Suzanne Christine Crowshaw, known as Suzanne Shaw, is an English actress, singer and television personality, who rose to fame after winning the talent contest Popstars and subsequently being a member of the band Hear'Say.
Meryl F. Vladimer (1951-2022) was an artist, theatrical producer and political activist.
Holly Hughes is an American lesbian performance artist.
Deb Margolin is an American performance artist and playwright. She came to prominence in the 1980s in the feminist political theatre troupe Split Britches, which she co-founded with Lois Weaver and Peggy Shaw. Margolin has since created a string of one-woman shows. A compilation of her texts, Of All The Nerve: Deb Margolin SOLO, was published in 1999 by Cassell/Continuum Press. Literary theorist Lynda Hart edited and wrote a commentary on each piece.
Zoë Mendelson is a Glasgow-based British artist.
Bette Bourne is a British actor, drag queen, campaigner, and activist. His theatrical career has spanned six decades. He came to prominence in the mid-1970s onwards after joining the New York-based alternative gay cabaret troupe Hot Peaches. He then went on to form his own alternative gay theatrical company, Bloolips.
Clod Ensemble is a multi-award winning performance company and registered charity based in London, UK. Founded in 1995 by director Suzy Willson and composer Paul Clark, the company creates performances, workshops and other events in the UK and internationally.
Split Britches is an American performance troupe, which has been producing work internationally since 1980. Academic Sue Ellen Case says "their work has defined the issues and terms of academic writing on lesbian theater, butch-femme role playing, feminist mimesis, and the spectacle of desire". In New York City Split Britches have long standing relationships with La Mama Experimental Theatre Company, where they are a resident company, Wow Café, which Weaver and Shaw co-founded, and Dixon Place.
The Long Table is an "experimental open public forum that is a hybrid performance-installation-roundtable-discussion-dinner-party designed to facilitate dialogue through the gathering together of people with common interests" developed by the artist and academic Lois Weaver. The Long Table is part of Weaver's Public Address Systems project, under the strand "Strategies for Engaging the Public Through the Everyday".
Peggy Shaw is an actor, writer, and producer living in New York City. She is a founding member of the Split Britches and WOW Cafe Theatre, and is a recipient of several Obie Awards, including two for Best Actress for her performances in Dress Suits to Hire in 1988 and Menopausal Gentleman in 1999.
She Must Be Seeing Things is a 1987 lesbian feminist film directed by Sheila McLaughlin and starring Lois Weaver and Sheila Dabney. It was the film debut of both Lois Weaver and Peggy Shaw. It was controversial when first released.
Spiderwoman Theater is an Indigenous women's performance troupe that blends traditional art forms with Western theater. Named after Spider Grandmother from Hopi mythology, it is the longest running Indigenous theatre company in the United States.
Monique Mojica is a playwright, director, & actor based out of Toronto, Ontario, Canada. She was born in New York City, but came to Canada as founding member of Native Earth Performing Arts.
WOW Café Theater is a feminist theater space and collective in East Village in New York City. In the mid-1980s, WOW Cafe Theater was central to the avant garde theatre and performance art scene in the East Village, New York City. Among the artists who have presented at the space are Peggy Shaw, Lois Weaver, Patricia Ione LLoyd, Lisa Kron, Holly Hughes, Deb Margolin, Dancenoise, Carmelita Tropicana, Eileen Myles, Split Britches, Seren Divine, Johnny Science, and The Five Lesbian Brothers.
Dress Suits to Hire is a play written by Holly Hughes and originally performed by the Lesbian and Feminist performance group, Split Britches. It premiered in 1987 at Performance Space 122 in Manhattan's East Village. The play is essentially a lesbian love story told in the overheated style of film noir, also drawing upon images from pulp fiction; The show has been revived several times since its premiere, with the original cast of Peggy Shaw and Lois Weaver (Michigan) reprising their roles. The show won OBIE Awards for both Shaw and Hughes.
Hot Peaches was a drag theatre company in New York City that would put on one play a week, active from the 1970s-1990s. Hot Peaches was founded by Jimmy Camicia in 1972, who encountered a group of drag queens and began writing work for them to perform. Their work has been described as "political camp, dominated by drag".
Nic Green is a performance maker and activist, brought up in Yorkshire, but based in Glasgow. Her work is based on the environment, social responsibility and relationships. She is well known for her use of nudity on stage, for example Trilogy (2009–2010), which is a two-hour show in three parts. It is a feminist, political statement on the body where she, three other women and a man are naked for the duration of it as well as asking members of the audience to take their clothes off too.
Stacy Makishi is a Hawaiian-born performance artist, physical theatre and live art specialist. Her work often involves combining autobiographical experience and comedy with inspiration from fictional sources, such as Hollywood movies or novels. She has been identified by The Guardian as part of a new generation of artists making 'innovative shows [. . .] with and by young people'.
Magdalena Aotearoa is a network of women in performing arts based in New Zealand.
Muriel Miguel is a Native American director, choreographer, playwright, actor and educator. She is of Kuna and Rappahannock ancestry and was born and grew up in Brooklyn, New York. In 1976, Miguel founded the Spiderwoman Theater with her sisters, Gloria Miguel and Lisa Mayo. The Spiderwoman Theater was the first Native American women's theater troupe to gain international recognition, and remains the longest continuous running Native American female performance group. Miguel has directed nearly all of the Spiderwoman Theater's shows since their debut in 1976, and currently serves as its artistic director.
