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A loose sentence (also called a cumulative sentence) is a type of sentence in which the main idea (independent clause) is elaborated by the successive addition of modifying clauses or phrases.
It adds modifying elements after the subject, complement, and verb.
Loose sentences may make a work seem informal, relaxed, and conversational. However, according to Strunk and White's The Elements of Style (2000), a succession of loose sentences, especially those of two clauses, is to be avoided because of "mechanical symmetry and sing-song". [1]
Writers should recast enough of them to remove the monotony, replacing them by simple sentences, by sentences of two clauses joined by a semicolon, by periodic sentences of two clauses, by sentences, loose or periodic, of three clauses—whichever best represent the real relations of the thought. [2]
For example, if the writer wanted to rewrite the above examples, he could write:
A passive voice construction is a grammatical voice construction that is found in many languages. In a clause with passive voice, the grammatical subject expresses the theme or patient of the main verb – that is, the person or thing that undergoes the action or has its state changed. This contrasts with active voice, in which the subject has the agent role. For example, in the passive sentence "The tree was pulled down", the subject denotes the patient rather than the agent of the action. In contrast, the sentences "Someone pulled down the tree" and "The tree is down" are active sentences.
The Elements of Style is a style guide for formal grammar used in American English writing. The first publishing was written by William Strunk Jr. in 1918, and published by Harcourt in 1920, comprising eight "elementary rules of usage," ten "elementary principles of composition," "a few matters of form," a list of 49 "words and expressions commonly misused," and a list of 57 "words often misspelled." Writer and editor E. B. White greatly enlarged and revised the book for publication by Macmillan in 1959. That was the first edition of the book, which Time recognized in 2011 as one of the 100 best and most influential non-fiction books written in English since 1923.
The comma, is a punctuation mark that appears in several variants in different languages. Some typefaces render it as a small line, slightly curved or straight, but inclined from the vertical, others give it the appearance of a miniature filled-in figure 9 placed on the baseline. In many typefaces it is the same shape as an apostrophe or single closing quotation mark ’.
In linguistics, a gerund is any of various nonfinite verb forms in various languages; most often, but not exclusively, it is one that functions as a noun. The name is derived from Late Latin gerundium, meaning "which is to be carried out". In English, the gerund has the properties of both verb and noun, such as being modifiable by an adverb and being able to take a direct object. The term "-ing form" is often used in English to refer to the gerund specifically. Traditional grammar makes a distinction within -ing forms between present participles and gerunds, a distinction that is not observed in such modern grammars as A Comprehensive Grammar of the English Language and The Cambridge Grammar of the English Language.
In grammar, a conjunction is a part of speech that connects words, phrases, or clauses, which are called its conjuncts. That description is vague enough to overlap with those of other parts of speech because what constitutes a "conjunction" must be defined for each language. In English, a given word may have several senses and in some contexts be a preposition but a conjunction in others, depending on the syntax. For example, after is a preposition in "he left after the fight" but a conjunction in "he left after they fought".
A dangling modifier is a type of ambiguous grammatical construct whereby a grammatical modifier could be misinterpreted as being associated with a word other than the one intended. A dangling modifier has no subject and is usually a participle. A writer may use a dangling modifier intending to modify a subject while word order may imply that the modifier describes an object, or vice versa.
An English writing style is a combination of features in an English language composition that has become characteristic of a particular writer, a genre, a particular organization, or a profession more broadly.
In linguistics, an adjunct is an optional, or structurally dispensable, part of a sentence, clause, or phrase that, if removed or discarded, will not structurally affect the remainder of the sentence. Example: In the sentence John helped Bill in Central Park, the phrase in Central Park is an adjunct.
In written English usage, a comma splice or comma fault is the use of a comma to join two independent clauses. For example:
It is nearly half past five, we cannot reach town before dark.
A dependent clause, also known as a subordinate clause, subclause or embedded clause, is a certain type of clause that juxtaposes an independent clause within a complex sentence. For instance, in the sentence "I know Bette is a dolphin", the clause "Bette is a dolphin" occurs as the complement of the verb "know" rather than as a freestanding sentence. Subtypes of dependent clauses include content clauses, relative clauses, adverbial clauses, and clauses that complement an independent clause in the subjunctive mood.
Parataxis is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions. It contrasts with syntaxis and hypotaxis.
The Tunica or Luhchi Yoroni language is a language isolate that was spoken in the Central and Lower Mississippi Valley in the United States by Native American Tunica peoples. There are no native speakers of the Tunica language, but there were 32 second-language speakers in 2017, and as of 2023, there are 60 second-language speakers.
Relative clauses in the English language are formed principally by means of relative words. The basic relative pronouns are who, which, and that; who also has the derived forms whom and whose. Various grammatical rules and style guides determine which relative pronouns may be suitable in various situations, especially for formal settings. In some cases the relative pronoun may be omitted and merely implied.
In linguistics, a disjunct is a type of adverbial adjunct that expresses information that is not considered essential to the sentence it appears in, but which is considered to be the speaker's or writer's attitude towards, or descriptive statement of, the propositional content of the sentence, "expressing, for example, the speaker's degree of truthfulness or his manner of speaking."
In English, the passive voice is marked by a subject that is followed by a stative verb complemented by a past participle. For example:
The enemy was defeated. Caesar was stabbed.
A periodic sentence is a sentence with a stylistic device featuring syntactical subordination to a single main idea, which usually is not complete until the very end of the sentence. The periodic sentence emphasizes its main idea by placing it at the end, following all the subordinate clauses and other modifiers that support the principal idea. According to Merriam-Webster, the linguistic sense of the periodic sentence term was coined circa 1928, but there is evidence of its usage in a separate sense dating from 1766.
In expository writing, a topic sentence is a sentence that summarizes the main idea of a paragraph. It is usually the first sentence in a paragraph.
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the expression of social identity, and the emotional effects of particular devices on audiences." Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's writing habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, sentence structure, and paragraph structure, used to convey the meaning effectively. The former are referred to as rules, elements, essentials, mechanics, or handbook; the latter are referred to as style, or rhetoric. The rules are about what a writer does; style is about how the writer does it. While following the rules drawn from established English usage, a writer has great flexibility in how to express a concept. Some have suggested that the point of writing style is to:
In rhetoric, parallel syntax is a rhetorical device that consists of repetition among adjacent sentences or clauses. The repeated sentences or clauses provide emphasis to a central theme or idea the author is trying to convey. Parallelism is the mark of a mature language speaker.
In grammar, sentence and clause structure, commonly known as sentence composition, is the classification of sentences based on the number and kind of clauses in their syntactic structure. Such division is an element of traditional grammar.