Live at the Studio Grill | ||||
---|---|---|---|---|
Live album by | ||||
Released | 1990 | |||
Recorded | May 19 & 26, 1988 | |||
Venue | Studio Grill, Hollywood, CA | |||
Genre | Jazz | |||
Length | 52:43 | |||
Label | Triloka 182-2 | |||
Producer | Paul A. Sloman | |||
Freddie Redd chronology | ||||
|
Live at the Studio Grill is a live album by jazz pianist Freddie Redd recorded in Hollywood in 1988 and released on the Triloka label in 1990. [1]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
The Allmusic review by Scott Yanow states: "Due to his timeless style and relatively few recordings, Freddie Redd is a legend. A fine bop pianist who was an associate of his idols Bud Powell and Thelonious Monk, Redd (62 at the time of this set) will probably always be best-known for his work on the play The Connection . Although maintaining a low profile, Redd had been playing continuously through the decades ... Redd is an unrecognized giant. Bassist Al McKibbon and drummer Billy Higgins offer short solos and sympathetic support on this highly recommended trio set". [2]
All compositions by Freddie Redd, except where indicated
Thelonious Sphere Monk was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including "'Round Midnight", "Blue Monk", "Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington.
Freddie Redd was an American hard-bop pianist and composer. He is best known for writing music to accompany The Connection (1959), a play by Jack Gelber. According to Peter Watrous, writing in The New York Times: "Mr. Redd hung out at jam sessions in the 1950s and played with many of the major figures, Sonny Rollins to Art Blakey, and worked regularly with Charles Mingus. When things got tough, he just moved on, living in Guadalajara, Mexico, and in Paris and London."
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone.
Al McKibbon was an American jazz double bassist, known for his work in bop, hard bop, and Latin jazz.
"'Round Midnight" is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician.
Ronald Mathews was an American jazz pianist who worked with Max Roach from 1963 to 1968 and Art Blakey's Jazz Messengers. He acted as lead in recording from 1963 and 1978–79. His most recent work was in 2008, as both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb. He contributed two new compositions for the album that was released by San Francisco State University's International Center for the Arts on September 15, 2008.
Misterioso is a 1958 live album by American jazz ensemble the Thelonious Monk Quartet. By the time of its recording, pianist and bandleader Thelonious Monk had overcome an extended period of career difficulties and achieved stardom with his residency at New York's Five Spot Café, beginning in 1957. He returned there the following year for a second stint with his quartet, featuring drummer Roy Haynes, bassist Ahmed Abdul-Malik, and tenor saxophonist Johnny Griffin. Along with Thelonious in Action (1958), Misterioso captures portions of the ensemble's August 7 show at the venue.
John Ore was an American jazz bassist.
Thelonious Himself is a studio album by Thelonious Monk released in 1957 via Riverside Records, his fourth for the label. The album is notable for featuring Monk on solo piano almost exclusively. The only non-solo performance on the album is the last track, "Monk's Mood", which features John Coltrane on tenor saxophone and Wilbur Ware on bass.
A Portrait of Thelonious is a studio album by jazz pianist Bud Powell, released on Columbia in 1965, featuring a session recorded at Studio Charlot in Paris on December 17, 1961, with Pierre Michelot on bass and Kenny Clarke on drums. The session was the second of two produced by Cannonball Adderley with Powell, following the A Tribute to Cannonball session recorded two days earlier.
The Other Side of Round Midnight is an album by American jazz saxophonist Dexter Gordon recorded in 1985 and released on the Blue Note label. The album was recorded during the making of Bertrand Tavernier's 1986 film Round Midnight, and it consists of tracks that were not included in the Academy Award-winning soundtrack album for the film. The album features the last recordings released under Gordon's name, produced and arranged by Herbie Hancock.
The Giants of Jazz is a live album of an English concert recorded at Victoria Theatre in London in two concerts on the same date, November 14, 1971, by Art Blakey, Dizzy Gillespie, Al McKibbon, Thelonious Monk, Sonny Stitt, and Kai Winding, who were billed as The Giants of Jazz. The album was released by the Atlantic.
Live in Tokyo is a live album by pianist Barry Harris which was recorded in Japan in 1976 and released on the Xanadu label.
Breakfast Dance and Barbecue is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.
Portraits is an album by the Gerald Wilson Orchestra recorded in late 1963 and early 1964 and released on the Pacific Jazz label.
Nights at the Vanguard is an album by jazz pianist Tommy Flanagan, with bassist George Mraz and drummer Al Foster.
Wise in Time is an album by trumpeter Howard McGhee and saxophonist Teddy Edwards recorded in 1978 and released on the Storyville label.
Straight Ahead! is an album by jazz pianist Freddie Redd recorded in 1977 and released on the Interplay label.
Young at Heart is an album by trumpeter Howard McGhee and saxophonist Teddy Edwards recorded in 1979 and released on the Storyville label.
For the Moment is a live album by pianist Barry Harris which was recorded in New York in 1984 and released on the Uptown label the following year.