New Congo Square | |
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Studio album by Irvin Mayfield & Bill Summers | |
Released | April 17, 2001 |
Recorded | August 2000–January 2001 |
Genre | Afro-Cuban jazz |
Label | Basin Street Records |
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
New Congo Square is the third studio album released by the New Orleans-based Afro-Cuban jazz group Los Hombres Calientes, co-led by trumpeter Irvin Mayfield and Bill Summers. This marks the band's first album without drummer Jason Marsalis.
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Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.
Los Hombres Calientes is a New Orleans based jazz group. They are most associated with Latin jazz, especially Afro-Cuban jazz, and contemporary jazz. Their 1998 self-titled debut was praised by the New Orleans Times-Picayune. Bill Summers, Irvin Mayfield and Jason Marsalis were among the founding members.
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