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Author | Joseph McElroy |
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Cover artist | Fred Marcellino |
Language | English |
Genre | Post-modern techno-thriller |
Published | 1974 (Knopf) |
Media type | Print (Hardback) |
Pages | 531 |
ISBN | 978-0-394-49375-6 |
Lookout Cartridge is Joseph McElroy's fourth novel, published by Knopf in 1974.
The narrator, Cartwright, had made with his friend Dagger an art film/documentary about power using loaned professional equipment, with scenes set in Stonehenge, Hyde Park, and other locations in England, plus one scene in Ajaccio, Corsica. But someone destroyed it, and when acquaintances in New York press Cartwright for information about an alleged second print, the sound track, and even his personal diary, he finds himself trying to find out what really happened. Doing so involves multiple trips between New York and England, including a visit to the Hebrides and the Stones of Callanish, and increasing danger and death.
Larry McCaffery ranked Lookout Cartridge 39th in his top 100 20th-century English novels list.
The separate scenes are:
The language of film, computer technology, information theory, and liquid crystals permeate the novel.
McElroy tried to make the novel as "cinematic" as possible, filled with information. The sentences were made deliberately labyrinthine, meant to be on the edge of incomprehensibility, yet to always feel as if significant clues had to be present. [1]
In the 1985 Carroll and Graf paperback reprint, McElroy wrote an introduction "One Reader to Another". He starts by stating that he recalls some French writer "arguing that fiction can't compete with film in visual immediacy." He recalls that his reaction then and in 1985 is that, "by magic ink-sign crypto-telepathy, words in the right sequence can transmit between remote minds the mind's motion pictures."
This section contains too many or overly lengthy quotations .(February 2023) |
For its technical brilliance, its unremitting intelligence, for the rich complexity of the homologies and analogies between its systems and the fearful times we live in, Lookout Cartridge is the rarest kind of achievement.
— George Stade, The New York Times Book Review [2]
Spectacular, richly imagined . . . an excruciatingly difficult book to put down.
— The Cleveland Plain Dealer
... a hypnagogic blowup of the metaphor of survival even if ... survival no longer seems very important.
— Kirkus Reviews [3]
Very hard to read, and very much worth the effort.
— Bruce Allen, Library Journal, 2/1/1975
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Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
Joseph Prince McElroy is an American novelist, short story writer, and essayist. He is noted for his long postmodern novels such as Women and Men.
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Women and Men is Joseph McElroy's sixth novel. Published in 1987, it is 1192 pages long. Somewhat notably, because of its size, the uncorrected proof was issued in two volumes.
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The Letter Left to Me is Joseph McElroy's seventh novel. A letter from father to son is delivered to the son shortly after the father's death. The letter receives wider and wider circulation, and its continued effect on the son's life is described.
Thomas LeClair is a writer, literary critic, and was the Nathaniel Ropes Professor of English at the University of Cincinnati until 2009. He has been a regular book reviewer for the New York Times Book Review, the Washington Post Book World, the Nation, the Barnes & Noble Review, and the Daily Beast.
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Systems novel is a literary genre named by Tom LeClair in his 1987 book In the Loop: Don DeLillo and the Systems Novel, and explored further in LeClair's 1989 book, The Art of Excess: Mastery in Contemporary American Fiction. LeClair used systems theory to critique novels by authors including Thomas Pynchon, William Gaddis and Ursula Le Guin. Citing Fritjof Capra's description of systems theory as a "new vision of reality" LeClair invoked ideas from thinkers such as James Lovelock, Gregory Bateson and Douglas Hofstadter to analyse how the novels in question depicted processes and relationships within social, cultural, economic and political systems. LeClair's systems novels were all "long, large and dense" and all in some way striving for "mastery", showing similarity to Moby-Dick and Absalom, Absalom! in "range of reference, artistic sophistication, and desire for profound effect."
The following articles appeared in the Joseph McElroy issue of The Review of Contemporary Fiction. Vol. X. 1990:
In addition, see these general works on McElroy's fiction.