players... This is a lesser effort that should have been a memorable one". [2]
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
All compositions by Gil Evans except as indicated
Ian Ernest Gilmore Evans was a Canadian jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
An electric piano is an electric musical instrument which produces sounds when a performer presses the keys of the piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone. The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer Company.
Svengali is a live album by jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1973 by Evans with an orchestra featuring Ted Dunbar, Howard Johnson, David Sanborn, Billy Harper, Richard Williams, Trevor Koehler, and Hannibal Marvin Peterson. The name of the album is an anagram for Gil Evans.
Lewis Michael Soloff was an American jazz trumpeter, composer and actor. From New York City, he studied trumpet at the Eastman School of Music and the Juilliard School. He worked with Blood, Sweat & Tears from 1968 until 1973. Prior to this, he worked with Machito, Tony Scott, Maynard Ferguson and Tito Puente.
Miles & Quincy: Live at Montreux is a collaborative live album by American jazz trumpeter Miles Davis and conductor Quincy Jones. It was recorded at the 1991 Montreux Jazz Festival and released by Warner Bros. Records in 1993. For the first time in three decades, Davis returned to the songs arranged by Gil Evans from his past albums, including Miles Ahead (1957), Porgy and Bess (1959), and Sketches of Spain (1960). This album was also the last album recorded by Davis.
Electronic Sonata for Souls Loved by Nature is a work by jazz arranger George Russell originally written in 1968 and first recorded in concert in Norway on April 28, 1969 and released on the Flying Dutchman label. The 1969 recording featured Russell with Jan Garbarek, Manfred Schoof, Terje Rypdal, Jon Christensen, and Red Mitchell and was subsequently rereleased on Strata-East Records on LP in 1976.
Where Flamingos Fly is an album by jazz composer, arranger, conductor and pianist Gil Evans, originally recorded in 1971 for Capitol Records but not released until 1981, and performed by Evans with an orchestra featuring Billy Harper, Howard Johnson, Johnny Coles, and Don Preston.
Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans.
Chapter Three: Viva Emiliano Zapata is an album by Argentinian saxophonist and composer Gato Barbieri released on the Impulse! label.
Blues in Orbit is an album by jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1969 and 1971 by Evans with an orchestra featuring Jimmy Cleveland, Howard Johnson, Billy Harper, and Joe Beck. The album was originally released on the short-lived Ampex label as Gil Evans but received wider release on the Enja label under this title.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions arranged by jazz composer, conductor and pianist Gil Evans recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
There Comes a Time is an album by the jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1975 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper and John Abercrombie. The album was re-released with an altered tracklist on CD in 1988.
Priestess is a live album by jazz composer, arranger, conductor and keyboardist Gil Evans recorded in 1977 and performed by Evans with an orchestra featuring David Sanborn, Arthur Blythe, Lew Soloff, and George Adams.
Rhythm A Ning is an album by jazz composer, arranger, conductor and keyboardist Gil Evans recorded in 1987 and performed by Evans with Laurent Cugny's Big Band Lumiere.
Golden Hair is an album by jazz composer, arranger, conductor and keyboardist Gil Evans recorded in 1987 and performed by Evans with Laurent Cugny's Big Band Lumiere.
Parabola is a double album by jazz composer, arranger, conductor and pianist Gil Evans recorded in Italy in 1978 by Evans with an orchestra featuring Arthur Blythe, Steve Lacy and Lew Soloff and released on the Italian Horo label.
Gil Evans Live at the Royal Festival Hall London 1978 is a live album by jazz composer, arranger, conductor and pianist Gil Evans recorded in London in 1978 by Evans with an orchestra featuring Arthur Blythe, George Adams, and Lew Soloff and released on RCA label.
Live at the Public Theater is a live album by jazz composer, arranger, conductor and pianist Gil Evans recorded in New York in 1980 by Evans with an orchestra featuring Arthur Blythe, Hamiet Bluiett, and Lew Soloff and originally released from Japanese Trio label in two volumes. Integrated version was first released in 1986 from Japanese Crown Record's Break Time label as 2xCDs album, and one track was added in the release from Japanese Venus Records label of 1993.
Live Sweet Basil is a live album by jazz composer, arranger, conductor and pianist Gil Evans recorded by King Records (Japan) in New York in 1984 featuring Evans with his Monday Night Orchestra which included George Adams, Howard Johnson, and Lew Soloff and originally released in the US on the Gramavision label.
Farewell is a live album by jazz composer, arranger, conductor and pianist Gil Evans recorded by King Records (Japan) in New York in 1986 featuring Evans with his Monday Night Orchestra which included Hamiet Bluiett, Bill Evans, and Johnny Coles and originally released in the US on the Evidence label.
Bud and Bird is a live album by Gil Evans that won the Grammy Award for Best Large Jazz Ensemble Album in 1989. Evans conducted the orchestra, which included Hamiet Bluiett, Bill Evans, and Johnny Coles.
Night Beat is an album by saxophonist Hank Crawford recorded in 1988 and released on the Milestone label the following year.