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Live at Wood Hall | ||||
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Live album by | ||||
Released | July 1, 2005 | |||
Recorded | March 24/25, 2005 | |||
Genre | Rock | |||
Length | 105:27 | |||
Label | Rubenesque Records Ltd. | |||
Producer | Larry Anschell | |||
Allison Crowe chronology | ||||
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Review scores | |
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Source | Rating |
Delusions of Adequacy | link |
Live at Wood Hall is the fourth album release from Canadian singer-songwriter Allison Crowe. This double-CD set was recorded over two nights of concerts in the converted church chapel of the Victoria Conservatory of Music in Victoria, British Columbia.
The concert repertoire captured on these discs encompasses a range of genres from roots & blues, through folk, pop/rock, jazz and Broadway. rough the artist's concert repertoire, freshly recorded in the converted chapel of Victoria (B.C.)'s Alongside more than an album's worth of original songs, Allison covers some of her favourite artists of today - Ani DiFranco's "Independence Day", Tori Amos' "Playboy Mommy", Counting Crows' "A Murder of One" - and classic rock - John Lennon's "Imagine" and "Me and Bobby McGee", a song penned by Fred Foster and Kris Kristofferson and recorded most famously by Janis Joplin. She also gives a nod to Broadway with "Bill" (from Show Boat ) and "I Dreamed a Dream" (from Les Misérables ). Add in some jazz, "In Love in Vain", and a traditional Irish aire, "Believe Me, if All Those Endearing Young Charms", and the result is the sort of eclectic mix for which the artist is becoming known.
Myra Ellen "Tori" Amos is an American singer-songwriter and pianist. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She was expelled at the age of 11 for what Rolling Stone described as "musical insubordination". Amos was the lead singer of the short-lived 1980s pop group Y Kant Tori Read before achieving her breakthrough as a solo artist in the early 1990s. Her songs focus on a broad range of topics, including sexuality, feminism, politics and religion.
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