| Look Out for Evans Bradshaw! | ||||
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| Studio album by Evans Bradshaw | ||||
| Released | 1958 | |||
| Recorded | June 9, 1958 Reeves Sound Studio, New York City | |||
| Genre | Jazz | |||
| Label | Riverside RLP 12-263 | |||
| Producer | Orrin Keepnews | |||
| Evans Bradshaw chronology | ||||
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Look Out for Evans Bradshaw! is the debut album by American jazz pianist Evans Bradshaw featuring tracks recorded in 1958 for the Riverside label. [1]
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| Allmusic |   |
New Jazz Conceptions is the debut album as leader by jazz musician Bill Evans, released in 1957 on Riverside Records.
Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July and August 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 album that includes this album as well as some sessions recorded on August 21–22 of the same year for Milestone Records.
Bill Evans is an album by Paul Motian on the German JMT label. It was released in 1990 and features nine compositions by Motian's former employer Bill Evans performed by Motian with Bill Frisell, Joe Lovano and Marc Johnson. The album was reissued in 2002 on the Winter & Winter label.
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
Loose Blues is an album by jazz pianist Bill Evans released on the Milestone label, featuring performances by Evans with Zoot Sims, Jim Hall, Ron Carter, and Philly Joe Jones, recorded in 1962.
Re: Person I Knew is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1981. Additional recordings from Evans' 1974 Village Vanguard performances were also issued on the album Since We Met (1974). The name of the album is an anagram on the name of Orrin Keepnews, who produced for Evans while he was signed with Riverside Records, and who was one of his earliest champions.
Blue's Moods is an album by American trumpeter Blue Mitchell recorded in 1960 and released on the Riverside label.
Cole Porter in a Modern Mood is the debut album by American jazz pianist Randy Weston, recorded in 1954 and released on the Riverside label as a 10-inch LP.
Trigger Happy! is the sole album led by American jazz double bassist Trigger Alpert which was recorded in 1956 for the Riverside label. The album was also issued under Zoot Sims Al Cohn and Tony Scott's names as East Coast Sounds.
Presenting Ernie Henry is the debut album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 for the Riverside label.
Last Chorus is a posthumous album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 and 1957 for the Riverside label.
Pieces of Eighty-Eight is the second and final album by American jazz pianist Evans Bradshaw featuring tracks recorded in 1959 for the Riverside label.
Zoot! is an album by American jazz saxophonist Zoot Sims featuring tracks recorded in 1956 for the Riverside label.
Gigi Gryce and the Jazz Lab Quintet is an album by American jazz saxophonist Gigi Gryce featuring tracks recorded in 1957 for the Riverside label.
Great Ideas of Western Mann is an album by American jazz flautist Herbie Mann's Californians featuring tracks recorded in 1957 for the Riverside label.
Preminado is an album by pianist Barry Harris recorded in late 1960 and early 1961 and released on the Riverside label.
Down Home is the third album by bassist and cellist Sam Jones featuring performances recorded in 1962 and released on the Riverside label.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Keep Swingin is a 1960 album by American jazz trombonist Julian Priester, his debut as leader, which was recorded and released by the Riverside label.