Live at Sweet Basil Vol. 2

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Live at Sweet Basil Vol. 2
Live at Sweet Basil Vol 2.jpg
Live album by Gil Evans & the Monday Night Orchestra
Released 1987
Recorded August 27, 1984 at Sweet Basil, NYC
Genre Jazz
Length74:46
Label Gramavision 18-8708-1
Producer Horst Liepolt & Shigeyuki Kawashima
Gil Evans chronology
Live at Sweet Basil
(1984) Live at Sweet Basil1984
Live at Sweet Basil Vol. 2
(1984)
The Mother of the Book
(1985) The Mother of the Book1985

Live Sweet Basil Vol. 2 is a live album by jazz composer, arranger, conductor and pianist Gil Evans recorded by King Records (Japan) in New York in 1984 featuring Evans with his Monday Night Orchestra which included George Adams, Howard Johnson, and Lew Soloff and originally released in the US on the Gramavision label. [1]

Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".

Composer person who creates music, either by musical notation or oral tradition

A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.

Arrangement musical composition in altered form

In music, an arrangement is a musical reconceptualization of a previously composed work. It may differ from the original work by means of reharmonization, melodic paraphrasing, orchestration, or development of the formal structure. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings... Arranging is the art of giving an existing melody musical variety".

Contents

Reception

Allmusic awarded the album 2 stars, stating, " Although arranger/keyboardist Gil Evans is the leader of the 14-piece band, he has a very minor presence on the set, letting his talented sidemen get self-indulgent and take seemingly endless solos. Because the supporting cast includes such fine players... This is a lesser effort that should have been a memorable one". [2]

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [2]

Track listing

All compositions by Gil Evans except as indicated

  1. "Jelly Roll" - 11:15
  2. "Friday the 13th" (Thelonious Monk) - 13:44
  3. "Gone" – 16:00
  4. "Prelude to Stone Free" - 8:42
  5. "Stone Free" (Jimi Hendrix) - 14:00
  6. "Snowflake Bop" (Anita Evans) - 16:58

Personnel

Gil Evans American pianist

Ian Ernest Gilmore Evans was a Canadian jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis.

Piano musical instrument

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.

Electric piano musical instrument used by many of the great musicians such as Ray Charles

An electric piano is an electric musical instrument which produces sounds when a performer presses the keys of the piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone. The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer Company.

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Lew Soloff American musician

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References

  1. Discogs album entry accessed June 17, 2014.
  2. 1 2 Yanow, S., Allmusic Review accessed June 17, 2014.