| Look Your Best | |
|---|---|
 | |
| Directed by | Rupert Hughes |
| Screenplay by | Rupert Hughes |
| Story by | Rupert Hughes |
| Cinematography | Norbert Brodin |
Production company | |
| Distributed by | Goldwyn Distributing Company |
Release date |
|
Running time | 6 reels |
| Country | United States |
| Language | Silent (English intertitles) |
Look Your Best or The Bitterness of Sweets [1] is a 1923 American comedy silent black and white film directed and written by Rupert Hughes. [2] It stars Antonio Moreno and Colleen Moore. [3]
As described in a film magazine, [4] young Italian woman Perla Quaranta (Moore) dances in the streets to the music from her father's barrel organ. Her grace attracts the attention of Carlo Bruni (Moreno), manager of a small theatrical troupe. He hires her to replace an actress who has grown overweight due to her overindulgence with food. Perla makes good with this chance, though she too gives into the temptation of pies, cakes, and other pastries. Carlo is also given into overeating, with his figure suffering and his dancing powers impaired. Perla begins to take on weight, just like her predecessor. She repulses an attempt by a stage hand, Krug (Metcalfe), to court her. In revenge, he tampers with the wire used by Perla when performing her butterfly act. Carlo suspects Krug and thrashes him. Carlo then receives a sentence of thirty days in jail for this assault. Meanwhile, Perla, in her convalescence, is almost won by a baker who describes the tempting pastries he makes. When Carlo returns after serving his sentence, he and Perla resolve to diet steadily and win fame as dancers. They do so and are married into the bargain.
No copies of Look Your Best are listed in any film archives, [5] making this a lost film.
Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton, with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken-identity: Sally, a waif, is a dishwasher at the Alley Inn. She poses as a famous foreign ballerina and rises to fame through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine.
Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
Ben Lyon was an American film actor and a studio executive at 20th Century-Fox who later acted in British radio, films and TV.
Robert G. Vignola was an Italian-American actor, screenwriter, and film director. A former stage actor, he appeared in many motion pictures produced by Kalem Company and later moved to directing, becoming one of the silent screen's most prolific directors. He directed a handful of films in the early years of talkies but his career essentially ended in the silent era.
Antonio Garrido Monteagudo, better known as Antonio Moreno or Tony Moreno, was a Spanish-born American actor and film director of the silent film era and through the 1950s.
The Bad Boy is a lost 1917 American silent crime drama film directed by Chester Withey and starring Robert Harron, Richard Cummings, and Mildred Harris. The film marks the debut of Colleen Moore, who plays a supporting role in the film.
My American Wife is a 1922 American silent drama film directed by Sam Wood and starring Gloria Swanson. The film was produced by Famous Players-Lasky and distributed by Paramount Pictures. It is not known whether the film currently survives, which suggests that it is a lost film.
We Moderns is a 1925 American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick and was released through First National Pictures. It was based on the play and novel by Israel Zangwill. The play ran for 22 performances in 1924 at the Gaiety Theatre in New York, produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.
Silent Star: Colleen Moore Talks About Her Hollywood (1968) is silent film star Colleen Moore's autobiography.
Slippy McGee is a 1923 American silent drama film directed by Wesley Ruggles and based on the book Slippy McGee: Sometimes Known as the Butterfly Man by Marie Conway Oemler that was published in 1917. The film was an Oliver Morosco Production released by Associated First National and featured actress Colleen Moore as Mary Virginia. It is not known whether the film survives.
Synthetic Sin is a 1929 American comedy film directed by William A. Seiter, based on a play of the same name. While filmed as a silent, it was released by Warner Bros. accompanied with a Vitaphone music soundtrack and sound effects. However most of the Vitaphone discs are still lost, apart from the final reel.
Twinkletoes is a 1926 American silent romantic drama film directed by Charles Brabin and starring Colleen Moore. The film, as with most of Moore's vehicles at this time, was produced by her husband John McCormick with the couple distributing through Moore's resident studio First National. This film is one of Moore's surviving films from the late silent era and is available on DVD.
Dinty is a 1920 American silent comedy drama film written by Marshall Neilan and John McDermott specifically for Wesley Barry, a young actor known for his freckled complexion. Prominent among the supporting players were Colleen Moore, Marjorie Daw, Pat O'Malley, and Noah Beery.
Broken Chains is a 1922 American silent melodrama film directed by Allen Holubar. Starring Colleen Moore, Malcolm McGregor, and Ernest Torrence, it was based on the winning story from a scenario contest held by the Goldwyn Pictures Corporation and the Chicago Daily News. A print of Broken Chains is preserved at the George Eastman House archive.
April Showers is a 1923 American silent romantic film directed by Tom Forman starring Colleen Moore. It is not known whether the film currently survives.
The Savage is a 1917 American silent drama film starring Colleen Moore and Monroe Salisbury that is set in Canada and was directed by Rupert Julian. The film is presumed to be lost.
Ella Cinders is a 1926 American silent comedy film directed by Alfred E. Green, starring Colleen Moore, produced by her husband John McCormick, and featuring Moore's recurring co-star, Lloyd Hughes. The film is based on the syndicated comic strip of the same name by William M. Conselman and Charles Plumb, which in turn was based upon the millennia-old folk tale of Cinderella.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
The Desert Flower is a 1925 American silent Western film directed by Irving Cummings and written by June Mathis. It is based on the 1924 play The Desert Flower by Don Mullally. The film stars Colleen Moore, Lloyd Hughes, Kate Price, Gino Corrado, Fred Warren, and Frank Brownlee. The film was released on June 21, 1925, by First National Pictures.
Come on Over is a 1922 American comedy silent black and white film directed by Alfred E. Green and based on the stage musical by Rupert Hughes. It stars Colleen Moore. Its release beat The Wall Flower to the theaters and it was well received.
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