London in the Raw | |
---|---|
Directed by | Arnold L. Miller Norman Cohen |
Written by | Arnold L. Miller |
Produced by | Michael Klinger Tony Tenser Stanley Long |
Narrated by | David Gell |
Cinematography | Stanley Long |
Edited by | Stephen Cross |
Production company | Searchlight-Troubadour Productions |
Distributed by | Compton Cameo |
Release date |
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Running time | 76 mins |
Country | United Kingdom |
Language | English |
Budget | £20,000 [1] |
London in the Raw is a 1964 British documentary about London nightlife directed by Arnold L. Miller and Norman Cohen. [2] [3] It was inspired by the success of Mondo Cane (1962) [4] and was followed by a sequel Primitive London in 1965. [5]
According to Tony Tenser, the film recouped its cost within six months of release. [1]
Monthly Film Bulletin wrote: "London in the raw, not so much in the sense of nudism or even striptease (though the topic is included) as of unpleasantnesses unveiled. What we have here is something of a Mondo Cane of London town, with a distinct bias towards the unpleasant, murky or sordid. ... [The film] gets into its stride with a sequence in a betting-shop: off-course betting, no longer illegal, has developed into big business. Prostitution comes next: the filles de joie have been cleared from Soho streets, but there is no law against a girl leaning out of a window, recognising a "friend", and beckoning. ... Then, scenes of women suffering mechanised assaults on their persons in health clubs, and – the shock sequence – a clinical account of an operation to check baldness, indicate what the contemporary human is prepared to go through with in the name of appearance. ... Lighter relief follows: a Cypriot club, Jewish theatre, carnival night at a German students' club, cabaret entertainment ... showgirls in night clubs, variety entertainment in pubs. When the pubs close, the search goes on for "after hours" entertainment and roulette clubs, while the more distressed addicts drink methylated spirits or wait at Piccadilly until midnight strikes so that they can obtain their allotment of drugs at the all-night pharmacy ... Having reached this sordid point in the very early hours of the morning, the film is evidently nonplussed as to how to wind up, and resorts to the feeble device of presenting brief cuts from sequences which make up the film." [6]
The Good Die Young is a 1954 British crime film directed by Lewis Gilbert and starring Laurence Harvey, Gloria Grahame, Joan Collins, Stanley Baker, Richard Basehart and John Ireland. It was made by Remus Films from a screenplay based on the 1953 novel of the same name by Richard Macaulay. It tells the story of four men in London with no criminal past whose marriages and finances are collapsing and, meeting in a pub, are tempted to redeem their situations by a robbery.
Samuel Anthony Tenser was an English-born film producer of Lithuanian-Jewish descent. He began as the producer of low budget exploitation films before moving into mainstream productions.
Night Train to Paris is a 1964 British-American spy film directed by Robert Douglas and starring Leslie Nielsen, Aliza Gur and Dorinda Stevens.
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Michael Klinger was a British film producer and distributor. After Tony Tenser, then a publicist, became his business partner, the two men created the Compton cinema chain and distribution company and financed Repulsion (1965) and Cul-de-sac (1966) both directed by Roman Polanski. After their association ended, Klinger produced Get Carter (1971), starring Michael Caine, and Gold (1974), with Roger Moore in the lead, and was the executive producer of the 'Confessions' series of sex comedies with Robin Askwith.
Rattle of a Simple Man is a 1964 British comedy-drama film directed by Muriel Box and starring Diane Cilento, Harry H. Corbett and Michael Medwin. It was written by Charles Dyer, based on his 1962 play La Crécelle(Rattle of a Simple Man).
Never Back Losers is a 1961 British 'B' crime film directed by Robert Tronson and starring Jack Hedley, Jacqueline Ellis and Patrick Magee. The film is based on the 1929 novel The Green Ribbon by Edgar Wallace. It was one of the Edgar Wallace Mysteries series, produced at Merton Park Studios in the early 1960s.
Primitive London is a 1965 British film directed, written and produced by Arnold Louis Miller and starring MacDonald Hobley, Billy J. Kramer and Diana Noble. It was the sequel to Miller's London in the Raw (1964).
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Girls of the Latin Quarter is a 1960 British second feature ('B') musical film directed by Alfred Travers and starring Bernard Hunter, Jill Ireland and Sheldon Lawrence. Itwas written by Brad Ashton, Alfred Travers and DIck Vosburgh.
Five To One is a 1963 British second feature ('B') crime film directed by Gordon Flemyng and starring Lee Montague, Ingrid Hafner and John Thaw. It was made at Merton Park Studios as part of the long-running series of Edgar Wallace adaptations. The screenplay was by Roger Marshall, based on the 1928 Wallace story The Thief in the Night.
Partners in Crime is a 1961 British second feature ('B') crime film directed by Peter Duffell and starring Bernard Lee, Moira Redmond and John Van Eyssen. The screenplay was by Robert Banks Stewart, based on the 1918 Edgar Wallace novel The Man Who Knew. It is part of the series of Edgar Wallace Mysteries films made at Merton Park Studios from 1960 to 1965.
Attempt to Kill is a 1961 British second feature ('B') film directed by Royston Morley and starring Derek Farr and Tony Wright. The screenplay was by Richard Harris, based on the 1929 Edgar Wallace novel The Lone House Mystery. It is part of the series of Edgar Wallace Mysteries films made at Merton Park Studios from 1960 to 1965.
The film was released by The British Film Institute (BFI) in 2009 on DVD (Flipside 002).