The lokole is a traditional slit drum played by the Mongo people in different areas of the Congo region, e.g., in the Kasai area. It is used both as a musical instrument and as a log drum to send messages in the bush; [1] for example, it is known to be played to announce someone's death to the neighboring villages. It is a deep-sounding slit drum, traditionally made out of a hollow tree trunk. It is beaten with sticks, and can produce a small range of bass notes.
While the lokole has been occasionally employed in modern Congolese music at least since the 1940s, it became prominent in Zairean pop music during the Authenticité campaign (1960s-1970s) that sought to preserve and rediscover the Congolese tradition as opposed to imported, Western habits. It was most notably Zairean singer Papa Wemba who endorsed lokole as an integral part of the sound of his bands, two of which (Isifi Lokole and Yoka Lokole) were actually named after this drum. In the late 1970s, Wemba's band Viva La Musica brought the lokole to the attention of an international audience.
 | This article relating to idiophones is a stub. You can help Wikipedia by expanding it. |
Congolese music is one of the most influential music forms of the African continent. Since the 1930s, Congolese musicians have had a huge impact on the African musical scene and elsewhere. Many contemporary genres of music, such as Kenyan Benga and Colombian Champeta, have been heavily influenced by Congolese music. In 2021, Congolese rumba joined other living traditions such as Jamaican reggae music and Cuban rumba on UNESCO's "intangible cultural heritage of humanity" list.
Soukous is a genre of dance music originating from the Democratic Republic of the Congo and the Republic of the Congo. It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences.
Jules Shungu Wembadio Pene Kikumba, known professionally as Papa Wemba, was a Congolese singer and musician who played Congolese rumba, soukous, and ndombolo. Dubbed the "King of Rumba Rock", he was one of the most popular musicians of his time in Africa and played an important role in world music. He was also a fashion icon who popularized the Sape look and style through his musical group Viva la Musica, with whom he performed on stages throughout the world.
A slit drum or slit gong is a hollow percussion instrument. In spite of its often being called a drum, it is not a true drum because it lacks a drumhead, the membrane stretched across the top of a true drum. It is classed instead as an idiophone in which the entire instrument vibrates.
Zaïko Langa Langa is a Congolese rumba band formed in Kinshasa, in December 1969. Established by D.V. Moanda, Henri Mongombe, Marcellin Delo and André Bita, the band evolved from the Orchestre Bel Guide National, which is seen as Zaïko's predecessor.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo and Democratic Republic of the Congo. With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage. In December 2021, it was added to the UNESCO list of intangible cultural heritage.
Cheikh N'Digel Lô is a Senegalese musician.
Bimi Ombale was a Congolese singer, drummer and songwriter. He was a member of the band Zaiko Langa Langa from 1969 to 1988 and its most successful and prolific songwriter.
Kasai Allstars are a 25-piece musical collective based in Kinshasa, Democratic Republic of the Congo. The musicians originally come from the Kasai region, but originating from five different ethnic groups: the Songye, Lulua, Tetela, Luba, and Luntu. Some of these groups have endured conflicting relationships over the centuries, and they each have their own culture, their own language, and their own musical traditions. These were always thought to be incompatible until the musicians decided to pool their resources and form a collective at the instigation of Belgian producer Vincent Kenis.
Mbenzu Ngamboni Bokili, better known as Bozi Boziana, is a Congolese singer, songwriter and bandleader. He has been in several major soukous bands, including Orchestre Bamboula, Minzoto Sangela, Zaiko Langa Langa, Isifi Lokole, Yoka Lokole, Langa Langa Stars and Choc Stars, and founded his own band, Orchestre Anti-Choc, which is considered among the most influential of the genre and also notable for introducing up to three female vocalists at any one time into this band all of whom became celebrities in their own right, a tradition which continues up to today.
Evoloko Atshuamo, best known as Evoloko Jocker or Lay Lay, is a popular congolese soukous singer. Since the late 1960s, he has been in several major soukous bands, such as Zaiko Langa Langa, Isifi Lokole, and Langa Langa Stars.
Isifi Lokole were a soukous band from the Democratic Republic of the Congo. They were founded in 1974. The word "Isifi" is an acronym for "Institut du Savoir Ideologique pour la Formation des Idoles", while the lokole is a traditional Congolese drum. Since Isifi Lokole was mostly composed of former Zaiko Langa Langa members, it is sometimes said to be in the so-called "Langa Langa Clan".
The Orchestre Stukas was a Congolese soukous band of the 1970s. It was based in Kinshasa, Zaire. At the apex of their popularity, the Stukas were led by singer and showman Gaby Lita Bembo.
Yoka Lokole was a soukous band from Zaire founded by Papa Wemba and others in 1975 and disbanded in 1978. Despite its short life, Yoka Lokole was a prominent band in Zaire in the mid-1970s, as its lineup comprised several of the most influential soukous musicians of the times, including Papa Wemba, Bozi Boziana, and Mavuela Somo. Yoka Lokole's most important members were singers; the vocal ensemble of the group was collectively known as the Fania All-Stars of Zaire. Since most of the soukous "stars" in Yoka Lokole were former members of Zaiko Langa Langa, Yoka Lokole belongs to the so-called "Clan Langa Langa", i.e., the large family of Zaiko Langa Langa spin-off bands.
Viva La Musica is a popular band from Zaire founded by singer Papa Wemba in 1977. While Viva La Musica started out as a soukous band, it eventually grew into a world music act, reaching some popularity and success in the European, American, and even Asian markets, as well as in most of Africa. The band is still active today, although it is just one of a number of musical ensembles used by Papa Wemba as a backup for his essentially soloist production.
Simaro Massiya Lutumba Ndomanueno, known as Simaro, was a Congolese music rhythm guitarist, songwriter, poet, composer, and bandleader. He was a member of the seminal Congo music band TPOK Jazz, which dominated the music scene in the Democratic Republic of the Congo (DRC) from the 1960s to the 1980s.
Richard Yende Abongy Balengola, best known as Richacha "Chacha" Balengola, is a reggae, Hip Hop, RnB, soukous and world music drummer from the Democratic Republic of the Congo, based in Reims, [[Fr
This article is the discography of Jules Shungu Wembadio Pene Kikumba, commonly known as Papa Wemba who was a Congolese singer and musician who played Congolese rumba, soukous and ndombolo. Sometimes dubbed the King of Rumba Rock, he was one of the most popular musicians of his time in Africa and played an important role in world music.
Emotion is an album by the Congolese singer Papa Wemba, released in 1995. Wemba sang mostly in Lingala.
Non Stop Dancing is the debut studio album by the Congolese rumba band Zaïko Langa Langa. Produced by Mfumu Muntu Bambi, it was released on the Zaire Music label in late 1974.