Lorraine Bethel is an African-American lesbian feminist poet and author.
She is a graduate of Yale University. [1] Bethel has taught and lectured on black women's literature and black female culture at various institutions. She currently works as a freelance journalist in New York City.
She participated in the Combahee River Collective, an organization that was part of the Women's Liberation Movement in the 1960s and 1970s. The Combahee River Collective was a black feminist group founded in Boston in 1974. It fought against racial, sexual, heterosexual, racial stereotypes and class oppression.
In an issue of off our backs , a feminist news journal, a participant recounts her experience in the 3rd World Lesbian Writers Conference on February 24, 1979 at New York City's Women's Center, in which Lorraine Bethel and Barbara Smith moderated one of the five workshops available. In their workshop, called "Third World Feminist Criticism", Bethel and Smith discussed various topics such as the definition of "criticism", criticism as a "creative" art, white feminism versus black feminism, intersectional feminism, and the unification of black lesbians.
Later that year, in November 1979, Lorraine Bethel and Barbara Smith guest-edited "The Black Women's Issue" of Conditions: Five, a literary magazine primarily for black lesbian women. [2] [3] In the introduction, it is stated that the issue "disproves the 'non-existence' of Black feminist and Black lesbian writers and challenges forever our invisibility, particularly in the feminist press." [4] Bethel wrote the poem, "What Chou Mean We, White Girl? Or, The Cullud Lesbian Feminist Declaration of Independence", which was published in this issue. [4]
Bethel's essay, ""The Infinity of Conscious Pain": Zora Neale Hurston and the Black Female Literary Tradition" appeared in the seminal book, "All of the Women Are White, All of the Blacks Are Men, But Some of Us Are Brave: Black Women's Studies." [1] Identifying in this essay as a Black feminist critic, she wrote, "...I believe there is a separate and identifiable tradition of Black women writers, simultaneously existing within and independent of the America, Afro-American, and American female literary traditions." [5]
Zora Neale Hurston was an American author, anthropologist, and filmmaker. She portrayed racial struggles in the early-1900s American South and published research on hoodoo. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, and essays.
Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths.
Their Eyes Were Watching God is a 1937 novel by American writer Zora Neale Hurston. It is considered a classic of the Harlem Renaissance, and Hurston's best known work. The novel explores protagonist Janie Crawford's "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny".
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Their Eyes Were Watching God is a 2005 American television drama film based upon Zora Neale Hurston's 1937 novel of the same name. The film was directed by Darnell Martin, written by Suzan-Lori Parks, Misan Sagay, and Bobby Smith Jr., and produced by Oprah Winfrey's Harpo Productions. It stars Halle Berry, Ruben Santiago-Hudson, and Michael Ealy, and aired on ABC on March 6, 2005.
Black feminism, also known as Afro-feminism chiefly outside the United States, is a branch of feminism that centers around black women.
Barbara Smith is an American lesbian feminist and socialist who has played a significant role in Black feminism in the United States. Since the early 1970s, she has been active as a scholar, activist, critic, lecturer, author, and publisher of Black feminist thought. She has also taught at numerous colleges and universities for 25 years. Smith's essays, reviews, articles, short stories and literary criticism have appeared in a range of publications, including The New York Times Book Review, The Black Scholar, Ms., Gay Community News, The Guardian, The Village Voice, Conditions and The Nation. She has a twin sister, Beverly Smith, who is also a lesbian feminist activist and writer.
The National Black Feminist Organization (NBFO) was founded in 1973. The group worked to address the unique issues affecting black women in America. Founding members included Florynce Kennedy, Michele Wallace, Faith Ringgold, Doris Wright and Margaret Sloan-Hunter. They borrowed the office of the New York City chapter of the National Organization for Women. According to Wallace, a contributing author to the anthology All the Women Are White, All the Blacks Are Men, But Some Of Us Are Brave: Black Women's Studies, Wright "called meeting to discuss Black women and their relationship to the Feminist Movement."
Kitchen Table: Women of Color Press was an activist feminist press that was closely related to the National Black Feminist Organization (NBFO) which was started in 1980 following a phone conversation between Barbara Smith and at the suggestion of her friend, poet Audre Lorde. Beverly and Barbara Smith and their associate Demita Frazier together cofounded the Combahee River Collective (CRC). The Kitchen Table: Women of Color Press was most active beginning in 1981, but the Press became inactive soon after Audre Lorde's death in 1992. Smith explains how the motivation for starting a press run by and for women of color was that "as feminist and lesbian of color writers, we knew that we had no options for getting published, except at the mercy or whim of others, whether in the context of alternative or commercial publishing, since both are white-dominated."
Azalea: A Magazine by Third World Lesbians was a quarterly periodical for Black, Asian, Latina, and Native American lesbians published between 1977 and 1983 by the Salsa Soul Sisters, Third World Wimmin Inc Collective. The Collective also published the Salsa Soul Sisters/Third World Women's Gay-zette.
Conditions was a lesbian feminist literary magazine that came out biannually from 1976 to 1980 and annually from 1980 until 1990, and included poetry, prose, essays, book reviews, and interviews. It was founded in Brooklyn, New York, by Elly Bulkin, Jan Clausen, Irena Klepfisz and Rima Shore.
Home Girls: A Black Feminist Anthology (1983) is a collection of Black lesbian and Black feminist essays, edited by Barbara Smith. The anthology includes different accounts from 32 black women of feminist ideology who come from a variety of different areas, cultures, and classes. This collection of writings is intended to showcase the similarities among black women from different walks of life. In the introduction, Smith states her belief that "Black feminism is, on every level, organic to Black experience." Writings within Home Girls support this belief through essays that exemplify black women's struggles and lived experiences within their race, gender, sexual orientation, culture, and home life. Topics and stories discussed in the writings often touch on subjects that in the past have been deemed taboo, provocative, and profound.
The Combahee River Collective (CRC) ( kəm-BEE) was a Black feminist lesbian socialist organization active in Boston, Massachusetts from 1974 to 1980. The Collective argued that both the white feminist movement and the Civil Rights Movement were not addressing their particular needs as Black women and more specifically as Black lesbians. Racism was present in the mainstream feminist movement, while Delaney and Manditch-Prottas argue that much of the Civil Rights Movement had a sexist and homophobic reputation.
Beverly Smith in Cleveland, Ohio, is a Black feminist health advocate, writer, academic, theorist and activist who is also the twin sister of writer, publisher, activist and academic Barbara Smith. Beverly Smith is an instructor of Women's Health at the University of Massachusetts Boston.
Sweat is a short story by the American writer Zora Neale Hurston, first published in 1926, in the first and only issue of Fire!!. The story revolves around a washerwoman and her unemployed, insecure husband. The short story is 4743 words long, or around 15 pages.
Hortense J. Spillers is an American literary critic, Black Feminist scholar and the Gertrude Conaway Vanderbilt Professor at Vanderbilt University. A scholar of the African diaspora, Spillers is known for her essays on African-American literature, collected in Black, White, and In Color: Essays on American Literature and Culture, published by the University of Chicago Press in 2003, and Comparative American Identities: Race, Sex, and Nationality in the Modern Text, a collection edited by Spillers published by Routledge in 1991.
Mules and Men is a 1935 autoethnographical collection of African-American folklore collected and written by anthropologist Zora Neale Hurston. The book explores stories she collected in two trips: one in Eatonville and Polk County, Florida, and one in New Orleans. Hurston's decision to focus her research on Florida came from a desire to record the cross-section of black traditions in the state. In her introduction to Mules and Men, she wrote, "Florida is a place that draws people—white people from all over the world, and Negroes from every Southern state surely and some from the North and West". Hurston documented 70 folktales during the Florida trip, while the New Orleans trip yielded a number of stories about Marie Laveau, voodoo and Hoodoo traditions. Many of the folktales are told in vernacular; recording the dialect and diction of the Black communities Hurston studied.
Seraph on the Suwanee is a 1948 novel by African-American novelist Zora Neale Hurston. It follows the life of a White woman and the fraught relationship she has with her husband and family.
Demita Frazier is a Black Feminist, thought leader, writer, teacher, and social justice activist. She is a founding member of the Combahee River Collective (CRC). While it has been more than forty years since the Combahee River Collective released their Black Feminist Statement, Frazier has remained committed to the "lifetime of work and struggle" for liberation for all.
All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave (1982) is a landmark feminist anthology in Black Women's Studies printed in numerous editions, co-edited by Akasha Gloria Hull, Patricia Bell-Scott, and Barbara Smith.