Lorenzo Regazzo, (born in Venice) is an opera singer. His voice can be categorised as bass, bass-baritone or basso cantante. He is especially well known for interpreting Baroque, Classical, and bel canto repertoire. Among the qualities frequently noted by the critical press are his virtuosic coloratura technique, sumptuous tone, and vivid stage presence. [1]
Performing at the major opera and concert venues of Europe, as well as in Japan and the US, Regazzo has also been a regular guest at musical events such as the Salzburg Festival and the Rossini Opera Festival in Pesaro.
Among the conductors he collaborated with are Simon Rattle, Riccardo Muti, Lorin Maazel, Colin Davis, Claudio Abbado, Riccardo Chailly, Daniele Gatti, Nikolaus Harnoncourt, Jesús López-Cobos and Marcello Viotti. He has made Baroque music recordings and took part in live performances with such specialists of the genre as René Jacobs, Emmanuelle Haïm, Rinaldo Alessandrini, Jean-Christophe Spinosi, Fabio Biondi, Claudio Scimone, and Andrea Marcon.
Regazzo holds degrees in singing, piano, choral music, and choral conducting, and has studied voice with Sesto Bruscantini and Regina Resnik. His operatic début (in Rossini's L'inganno felice) took place in 1994 at the Pesaro Festival. [2]
His discography includes Le Nozze di Figaro (with René Jacobs), which won the Grammy Award in the category of Best Opera Recording; two recitals: Chante Venise and Vivaldi: Arie per Basso (Naïve; with Rinaldo Alessandrini) for both of which Regazzo received the "Orphée d'or" awards. [2]
Studio
Live
Compilations
The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. They are often viewed as equivalent to or surpassing the American Grammy award, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
Orlando, usually known in modern times as Orlando furioso, is an opera in three acts by Antonio Vivaldi to an Italian libretto by Grazio Braccioli, based on Ludovico Ariosto's epic poem Orlando Furioso. The first performance of the opera was at the Teatro San Angelo, Venice, in November 1727. It is to be distinguished from an earlier Vivaldi opera of 1714, Orlando furioso, set to much the same libretto, once thought to be a revival of a 1713 opera by Giovanni Alberto Ristori but now considered by Vivaldian musicologists to be a fully-fledged opera by Vivaldi himself.
Sandrine Piau is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018.
Rinaldo Alessandrini is a virtuoso on Baroque keyboards, including harpsichord, fortepiano, and organ. He is founder and conductor of the Italian early music ensemble Concerto Italiano, performing music of Monteverdi, Vivaldi, Couperin, Bach, and others. He is considered a foremost interpreter of early Italian opera.
Philippe Jaroussky is a French countertenor. He began his musical career with the violin, winning an award at the Versailles conservatory, and then took up the piano before turning to singing.
Ildebrando D'Arcangelo is an Italian opera singer. He has been called a bass-baritone, though he prefers the term basso cantabile.
Concerto Köln is an ensemble specialising in music of the eighteenth and nineteenth centuries.
Armida al campo d'Egitto is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzo. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Vivaldi's version is different from the more than 50 operas whose themes derive in varying degrees from the story of Rinaldo and Armida in Torquato Tasso's epic poem La Gerusalemme liberata. Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost.
Jean-Christophe Spinosi is a French conductor and violinist, the founder of French orchestra Ensemble Matheus.
The Diapason d'Or is a recommendation of outstanding (mostly) classical music recordings given by reviewers of Diapason magazine in France, broadly equivalent to "Editor's Choice", "Disc of the Month" in the British Gramophone magazine.
Julia Mikhaylovna Lezhneva is a Russian soprano opera singer and recitalist, specializing in soprano and coloratura mezzo-soprano material of the 18th and early 19th century. She studied with Tamara Cherkasova, Irina Zhurina, Elena Obraztsova, Dennis O'Neill and Yvonne Kenny.
Sara Mingardo is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's Les Troyens won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in Tamerlano, Mistress Quickly in Falstaff, Rosina in The Barber of Seville, and the title roles in Carmen, Giulio Cesare, Riccardo Primo, and Rinaldo. She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's Requiem, Rossini's Stabat Mater, and Vivaldi's Gloria among others.
Ensemble Matheus is a French baroque orchestra. Based in Brittany, the ensemble gives concerts in a number of French cities, including Brest at Le Quartz, where it has enjoyed a residency since 1996, Vannes, and Plougonvelin. The ensemble receives funding from the Conseil Régional de Bretagne, Conseil Général du Finistère, the city of Brest, the Ministère de la Culture et de la Communication - Direction Régionale des Affaires Culturelles (DRAC) Bretagne, the Société Inter Parfums, and the Mécénat Musical Société Générale.
Maxim Vyacheslavovich Mironov, is a Russian tenor, best known for his interpretation of the bel canto repertoire. In 2001, he joined the Helikon Opera Theatre in Moscow, where he made his operatic debut in André Grétry's opera Pierre le Grand. Mironov won the 2nd Prize at the Neue Stimmen international singing competition in Germany in 2003. In Europe Mironov has performed in many opera houses.
Carmela Remigio is an Italian operatic soprano.
Antonino Fogliani is an Italian conductor.
Ann Hallenberg is a Swedish mezzo-soprano. She has an operatic career on the stage and concert platform around Europe. She regularly appears in major opera houses and festivals: embracing roles by Rossini, Mozart, Gluck, Handel, Vivaldi, Monteverdi, and Purcell.
Gloria Banditelli is an Italian mezzo-soprano. She debuted in La Cenerentola in Spoleto in 1979. She is well known both for late-classical early-bel canto era roles of Rossini, Cimarosa and Paisiello, and also baroque opera, such as Monteverdi and Cavalli.
Amelia Felle is an Italian operatic soprano and voice teacher. Born in Bari, she has been active on the stages of Italian and European opera houses and concert halls since her debut in 1981. She holds the chair in vocal chamber music at the Conservatorio di Santa Cecilia in Rome, a position she previously held at the Conservatorio Tito Schipa in Lecce.
Enrico Onofri is an Italian violinist and conductor specialising in Baroque music.