The Long Table is an "experimental open public forum that is a hybrid performance-installation-roundtable-discussion-dinner-party designed to facilitate dialogue through the gathering together of people with common interests" [1] developed by the artist and academic Lois Weaver. The Long Table is part of Weaver's Public Address Systems project, under the strand "Strategies for Engaging the Public Through the Everyday". [2]
The idea was inspired by the 1995 Dutch film Antonia's Line , directed by Marleen Gorris. The film won many awards, including the Academy Award for Best Foreign Language Film. [1]
The Long Table development was funded by grants from the Arts and Humanities Research Council in 2003, and the Regional Lottery Program and the Arts Council of England in 2004. [3] The first Long Table a "Long Table on Feminism", was held as part of the Live Art Development Agency's (LADA) third Restock Rethink Reflect initiative, and constituted a discussion on what and who is missing from historical accounts, and what to do about it. The event was attended by over 100 artists and thinkers. [4]
The Long Table was designed to stage public conversations around difficult subjects. Long Tables begin with a group of people sitting around a table that is set with empty chairs. To begin the conversation a question is asked, and participants are able to take a seat at the table if they wish to speak. Participants are not allowed to speak unless they are sitting at the table, and they may join or leave the table at any time. If there are no seats available they are permitted to ask for a seat. [5]
The event has been described as 'a performance of a dinner party where conversation is the only course.' [6]
The Long Table has been installed in many locations, including Casa de Lapa, Rio de Janeiro; Tanzquartier Wein, Vienna; National Review of Live Art, Glasgow; University of Indiana, Illinois; Queen Mary University of London, Space Gallery, Battersea Arts Centre, London International Festival of Theatre, and South Bank, London; Hemispheric Institute’s Encuentro in Buenos Aires, Argentina. [3]
"Live Art and Feminism" at Live Art Development Agency, Hackney
The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar. Bengi Unsal became the director in 2022.
Performance studies is an interdisciplinary academic field that uses performance as a lens and a tool to study the world. The term performance is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies, proclamations and public decisions; certain kinds of language use; and those components of identity which require someone to do, rather than just be, something. According to Mary S. Strine, Beverly W. Long, and Mary Frances HopKins, "scholars in interpretation and performance... recognize and expect disagreement not only about the qualities that make a performance "good" or "bad" in certain contexts, but also about what activities and behaviors appropriately constitute performance and not something else." Consequently, performance studies is an interdisciplinary field, drawing from theories and methods of the performing arts, anthropology, sociology, literary theory, cultural studies, speech communication, and others.
Guillermo Gómez-Peña is a Mexican/Chicano performance artist, writer, activist, and educator. Gómez-Peña has created work in multiple media, including performance art, experimental radio, video, photography and installation art. His fifteen books include essays, experimental poetry, performance scripts, photographs and chronicles in both English, Spanish and Spanglish. He is a founding member of the pioneering art collective Border Arts Workshop/Taller de Arte Fronterizo (1985-1992) and artistic director of the performance art troupe La Pocha Nostra.
Tim Etchells is an English artist and writer based in Sheffield and London. Etchells is the artistic director of Forced Entertainment, an experimental performance company founded in 1984. He has published several works of fiction, written about contemporary performance and exhibited his visual art projects in various locations. Etchells' work spans performance, video, photography, text projects, installation and fiction. He is currently Professor of Performance and Writing at Lancaster University
Kira O'Reilly is a performance artist based in the UK. She graduated from Cardiff School of Art in 1998, and has participated in a number of performance art festivals throughout the UK and Europe, including at the Bonington Gallery, Nottingham Trent University 1998, the National Review of Live Art, in Glasgow, at Arnolfini in Bristol, at Home in London and at several European festivals including Break 21 Festival, Ljubljana, Slovenia, 2002 and ANTI - Contemporary Art Festival 2003, Kuopio, Finland. She performed in China at the Dadao performance art festival, Beijing, organised by Shu Yang 2006.
Bobby Baker is a multi-disciplinary artist and activist working across performance, drawing and multi-media. Baker is the artistic director of the arts organisation Daily Life Ltd. A hallmark of Baker's work is food being used as an artistic medium. As John Daniel writes, 'Food - shopping for it, cooking it, serving it, consuming it - is a consistent feature in Baker's work, which focuses on the seemingly mundane, everyday details of life' (2007:246) Drawing from her own personal and family experiences, her work explores the relationship between art and lived experience and addresses the splitting of women's domestic and professional lives. Claire MacDonald points out how her artistic trajectory - moving from early food sculptures to later performances and installations - reflects the changing agenda of women's movement.
Live Art Development Agency, also commonly known by its acronym LADA, is a publicly funded arts organisation and registered charity founded in London in 1999 by Lois Keidan and Catherine Ugwu. LADA provides professional advice for artists as well as producing events and publications intended to enhance the understanding of and access to Live Art. They are one of Arts Council England's National Portfolio Organisations.
Split Britches is an American performance troupe, which has been producing work internationally since 1980. Academic Sue Ellen Case says "their work has defined the issues and terms of academic writing on lesbian theater, butch-femme role playing, feminist mimesis, and the spectacle of desire". In New York City Split Britches have long standing relationships with La Mama Experimental Theatre Company, where they are a resident company, Wow Café, which Weaver and Shaw co-founded, and Dixon Place.
MC Coble is a queer American artist who works in Washington, DC and uses they/them pronouns. Coble was born in 1978 and is from Julian, North Carolina. Coble received their Bachelor of Fine Arts from the University of North Carolina at Greensboro in 2001. They then went on to receive their Master of Fine Arts from The George Washington University in Washington, D.C. in 2004. They originally began their art career as a photographer but later turned their attention to performance art. Their most notable works are Note to Self (2005) and Blood Script (2008).
Lois Keidan is a British-born cultural activist and writer. She is currently the Director of the Live Art Development Agency which she co-founded with Catherine Ugwu in 1999. She was the former director of live arts at the Institute of Contemporary Arts (ICA) from 1992 to 1997. Prior to working at the ICA, she was responsible for national policy and provision for Performance Art and interdisciplinary practices at the Arts Council of Great Britain.
Lois Weaver is a Guggenheim-winning artist, activist, writer, director, and Professor of Contemporary Performance at Queen Mary University of London. She is currently a Wellcome Trust Fellow in Engaging Science. Her work centers on feminism, human rights and possibilities for public participation. Active for over four decades she is the founding member of significant New York theatre companies Spiderwoman (1975), Split Britches (1980) and WOW (1980). Weaver came to London to take on the role of artistic director for Gay Sweatshop Theatre Company in 1992. She lives in New York and London.
Cassils is a performance artist, body builder, and personal trainer from Montreal, Quebec, Canada now based in Los Angeles, California, United States. Their work uses the body in a sculptural fashion, integrating feminism, body art, and gay male aesthetics. Cassils is the recipient of a Guggenheim Fellowship, a Creative Capital Grant, a United States Artists Fellowship, a California Community Foundation Visual Artist Fellowship (2012), several Canada Council for the Arts grants, and the Rema Hort Mann Foundation Visual Arts Fellowship. Cassils is gender non-conforming, transmasculine, and goes by singular they pronouns.
George Chakravarthi is a multi-disciplinary artist working with photography, video, painting and performance. His work addresses the politics of identity including race, sexuality and gender, and also religious iconography among other subjects. He was born in India and moved to London, England in 1980.
WOW Cafe Theater is a feminist theater space and collective in East Village in New York City. In the mid-1980s, WOW Cafe Theater was central to the avant garde theatre and performance art scene in the East Village, New York City. Among the artists who have presented at the space are Peggy Shaw, Lois Weaver, Patricia Ione LLoyd, Lisa Kron, Holly Hughes, Deb Margolin, Dancenoise, Carmelita Tropicana, Eileen Myles, Split Britches, Seren Divine, and The Five Lesbian Brothers.
Amy Sharrocks is a UK based live artist, sculptor, filmmaker and curator from London, England. Sharrocks' work focuses on collaboration and exchange, inviting people on journeys that they also help to create. She is known for large scale, live artworks in public places that use everyday activities, such as swimming or walking, in spectacular ways. Many of her artworks investigate the nature of cities, explore the importance of fluidity as a way of thinking, and question our constructs of city life. Her work has been supported by Arts Council England, The Live Art Development Agency and Artsadmin. Major works include SWIM (2007), a 50-person swim across London, and the ongoing Museum of Water (2013-Ongoing), a collection of over one thousand bottles of water from around the world.
Kay Turner is an artist and scholar working across disciplines including performance, writing, music, exhibition curation, and public and academic folklore. She is noted for her feminist writings and performances on subjects such as women’s home altars, fairy tale witches, and historical goddess figures. She co-founded “Girls in the Nose,” a lesbian feminist rock punk band that anticipated riot grrl.
Martin O’Brien is a contemporary artist who lives and works in London, U.K.
Katherine Araniello was a London-based live art, performance and video artist, who responded to the negative representation of disability. She used a range of mediums including film, large scale production and live art performances. Araniello was a member of The Disabled Avant-Garde (DAG) with deaf artist Aaron Williamson.
Julia Bardsley is an artist working with performance, video, photography, sculptural objects and the configuration of the audience. Her work challenges definitions of theatre and has been described as 'a major force in British experimental theatre and live art'.
Catherine Oliaku Ugwu is a British executive producer, artistic director, and consultant working in large-scale ceremonies and events, including for the Summer and Winter Olympics, the Summer Paralympics, the Asian, European, Islamic Solidarity, and Commonwealth Games, and the Millennium Dome.