Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of calypso/kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
Raymond Quevedo, better known as Atilla the Hun, was a calypsonian from Trinidad. He began singing in 1911 and was at his most prominent in the 1930s and 1940s. He was one of the pioneers in spreading awareness of calypso beyond its birthplace in Trinidad and Tobago. Together with the Roaring Lion he brought calypso to the United States for the first time in 1934. One of his popular calypsos was "FDR in Trinidad", commemorating U.S. President Franklin Delano Roosevelt's 1936 trip to Trinidad.
Frederick Wilmoth Hendricks, best known as Wilmoth Houdini, was a prominent calypsonian.
Lord Invader was a prominent calypsonian with a very distinctive, gravelly voice.
Lord Melody was a popular Trinidadian calypsonian, best known for singles such as "Boo Boo Man", "Creature From The Black Lagoon", "Shame & Scandal", "Jonah and the Bake", "Juanita", and "Rastaman Be Careful". Melody's career spanned forty years, from the beginnings of popular calypso music to his embrace of the more dance oriented Soca style by the late 1970s.
Aldwyn Roberts HBM DA, better known by the stage name Lord Kitchener, was a Trinidadian calypsonian. He has been described as "the grand master of calypso" and "the greatest calypsonian of the post-war age".
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
A calypsonian, originally known as a chantwell, is a musician from the anglophone Caribbean who sings songs of the calypso genre.
The music of Barbados includes distinctive national styles of folk and popular music, including elements of Western classical and religious music. The culture of Barbados is a syncretic mix of African and British elements, and the island's music reflects this mix through song types and styles, instrumentation, dances, and aesthetic principles.
The Honourable David Michael Rudder OCC is a Trinidadian calypsonian, known to be one of the most successful calypsonians of all time. He performed as lead singer for the brass band Charlie's Roots. Nine years later, Rudder stepped outside the band, entering the calypso tent as a solo calypsonian in 1986, which was followed by an unprecedented rise to fame.
George Browne, better known as the Young Tiger, was a Trinidadian calypso musician.
Winston McGarland Bailey OBE, HBM, DLitt, better known by his stage name The Mighty Shadow or Shadow, was a calypsonian from Tobago.
George Brindsley McSween, known as Sir Galba, was a Grenada-born calypso singer and recording artist in the 1940s and 1950s.
Lord Pretender was the stage name of Aldric Farrell, M.O.M., H.B.M. a calypsonian vocalist born on the island of Tobago widely acknowledged to be a "master" of extempo, a lyrically improvised form of calypso music. Starting with an impromptu performance at the age of 12, his career spanned nearly seven decades until cancer of the larynx forced him to retire in the mid-1990s.
Rufus Callender (1910–1976), better known as Lord Caresser, was a Trinidadian calypsonian. He is best known for his 1937 recording of "Edward the VIII", a calypso about the 1936 Abdication of Edward VIII of England. This was one of the best-selling records in the golden age of calypso of the 1930s and early 1940s, and generated further hits for Jamaican singer Lord Flea and American singer Harry Belafonte when they covered it in the 1950s.
Lord Executor was a Trinidadian calypsonian. He belonged to the first generation of calypso pioneers that included Julian Whiterose, Norman le Blanc, Henry Forbes the Inventor and Black Prince. Unlike those other early figures, however, Executor recorded extensively during the golden age of calypso of the 1930s and early 1940s, producing 28 record sides (78-rpm) and directly exerting influence on the second generation of calypsonians he worked alongside. According to the Roaring Lion, Executor "helped raise the general standard of the Calypso genre, gaining it more respect and acceptability in the public eye".
