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László Moholy-Nagy was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing.
A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it to light.
The Moholy-Nagy University of Art and Design, former Hungarian University of Arts and Design, is located in Budapest, Hungary. Named after László Moholy-Nagy, the university offers programs in art, architecture, designer and visual communication.
Lucia Moholy was a photographer and publications editor. Her photos documented the architecture and products of the Bauhaus, and introduced their ideas to a post-World War II audience. However, Moholy was seldom credited for her work, which was often attributed to her husband László Moholy-Nagy or to Walter Gropius.
György Kepes was a Hungarian-born painter, photographer, designer, educator, and art theorist. After immigrating to the U.S. in 1937, he taught design at the New Bauhaus in Chicago. In 1967 he founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974.
The Institute of Design at the Illinois Institute of Technology is a graduate school of the Illinois Institute of Technology, a private university in Chicago, Illinois, United States. Founded in 1937 as The New Bauhaus, the school focuses on systemic and human-centered design.
A luminogram is an image, usually made with an artistic purpose, created by exposure of photosensitive materials to light without the intervention of an object.
Peter Laszlo Peri was an artist and sculptor.
Sibyl Moholy-Nagy was an architectural and art historian. Originally a German citizen, she accompanied her second husband, the Hungarian Bauhaus artist László Moholy-Nagy, in his move to the United States. She was the author of a study of his work, Moholy-Nagy: Experiment in Totality, plus several other books on architectural history.
Fishing in Cornwall, England, UK, has traditionally been one of the main elements of the economy of the county. Pilchard fishing and processing was a thriving industry in Cornwall from around 1750 to around 1880, after which it went into an almost terminal decline. During the 20th century the varieties of fish taken became much more diverse and crustaceans such as crab and lobster are now significant. Much of the catch is exported to France due to the higher prices obtainable there. Though fishing has been significantly damaged by overfishing, the Southwest Handline Fishermen's Association has started to revive the fishing industry. As of 2007, stocks were improving. The Cornwall Sea Fisheries Committee is one of 12 committees responsible for managing the corresponding Sea Fisheries District. The Isles of Scilly Sea Fisheries Committee is responsible for the Scilly district.
Florence Henri was a surrealist artist; primarily focusing her practice on photography and painting, in addition to pianist composition. In her childhood, she traveled throughout Europe, spending portions of her youth in Paris, Vienna, and the Isle of Wight. She studied in Rome, where she would encounter the Futurists, finding inspiration in their movement. From 1910 to 1922, she studied piano in Berlin, under the instruction of Egon Petri and Ferrucio Busoni. She would find herself landlocked to Berlin during the first World War, supporting herself by composing piano tracks for silent films. She returned to Paris in 1922, to attend the Académie André Lhote, and would attend until the end of 1923. From 1924 to 1925, she would study under painters Fernand Léger and Amédée Ozenfant at the Académie Moderne. Henri's most important artistic training would come from the Bauhaus in Dessau, in 1927, where she studied with masters Josef Albers and László Moholy-Nagy, who would introduce her to the medium of photography. She returned to Paris in 1929 where she started seriously experimenting and working with photography up until 1963. Finally, she would move to Compiègne, where she concentrated her energies on painting until the end of her life in 1982. Her work includes experimental photography, advertising, and portraits, many of which featured other artists of the time.
The Lobster War was a dispute over spiny lobsters that occurred from 1961 to 1963 between Brazil and France. The Brazilian government refused to allow French fishing vessels to catch spiny lobsters 100 miles (160 km) off Brazil's northeastern coast by arguing that lobsters "crawl along the continental shelf". The French maintained that "lobsters swim" and so they could be caught by any fishing vessel from any country. The dispute was resolved unilaterally by Brazil, which extended its territorial waters to a 200-nautical-mile zone and took in the disputed lobsters' bed.
The Neues Sehen, also known as New Vision or Neue Optik, was a movement, not specifically restricted to photography, which was developed in the 1920s. The movement was directly related to the principles of the Bauhaus. Neues Sehen considered photography to be an autonomous artistic practice with its own laws of composition and lighting, through which the lens of the camera becomes a second eye for looking at the world. This way of seeing was based on the use of unexpected framings, the search for contrast in form and light, the use of high and low camera angles, etc. The movement was contemporary with New Objectivity with which it shared a defence of photography as a specific medium of artistic expression, although Neues Sehen favoured experimentation and the use of technical means in photographic expression.
The culture of Sussex refers to the pattern of human activity and symbolism associated with Sussex and its people. It is informed by Sussex's history as an Anglo-Saxon kingdom, English county, diocese of the church and present-day cultural region.
Ellen Frank (1904–1999) was a German film and television actress.
Iván Hevesy was a Hungarian literature, photography and film theorist. Hevesy is best known for his pioneering role in the history of the Hungarian avant-garde.
Werner Graeff was a German sculptor, painter, graphic artist, photographer, film maker and inventor.
Alysa Nahmias is an American filmmaker and the founder of Ajna Films.
Ernő Kállai was a Hungarian art critic who was involved in the promotion of and theorisation around Constructivism.
Impresionen vom alten Marseiller Hafen (Vieux Port) is a short city symphony film by László Moholy-Nagy in 1929. It was one of the first films Moholy-Nagy created when venturing into the art of filmmaking. It premiered on March 4, 1932, in Berlin.
References
- ↑ Bennett, Chris (22 March 2010). "When the Bauhaus came to Sussex". BBC. Retrieved 2 February 2017.
- ↑ McCarthy, Fiona (18 March 2006). "The Fiery Stimulator". The Guardian. Retrieved 21 February 2017.
