The Smuggler's Bride of Mallorca is a 1929 German silent romance film directed by Hans Behrendt and starring Jenny Jugo, Friedrich Benfer and Clifford McLaglen. It was shot at the Babelsberg Studios in Berlin. It premiered in the city's UFA-Palast am Zoo.
Jenny Jugo was an Austrian actress. She appeared in more than fifty films between 1925 and 1950.
The Wonderful Lies of Nina Petrovna is a 1929 German sound drama film directed by Hanns Schwarz and starring Brigitte Helm, Francis Lederer and Warwick Ward. While there is no audible dialogue in the film, the soundtrack features a synchronized musical score with sound effects along with a theme song. It was the last big-budget film without dialogue released by the leading German studio Universum Film AG before the transition to sound began with Melody of the Heart. The film premiered on 15 April 1929 at the Ufa-Palast am Zoo in Berlin. It was amongst the most popular films released in Germany that year. A sound version was prepared for English speaking audiences. While the sound version has no audible dialog, it features a synchronized musical score with sound effects along with a theme song.
Jealousy, also known as Varieté, is a 1925 German silent comedy drama film directed by Karl Grune and starring Lya De Putti, Werner Krauss and Georg Alexander.
The Trousers is a 1927 German silent comedy film directed by Hans Behrendt and starring Werner Krauss, Jenny Jugo and Rudolf Forster. It was based on a play by Carl Sternheim. Art direction was by Heinrich Richter and Franz Schroedter. The film is notable for the performance of Veit Harlan, later the director who made the controversial antisemitic Jew Suss, as a Jewish barber in a film made by a director who later died in the holocaust.
Who Takes Love Seriously? is a 1931 German romantic comedy film directed by Erich Engel and starring Max Hansen, Jenny Jugo, and Otto Wallburg. It was shot at the Marienfelde Studios of Terra Film in Berlin and on location in the city. The film's sets were designed by the art director Heinrich Richter.
Two Hearts Beat as One is a 1932 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Wolf Albach-Retty and Kurt Lilien. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Werner Schlichting and Benno von Arent. A separate French-language version The Girl and the Boy was made, also starring Harvey.
The Most Beautiful Woman in Paris is a 1928 German silent film directed by Jacob Fleck and Luise Fleck and starring Elga Brink, Werner Fuetterer, and Warwick Ward.
The Girl and the Boy is a 1931 comedy film directed by Roger Le Bon and Wilhelm Thiele and starring Lilian Harvey, Henri Garat, and Lucien Baroux. It was made by the major studio UFA as the French-language version of Two Hearts Beat as One, which also starred Harvey. Such multiple-language versions were common in the early years of sound before dubbing became more widespread.
The Blue Mouse is a 1928 German silent comedy film directed by Johannes Guter and starring Jenny Jugo, Harry Halm, and Brita Appelgren. The film was distributed in England by Gaumont in a sound version. While the sound version had no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Love Is Blind is a 1925 German silent comedy film directed by Lothar Mendes and starring Lil Dagover, Conrad Veidt and Lillian Hall-Davis. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by Hans Jacoby. It was produced and distributed by UFA, Germany's largest film company of the Weimar Era.
Miss Madame is a 1934 German comedy film directed by Carl Boese and starring Jenny Jugo, Paul Hörbiger, and Olga Limburg. The film's sets were designed by the art director Erich Czerwonski. It was based on play of the same title by Ludwig Fulda.
Gypsies of the Night is a 1932 German film directed by Hanns Schwarz and starring Jenny Jugo, Hans Brausewetter, and Paul Kemp. A separate French-language version Happy Hearts was also released.
A Song for You is a 1933 German musical comedy film directed by Joe May and starring Jan Kiepura, Jenny Jugo and Paul Kemp. It was shot at the Babelsberg Studios in Berlin and on location in Naples and Vienna.The film's sets were designed by the art director Werner Schlichting. It was remade in Britain the following year as My Song for You.
Don't Dream, Annette is a 1949 German comedy film directed by Eberhard Klagemann and Helmut Weiss and starring Jenny Jugo, Max Eckard and Karl Schönböck. It was made by DEFA in the Soviet Zone of Germany which was soon afterwards to become East Germany. The film's sets were designed by the art directors Wilhelm Depenau, Otto Erdmann and Kurt Herlth.
Tugboat M 17 is a 1933 German drama film directed by Heinrich George and Werner Hochbaum and starring Heinrich George, Berta Drews and Betty Amann. George, a prominent actor, directed much of the film before it was finished by Hochbaum. Location filming took place on the Ruppiner See. It portrays life on a German boat on Germany's inland waterways in the vicinity of Berlin.
The Indiscreet Woman is a 1927 German silent comedy film directed by Carl Boese and starring Jenny Jugo, Maria Paudler and Georg Alexander.
Headfirst into Happiness is a 1931 German comedy film directed by Hans Steinhoff and starring Jenny Jugo, Fritz Schulz and S. Z. Sakall. A separate French-language version Everybody Wins was also produced. Such Multiple-language versions were common during the early years of sound before dubbing became more widespread.
The Night With the Emperor is a 1936 German historical comedy film directed by Erich Engel and starring Jenny Jugo, Richard Romanowsky, and Friedrich Benfer. It was shot at the Johannisthal Studios of Tobis Film in Berlin. The film's sets were designed by the art directors Karl Haacker and Hermann Warm. The film is set in 1808 at the Congress of Erfurt.
The Naked Truth is a 1932 American German language comedy film directed by Karl Anton and starring Jenny Jugo, Oskar Karlweis and Trude Hesterberg. It is the German version of the 1929 film Nothing but the Truth. It was also known by the alternative title of Heut' küsst Paris
