Longborough Festival Opera is an opera festival which presents a season of high quality opera each June and July in the English Cotswolds village of Longborough in north Gloucestershire. It began in 1991 as Banks Fee Opera by presenting concerts, and moved forward with operas presented by a travelling company. This was followed by converting a barn into an opera house. [1] Audiences grew rapidly in the 1990s and, during the last decade, a focus on Wagner's operas led to three complete Ring Cycles being performed in 2013. The present chairman of the festival is Andrew Mosely, the music director Anthony Negus [2] [3] and the artistic director is Polly Graham.
After its initial start and after a series of chamber music concerts in the drawing room of the founders' house, Banks Fee, Travelling Opera, a small touring opera company, was invited to give two performances with a small orchestra on a temporary stage in the courtyard of the stable block in aid of the charities Sue Ryder Care and Barnardo's. [4] A barn was then converted into a theatre, using seats from the Royal Opera House, Covent Garden, which were being discarded during the refurbishment of the late 1990s. [5]
The original audience was mainly local supporters of the charities and about £3,000 was raised after costs, including donations which were divided between the two charities.
The opera evenings, with picnic interval, were very popular and there was demand to continue. Until 1998, the Festival's relationship was exclusively with Travelling Opera, whose productions of well-known operas in English were much enjoyed by the steadily increasing audience, which grew from a total of 400 in 1991 to 1,600 in 1997. [6] Over that period, Banks Fee Opera presented many popular operas by Mozart, Rossini, Puccini, Verdi and Bizet.
If each of the British country house opera companies have their speciality, Longborough's is its commitment to Wagner.
Longborough Festival Opera (LFO) is the first privately owned opera house to be mounting a complete cycle of Wagner's Ring . After LFO's acclaimed production of the reduced version prepared by Graham Vick and Jonathan Dove for the City of Birmingham Touring Opera company, Longborough is now producing a fully orchestrated version making use of its excellent orchestra pit, which is modelled on that at the Bayreuth Festspielhaus and accommodates 72 players.
The 2007 season featured the first instalment of a new full-length Ring Cycle: Das Rheingold was sung in German and had an orchestra of 60 players conducted by Anthony Negus. Alan Privett directed, and the set was designed by Kjell Torriset. Das Rheingold returned in 2008 for a further three performances, and Die Walküre was staged in 2010
2011 saw a production of Siegfried [7] and 2012 involved a production of Gotterdammerung . In Wagner's bicentenary year, 2013, the whole cycle has been staged; [8] it is believed that this was the first time that this has happened in a privately owned opera house.
The company has now embarked on a new Ring, with Das Rheingold in 2019 and culminating in the full cycle in 2024.
Longborough Festival has since 2003 been involved in education projects through workshops in local schools and productions in which emerging artists perform. The year-round programme of community work spawned from this enterprise includes a youth chorus and summer school for local young performers; partnerships with schools across Gloucestershire, Oxfordshire, Worcestershire, Warwickshire and the West Midlands; and Playground Opera, a small-scale touring production designed for school playgrounds.
Der Ring des Nibelungen, WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the Nibelungenlied. The composer termed the cycle a "Bühnenfestspiel", structured in three days preceded by a Vorabend. It is often referred to as the Ring cycle, Wagner's Ring, or simply The Ring.
Das Rheingold, WWV 86A, is the first of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen. It premiered as a single opera at the National Theatre of Munich on 22 September 1869, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 13 August 1876.
Die Walküre, WWV 86B, is the second of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen. It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.
The Bayreuth Festspielhaus or Bayreuth Festival Theatre is an opera house north of Bayreuth, Germany, built by the 19th-century German composer Richard Wagner and dedicated solely to the performance of his stage works. It is the venue for the annual Bayreuth Festival, for which it was specifically conceived and built. Its official name is Richard-Wagner-Festspielhaus. It is the home of the Bayreuth Festival Orchestra.
The Bayreuth Festival is a music festival held annually in Bayreuth, Germany, at which performances of stage works by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle Der Ring des Nibelungen and Parsifal.
Seattle Opera is an American opera company based in Seattle, Washington. The company's season runs from August through late May, comprising five or six operas of eight to ten performances each, often featuring double casts in major roles to allow for successive evening presentations.
The evolution of Richard Wagner's epic operatic tetralogy Der Ring des Nibelungen was a long and tortuous process, and the precise sequence of events which led the composer to embark upon such a vast undertaking is still unclear. The composition of the text took place between 1848 and 1853, when all four libretti were privately printed. The closing scene of the final opera, Götterdämmerung, was revised a number of times between 1856 and 1872. The names of the last two Ring operas, Siegfried and Götterdämmerung, were probably not definitively settled until 1856.
Melbourne Opera was founded in 2002 as a charitable not-for-profit company dedicated to producing opera and associated art forms in Melbourne, Australia. With philanthropic assistance it has also toured to outer-suburban and regional Victorian theatres, as well as to Canberra and Hobart interstate. Despite receiving no government funding since its foundation, the company mounts between three and five main stage productions each year. Its principal rehearsal and performance home is the Athenaeum Theatre.
The Forest Opera is an open-air amphitheatre located in Sopot, Poland, with a capacity of 5047 seats, the orchestra pit can contain up to 110 musicians.
Graham Ronald Clark was an English operatic tenor, known for roles such as David in Wagner's Die Meistersinger von Nürnberg, and especially the character roles Loge and Mime in Der Ring des Nibelungen. He was a principal with the English National Opera from 1978 to 1985, and performed at leading European and North American opera houses after he was recognised at the Bayreuth Festival in 1981, returning for 15 seasons. Clark appeared at the Metropolitan Opera in 112 performances over 15 seasons. He took part in world premieres and recorded for major companies. He is remembered as a "superb, athletic actor with a strong, penetrating voice and exceptionally clear diction". Barry Millington from The Guardian summarised: "Though he made his career as a comprimario tenor, putatively subordinate to the principal roles, his incisively focused voice, hyperactive stage presence and musico-dramatic intelligence frequently conspired to make him the main attraction."
The Rhinemaidens are the three water-nymphs who appear in Richard Wagner's opera cycle Der Ring des Nibelungen. Their individual names are Woglinde, Wellgunde and Flosshilde (Floßhilde), although they are generally treated as a single entity and they act together accordingly. Of the 34 characters in the Ring cycle, they are the only ones who did not originate in the Old Norse Eddas. Wagner created his Rhinemaidens from other legends and myths, most notably the Nibelungenlied which contains stories involving water sprites (nixies) or mermaids of the Danube.
Marie Haupt was a German operatic soprano who had an active career during the latter half of the 19th century. She is best remembered today for portraying several roles in the first complete presentation of Richard Wagner's The Ring Cycle at the very first Bayreuth Festival in 1876.
This is a partial discography of Das Rheingold, the first of the four operas that comprise Der Ring des Nibelungen, by Richard Wagner.
The four operas of Richard Wagner's cycle Der Ring des Nibelungen together take about 15 hours, which makes for several records, tapes, or CDs, and much studio time. For this reason, many full Ring recordings are the result of "unofficial" recording of live performances, particularly from the Bayreuth Festival where new productions are often broadcast by German radio. Live recordings, especially those in monaural, may have very variable sound but often preserve the excitement of a performance better than a studio recording.
The Jahrhundertring was the production of Richard Wagner's Ring cycle, Der Ring des Nibelungen, at the Bayreuth Festival in 1976, celebrating the centenary of both the festival and the first performance of the complete cycle. The festival was directed by Wolfgang Wagner and the production was created by the French team of conductor Pierre Boulez, stage director Patrice Chéreau, stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot. The cycle was shown first in 1976, then in the following years until 1980. It was filmed for television in 1979 and 1980. While the first performance caused "a near-riot" for its brash modernity, the staging established a standard, termed Regietheater, for later productions.
Warwick Olney Fyfe is an Australian operatic heldenbaritone. Winner of the Helpmann Award for Best Male in an Operatic Feature Role for his performance as Alberich in Opera Australia's 2013 Bi-Centenary Cycles of Der Ring des Nibelungen at the State Theatre in Melbourne. In August 2017 he sang Klingsor in a concert performance of Richard Wagner's Parsifal starring Jonas Kaufmann with Opera Australia at the Sydney Opera House.
Jutta Hanna Edith Hering-Winckler is a German lawyer and patron of music. Since 1977, she has been head of a law firm in Minden as a lawyer and notary. Since 1999, she has been president of the Richard Wagner Society in Minden. She received awards for her civic engagement as the driving force of the Wagner project at the Stadttheater Minden, particularly Der Ring in Minden, which brought her hometown to international recognition.
Der Ring in Minden was a project to stage Richard Wagner's cycle Der Ring des Nibelungen at the Stadttheater Minden, beginning in 2015 with Das Rheingold, followed by the other parts in the succeeding years, and culminating with the complete cycle performed twice in 2019. The stage director was Gerd Heinz, and Frank Beermann conducted the Nordwestdeutsche Philharmonie, playing on the stage of the small theatre. The singers acted in front of the orchestra, making an intimate approach to the dramatic situations possible. The project received international recognition and was compared favourably to the Bayreuth Festival.
Between 1958 and 1965 the Decca record company made the first complete recording to be released of Richard Wagner's tetralogy, Der Ring des Nibelungen. Of the four component operas, there had been two previous studio recordings of Die Walküre, and a monaural radio recording of Götterdämmerung, which was released on record in 1956, but Decca's was the first Ring cycle planned and recorded for the gramophone.
Anthony Negus is a British classical conductor, since 1999 he has been the music director of the Longborough Festival Opera. He is regarded as a "Wagner conductor". In the last decade he has been invited by Melbourne Opera to many of their Germanic opera productions and in 2023 he conducted their Der Ring des Nibelungen cycle in Bendigo, Victoria.
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