Author |
|
---|---|
Illustrator | Maira Kalman (2005 only) |
Subject | American English style guide |
Publisher |
|
Publication place | United States |
Media type | Print (Paperback) |
Pages | 43 (1918), 52 (1920), 71 (1959), 105 (1999) |
OCLC | 27652766 |
808/.042 21 | |
LC Class | PE1421 .S7 (Strunk) PE1408 .S772 (Strunk & White) |
The Elements of Style (also called Strunk & White) is a style guide for formal grammar used in American English writing. The first publishing was written by William Strunk Jr. in 1918, and published by Harcourt in 1920, comprising eight "elementary rules of usage," ten "elementary principles of composition," "a few matters of form," a list of 49 "words and expressions commonly misused," and a list of 57 "words often misspelled." Writer and editor E. B. White greatly enlarged and revised the book for publication by Macmillan in 1959. That was the first edition of the book, which Time recognized in 2011 as one of the 100 best and most influential non-fiction books written in English since 1923. [1]
American wit Dorothy Parker said, regarding the book:
If you have any young friends who aspire to become writers, the second-greatest favor you can do them is to present them with copies of The Elements of Style. The first-greatest, of course, is to shoot them now, while they're happy. [2]
Cornell University English professor William Strunk Jr. wrote The Elements of Style in 1918 and privately published it in 1919, for use at the university. Harcourt republished it in 52-page format in 1920.[ citation needed ] Strunk and editor Edward A. Tenney later revised it for publication as The Elements and Practice of Composition (1935). In 1957, the style guide reached the attention of E.B. White at The New Yorker . White had studied writing under Strunk in 1919 but had since forgotten "the little book" that he described as a "forty-three-page summation of the case for cleanliness, accuracy, and brevity in the use of English." Weeks later, White wrote about Strunk's devotion to lucid English prose in his column. [3] [4]
Strunk died in 1946. Macmillan and Company subsequently commissioned White to revise The Elements for a 1959 edition. White's expansion and modernization of Strunk and Tenney's 1935 revised edition yielded the writing style manual informally known as "Strunk & White', the first edition of which sold about two million copies in 1959. More than ten million copies of three editions were later sold. [5] Mark Garvey relates the history of the book in Stylized: A Slightly Obsessive History of Strunk & White's The Elements of Style (2009). [6]
Maira Kalman, who provided the illustrations for The Elements of Style Illustrated (2005, see below), asked Nico Muhly to compose a cantata based on the book. It was performed at the New York Public Library in October 2005. [7] [8] [9]
Audiobook versions of The Elements now feature changed wording, citing "gender issues" with the original. [10]
Strunk concentrated on the cultivation of good writing and composition; the original 1918 edition exhorted writers to "omit needless words," use the active voice, and employ parallelism appropriately. [11]
The 1959 edition features White's expansions of preliminary sections, the "Introduction" essay (derived from his magazine story about Strunk), and the concluding chapter, "An Approach to Style," a broader, prescriptive guide to writing in English. He also produced the second (1972) and third (1979) editions of The Elements of Style, by which time the book's length had extended to 85 pages.
The third edition of The Elements of Style (1979) features 54 points: a list of common word-usage errors; 11 rules of punctuation and grammar; 11 principles of writing; 11 matters of form; and, in Chapter V, 21 reminders for better style. The final reminder, the 21st, "Prefer the standard to the offbeat," is thematically integral to the subject of The Elements of Style, yet it does stand as a discrete essay about writing lucid prose. [4] To write well, White advises writers to have the proper mindset, that they write to please themselves, and that they aim for "one moment of felicity," a phrase by Robert Louis Stevenson. [12] Thus Strunk's 1918 recommendation:
Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that he make every word tell.
— "Elementary Principles of Composition", The Elements of Style [13]
Strunk Jr. no longer has a comma in his name in the 1979 and later editions, due to the modernized style recommendation about punctuating such names.
The fourth edition of The Elements of Style (1999) omits Strunk's advice about masculine pronouns: "unless the antecedent is or must be feminine". [14] In its place, the book reads, "many writers find the use of the generic he or his to rename indefinite antecedents limiting or offensive." The re-titled entry "They. He or She", in Chapter IV: Misused Words and Expressions, advises the writer to avoid an "unintentional emphasis on the masculine". [15] [16]
Components new to the fourth edition include a foreword by essayist and E. B. White stepson Roger Angell, a glossary, and an index. Five years later, the fourth edition text was re-published as The Elements of Style Illustrated (2005), with illustrations by the designer Maira Kalman.
The Elements of Style was listed as one of the 100 best and most influential non-fiction books written in English since 1923 by Time in its 2011 list. [1] Upon its release, Charles Poor, writing for The New York Times , called it "a splendid trophy for all who are interested in reading and writing." [17]
In On Writing (2000, p. 11), Stephen King writes: "There is little or no detectable bullshit in that book. (Of course, it's short; at eighty-five pages it's much shorter than this one.) I'll tell you right now that every aspiring writer should read The Elements of Style. Rule 17 in the chapter titled Principles of Composition is 'Omit needless words.' I will try to do that here."
In 2011, University of Vienna professor in biochemistry Tim Skern argued in Writing Scientific English: A Workbook that The Elements of Style "remains the best book available on writing good English". [18]
In 2013, Nevile Gwynne reproduced The Elements of Style in his work Gwynne's Grammar . Britt Peterson of The Boston Globe wrote that his inclusion of the book was a "curious addition". [19]
In 2016, the Open Syllabus Project [20] lists The Elements of Style as the most frequently assigned text in US academic syllabuses, based on an analysis of 933,635 texts appearing in over 1 million syllabuses. [21]
Criticism of Strunk & White has largely focused on claims that it has a prescriptivist nature, or that it has become a general anachronism in the face of modern English usage. In criticizing The Elements of Style, Geoffrey Pullum, professor of linguistics at the University of Edinburgh, and co-author of The Cambridge Grammar of the English Language (2002), said that:
The book's toxic mix of purism, atavism, and personal eccentricity is not underpinned by a proper grounding in English grammar. It is often so misguided that the authors appear not to notice their own egregious flouting of its own rules ... It's sad. Several generations of college students learned their grammar from the uninformed bossiness of Strunk and White, and the result is a nation of educated people who know they feel vaguely anxious and insecure whenever they write however or than me or was or which, but can't tell you why. [22]
Pullum has argued, for example, that the authors misunderstood what constitutes the passive voice, and he criticized their proscription of established and unproblematic English usages, such as the split infinitive and the use of which in a restrictive relative clause. [22] On Language Log , a blog about language written by linguists, he further criticized The Elements of Style for promoting linguistic prescriptivism and hypercorrection among Anglophones, and called it "the book that ate America's brain". [23]
Jan Freeman, reviewing for The Boston Globe in 2005 described the latest edition of The Elements of Style Illustrated (2005), with illustrations by Maira Kalman, as an "aging zombie of a book ... a hodgepodge, its now-antiquated pet peeves jostling for space with 1970s taboos and 1990s computer advice". [24]
Because Strunk's text is now in the public domain, publishers can and do reprint it.
Several books were titled paying homage to Strunk's, for example:
Elwyn Brooks White was an American writer. He was the author of several highly popular books for children, including Stuart Little (1945), Charlotte's Web (1952), and The Trumpet of the Swan (1970).
Singular they, along with its inflected or derivative forms, them, their, theirs, and themselves, is a gender-neutral third-person pronoun. It typically occurs with an indeterminate antecedent, to refer to an unknown person, or to refer to every person of some group, in sentences such as:
A split infinitive is a grammatical construction in which an adverb or adverbial phrase separates the "to" and "infinitive" constituents of what was traditionally called the "full infinitive", but is more commonly known in modern linguistics as the to-infinitive. In the history of English language aesthetics, the split infinitive was often deprecated, despite its prevalence in colloquial speech. The opening sequence of the Star Trek television series contains a well-known example, "to boldly go where no man has gone before", wherein the adverb boldly was said to split the full infinitive, to go. Multiple words may split a to-infinitive, such as: "The population is expected to more than double in the next ten years."
William Strunk Jr. was an American professor of English at Cornell University and the author of The Elements of Style (1918). After his former student E. B. White revised and extended the book, The Elements of Style became an influential guide to writing in the English language, informally known as “Strunk & White”.
A Dictionary of Modern English Usage (1926), by Henry Watson Fowler (1858–1933), is a style guide to British English usage, pronunciation, and writing. Covering topics such as plurals and literary technique, distinctions among like words, and the use of foreign terms, the dictionary became the standard for other style guides to writing in English. Hence, the 1926 first edition remains in print, along with the 1965 second edition, edited by Ernest Gowers, which was reprinted in 1983 and 1987. The 1996 third edition was re-titled as The New Fowler's Modern English Usage, and revised in 2004, was mostly rewritten by Robert W. Burchfield, as a usage dictionary that incorporated corpus linguistics data; and the 2015 fourth edition, revised and re-titled Fowler's Dictionary of Modern English Usage, was edited by Jeremy Butterfield, as a usage dictionary. Informally, readers refer to the style guide and dictionary as Fowler's Modern English Usage, Fowler, and Fowler's.
And/or is an English grammatical conjunction used to indicate that one, more, or all of the cases it connects may occur. It is used as an inclusive or, because saying "or" in spoken or written English might be inclusive or exclusive.
Linguistic prescription is the establishment of rules defining preferred usage of language, including rules of spelling, pronunciation, vocabulary, morphology, syntax, and semantics. Linguistic prescriptivism may aim to establish a standard language, teach what a particular society or sector of a society perceives as a correct or proper form, or advise on effective and stylistically apt communication. If usage preferences are conservative, prescription might appear resistant to language change; if radical, it may produce neologisms. Such prescription may be motivated by attempts to improve the consistency of language to make it more "logical"; to improve the rhetorical effectiveness of speakers; to align with the prescriber's aesthetics or personal preference; to impose linguistic purity on a language by removing foreign influences; or to avoid causing offense.
An English writing style is a combination of features in an English language composition that has become characteristic of a particular writer, a genre, a particular organization, or a profession more broadly.
In the English language, there are grammatical constructions that many native speakers use unquestioningly yet certain writers call incorrect. Differences of usage or opinion may stem from differences between formal and informal speech and other matters of register, differences among dialects, and so forth. Disputes may arise when style guides disagree with each other, or when a guideline or judgement is confronted by large amounts of conflicting evidence or has its rationale challenged.
The serial comma is a comma placed after the second-to-last term in a list when writing out three or more terms. For example, a list of three countries might be punctuated without the serial comma as "France, Italy and Spain" or with the serial comma as "France, Italy, and Spain". The serial comma can help avoid ambiguity in some situations, but can also create it in others. There is no universally-accepted standard for when to use the Oxford comma.
In written English usage, a comma splice or comma fault is the use of a comma to join two independent clauses. For example:
It is nearly half past five, we cannot reach town before dark.
In the context of written composition, drafting refers to any process of generating preliminary versions of a written work. Drafting happens at any stage of the writing process as writers generate trial versions of the text they're developing. At the phrasal level, these versions may last less than a second, as writers compose and then delete trial sentences; as fully developed attempts that have reached the end of a stage of usefulness, draft documents may last for perpetuity as saved "versions" or as paper files in archives.
Relative clauses in the English language are formed principally by means of relative words. The basic relative pronouns are who, which, and that; who also has the derived forms whom and whose. Various grammatical rules and style guides determine which relative pronouns may be suitable in various situations, especially for formal settings. In some cases the relative pronoun may be omitted and merely implied.
In English, the passive voice is marked by a subject that is followed by a stative verb complemented by a past participle. For example:
The enemy was defeated. Caesar was stabbed.
A writing process is a set of mental and physical steps that someone takes to create any type of text. Almost always, these activities require inscription equipment, either digital or physical: chisels, pencils, brushes, chalk, dyes, keyboards, touchscreens, etc.; each of these tools has unique affordances that influence writers' workflows. Writing processes are very individualized and task-specific; they frequently incorporate activities such as talking, drawing, reading, browsing, and other activities that are not typically associated with writing.
Maira Kalman is an American artist, illustrator, writer, and designer known for her painting and writing about the human condition. She is the author and illustrator of over 30 books for adults and children and her work is exhibited in museums around the world. She has been a regular contributor to The New York Times and The New Yorker.
Garner's Modern English Usage (GMEU), written by Bryan A. Garner and published by Oxford University Press, is a usage dictionary and style guide for contemporary Modern English. It was first published in 1998 as A Dictionary of Modern American Usage, with a focus on American English, which it retained for the next two editions as Garner's Modern American Usage (GMAU). It was expanded to cover English more broadly in the 2016 fourth edition, under the present title. The work covers issues of usage, pronunciation, and style, from distinctions among commonly confused words and phrases to notes on how to prevent verbosity and obscurity. In addition, it contains essays about the English language. An abridged version of the first edition was also published as The Oxford Dictionary of American Usage and Style in 2000 and a similar version was published in The Chicago Manual of Style 16th edition in 2017. The latter includes three sections titled "Grammar", "Syntax" and "Word Usage", each with several subcategories.
Follett's Modern American Usage is the book published with the title Modern American Usage which was left in draft form and unfinished by Wilson Follett at his death. It was completed and edited by his friend Jacques Barzun in collaboration with six other editors. It is a usage guide for contemporary American English. Modern American Usage covers issues of usage, prose composition, and style, including English grammar, syntax, and literary techniques.
This list comprises widespread modern beliefs about English language usage that are documented by a reliable source to be misconceptions.
Nevile Martin Gwynne is a British writer who has gained recognition and some criticism for his book Gwynne's Grammar. He has also written Gwynne's Latin. In April 2013 a grammar test devised by Gwynne was published by The Daily Telegraph. He spent his early days in Gloucestershire before attending Eton College and Oxford University, graduating with a degree in Modern languages. He later qualified as a Chartered Accountant at the British Institute of Chartered Accountants.
Gender issues, such as the exclusive use of "he", which was the standard in Strunk's day, have been changed to the modern usage of "his" or "her", "you", "they", or "the writer".
The Elements of Style, the classic manual for clear writing, re-emerges as a hip new tome and an avant-garde musical piece.