The lokole is a traditional slit drum played by the Mongo people in different areas of the Congo region, e.g., in the Kasai area. It is used both as a musical instrument and as a log drum to send messages in the bush; [1] for example, it is known to be played to announce someone's death to the neighboring villages. It is a deep-sounding slit drum, traditionally made out of a hollow tree trunk. It is beaten with sticks, and can produce a small range of bass notes.
While the lokole has been occasionally employed in modern Congolese music at least since the 1940s, it became prominent in Zairean pop music during the Authenticité campaign (1960s-1970s) that sought to preserve and rediscover the Congolese tradition as opposed to imported, Western habits. It was most notably Zairean singer Papa Wemba who endorsed lokole as an integral part of the sound of his bands, two of which (Isifi Lokole and Yoka Lokole) were actually named after this drum. In the late 1970s, Wemba's band Viva La Musica brought the lokole to the attention of an international audience.
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Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres Jùjú, Fuji, Highlife, Makossa, Kizomba, Afrobeat and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland, the blues, jazz, old-time, and bluegrass and many Caribbean genres, such as calypso and soca. Latin American music genres such as zouk, bomba, conga, rumba, son cubano, salsa music, cumbia and samba, were founded on the music of enslaved Africans, and have in turn influenced African popular music.
Congolese music is one of the most influential music of the African continent since the 1930s.Congolese musicians had a huge impact on the African musical scene and outside.Many contemporary genre of music were created or heavily influenced by Congolese music.As the genre of music in Kenya Benga or in Colombia Champeta. Democratic republic of Congo and are contemporary hub music in Africa since the 1930s /50s. Congolese rumba joined in 2021, other living traditions such as Jamaican reggae music and Cuban rumba on Unesco's "intangible cultural heritage of humanity" list. Music of the Democratic Republic of the Congo varies in its different forms. Outside Africa, most music from the Democratic Republic of Congo is called Soukous, which most accurately refers instead to a dance popular in the late 1960s. The term rumba or rock-rumba is also used generically to refer to Congolese music, though neither is precise nor accurately descriptive.
Soukous is a genre of dance music from Congo-Kinshasa and Congo-Brazzaville. It derived from Congolese rumba in the 1960s and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, longer dance sequences. Notable performers of the genre include African Fiesta, Papa Wemba and Pépé Kallé.
Jules Shungu Wembadio Pene Kikumba, known professionally as Papa Wemba, was a Congolese singer and musician who played Congolese rumba, soukous, and ndombolo. Dubbed the "King of Rumba Rock", he was one of the most popular musicians of his time in Africa and played an important role in world music. He was also a fashion icon who popularized the Sape look and style through his musical group Viva la Musica, with whom he performed on stages throughout the world.
A slit drum or slit gong is a hollow percussion instrument. In spite of the name, it is not a true drum but an idiophone, usually carved or constructed from bamboo or wood into a box with one or more slits in the top. Most slit drums have one slit, though two and three slits occur. If the resultant tongues are different width or thicknesses, the drum will produce two different pitches. It is used throughout Africa, Southeast Asia, and Oceania. In Africa such drums, strategically situated for optimal acoustic transmission, have been used for long-distance communication.
African popular music, like African traditional music, is vast and varied. Most contemporary genres of African popular music build on cross-pollination with western popular music. Many genres of popular music like blues, jazz, afrobeats, salsa, zouk, and rumba derive to varying degrees on musical traditions from Africa, taken to the Americas by enslaved Africans. These rhythms and sounds have subsequently been adapted by newer genres like rock, and rhythm and blues. Likewise, African popular music has adopted elements, particularly the musical instruments and recording studio techniques of western music. The term does not refer to a specific style or sound but is used as a general term for African popular music.
Zaiko Langa Langa is a popular Contemporary band from DR Congo. Zaiko was named in 2000, by the Congolese Media Association, as the best Congolese musical group of the 20th century, and has been very influential. The word "Zaiko" is a portmanteau for the lingala phrase Zaire ya bankoko, meaning "Zaire of our ancestors", where "Zaire" must be read as a reference to the river by that name, now called Congo. The meaning of the phrase "Langa Langa" is controversial; according to the band's website, it means "marvelous" or "almighty".
Congolese rumba is a popular genre of dance music that originated in the Congo basin during the 1940s, deriving from Cuban son. The style gained popularity throughout Africa during the 1960s and 1970s.
Cheikh N'Digel Lô is a Senegalese musician.
Cavacha, also known as masini ya Kauka or machine ya Kauka, is a type of drum beat created by Meridjo Belobi. It is a fast-paced rhythm typically played on a drum kit, often with the snare drum or hi hat. Zairean bands such as Zaiko Langa Langa and Orchestra Shama Shama popularized this form of rhythm in the 1960s and 1970s.
Awilo Longomba is a Congolese soukous musician. At first a drummer in Viva la Musica, Stukas, Nouvelle Generation and Loketo, he left drumming for singing and released his first album Moto Pamba with help from Shimita, Ballou Canta, Dindo Yogo, Dally Kimoko, Sam Mangwana, Syran Mbenza and Rigo Star in 1995. Awilo has performed live concerts in Africa, Europe, and North America. after first moving to France in the 1980s, Awilo now lives in London, United Kingdom and is married to Paradis Kacharelle and they have a son called Lovy Believe Church Awilo Longomba.
Kasai Allstars are a 25-piece musical collective based in Kinshasa, Democratic Republic of the Congo. The musicians originally come from the Kasai region, but originating from five different ethnic groups: the Songye, Lulua, Tetela, Luba, and Luntu. Some of these groups have endured conflicting relationships over the centuries, and they each have their own culture, their own language, and their own musical traditions. These were always thought to be incompatible until the musicians decided to pool their resources and form a collective at the instigation of Belgian producer Vincent Kenis.
Mbenzu Ngamboni Bokili, better known as Bozi Boziana, is a Congolese singer, songwriter and bandleader. He has been in several major soukous bands, including Orchestre Bamboula, Minzoto Sangela, Zaiko Langa Langa, Isifi Lokole, Yoka Lokole, Langa Langa Stars and Choc Stars, and founded his own band, Orchestre Anti-Choc, which is considered among the most influential of the genre and also notable for introducing up to three female vocalists at any one time into this band all of whom became celebrities in their own right, a tradition which continues up to today.
Evoloko Atshuamo, best known as Evoloko Jocker or Lay Lay, is a popular congolese soukous singer. Since the late 1960s, he has been in several major soukous bands, such as Zaiko Langa Langa, Isifi Lokole, and Langa Langa Stars.
Isifi Lokole were a soukous band from the Democratic Republic of the Congo. They were founded in 1974. The word "Isifi" is an acronym for "Institut du Savoir Ideologique pour la Formation des Idoles", while the lokole is a traditional Congolese drum. Since Isifi Lokole was mostly composed of former Zaiko Langa Langa members, it is sometimes said to be in the so-called "Langa Langa Clan".
The Orchestre Stukas was a congolese soukous band of the 1970s. It was based in Kinshasa, Zaire. At the apex of their popularity, the Stukas were led by singer and showman Gaby Lita Bembo.
Yoka Lokole was a soukous band from Zaire founded by Papa Wemba and others in 1975 and disbanded in 1978. Despite its short life, Yoka Lokole was a prominent band in Zaire in the mid-1970s, as its lineup comprised several of the most influential soukous musicians of the times, including Papa Wemba, Bozi Boziana, and Mavuela Somo. Yoka Lokole's most important members were singers; the vocal ensemble of the group was collectively known as the Fania All-Stars of Zaire. Since most of the soukous "stars" in Yoka Lokole were former members of Zaiko Langa Langa, Yoka Lokole belongs to the so-called "Clan Langa Langa", i.e., the large family of Zaiko Langa Langa spin-off bands.
Viva La Musica is a popular band from Zaire founded by singer Papa Wemba in 1977. While Viva La Musica started out as a soukous band, it eventually grew into a world music act, reaching some popularity and success in the European, American, and even Asian markets, as well as in most of Africa. The band is still active today, although it is just one of a number of musical ensembles used by Papa Wemba as a backup for his essentially soloist production.
Richard Yende Abongy Balengola, best known as Richacha "Chacha" Balengola, is a reggae, Hip Hop, RnB, soukous and world music drummer from the Democratic Republic of the Congo, based in Reims, France, since 1987.
This article is the discography of Jules Shungu Wembadio Pene Kikumba, commonly known as Papa Wemba who was a Congolese singer and musician who played Congolese rumba, soukous and ndombolo. Sometimes dubbed the King of Rumba Rock, he was one of the most popular musicians of his time in Africa and played an important role in world music.