Los amores de la Inés | |
---|---|
Zarzuela by Manuel de Falla | |
The composer in 1919 | |
Translation | The Loves of Inés |
Librettist | Emilio Dugi |
Language | Spanish |
Premiere | 12 April 1902 Teatro Cómico, Madrid |
Los amores de la Inés (The Loves of Inés) is a zarzuela in one act, two scenes, composed by Manuel de Falla in collaboration with Amadeu Vives. [1] The work uses a Spanish language libretto by Emilio Dugi (Mannel Osorio y Bertrand) and the music is organized into a prelude and five musical sections.
Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a Royal hunting lodge, the Palacio de la Zarzuela near Madrid, where, allegedly, this type of entertainment was first presented to the court. The palace was named after the place called "La Zarzuela" because of the profusion of brambles (zarzas) that grew there, and so the festivities held within the walls became known as "Zarzuelas".
Manuel de Falla y Matheu was a Spanish composer. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. His image appeared on Spain's 1970 100-pesetas banknote.
Amadeu Vives i Roig was a Spanish musical composer, creator of over a hundred stage works. He is best known for Doña Francisquita, which Christopher Webber has praised for its "easy lyricism, fluent orchestration and colourful evocation of 19th Century Madrid—not to mention its memorable vocal and choral writing" characterizes as "without doubt the best known and loved of all his works, one of the few zarzuelas which has 'travelled' abroad".
The zarzuela was premiered at the Teatro Cómico in Madrid on 12 April 1902. [1] It was the only example of de Falla's five zarzuelas to be actually produced. [2] It has been performed again in 2013, at the Teatro de la Zarzuela, Madrid.
Madrid is the capital of Spain and the largest municipality in both the Community of Madrid and Spain as a whole. The city has almost 3.3 million inhabitants and a metropolitan area population of approximately 6.5 million. It is the third-largest city in the European Union (EU), smaller than only London and Berlin, and its monocentric metropolitan area is the third-largest in the EU, smaller only than those of London and Paris. The municipality covers 604.3 km2 (233.3 sq mi).
The Teatro de la Zarzuela is a theatre in Madrid, Spain. The theatre is today mainly devoted to zarzuela, as well as operetta and recitals.
Role | Voice type | Premiere Cast, [1] 12 April 1902 (Conductor: ) |
---|---|---|
Inés | soprano | Loreto Prado |
Lucas | tenor | Enrique Chicote |
Juan | baritone | Redondo, ten. (note: not the baritone Marcos Redondo) |
Felipa | spoken | Castellanos |
Fatigas | spoken | Nart |
Rata Sabia | spoken | Ponzano |
La Blasa | spoken | Jovita Fuentes |
Moreno | spoken | Léon |
Araña | spoken | Sinesio Delgado |
Pesqui/Mozo | spoken | Borda |
La vida breve is an opera in two acts and four scenes by Manuel de Falla to an original Spanish libretto by Carlos Fernández-Shaw. Local (Andalusian) dialect is used. It was written between August 1904 and March 1905, but not produced until 1913. The first performance was given at the Casino Municipal in Nice on 1 April 1913. Paris and Madrid performances followed, later in 1913 and in 1914 respectively. Claude Debussy played a major role in influencing Falla to transform it from the number opera it was at its Nice premiere to an opera with a more continuous musical texture and more mature orchestration. This revision was first heard at the Paris premiere at the Opéra-Comique in December 1913, and is the standard version.
Tomás Bretón y Hernández was a Spanish conductor and composer.
The Orquesta Sinfónica de Madrid, founded in 1903, is the oldest existing Spanish symphony orchestra in Spain not linked to an opera house.
Gerónimo Giménez y Bellido was a Spanish conductor and composer, who dedicated his career to writing zarzuelas, such as La tempranica and La boda de Luis Alonso. He preferred to spell his first name with a "G", even though it began officially with a "J".
Dano Raffanti is an Italian tenor, particularly associated with the Italian baroque and bel canto repertory.
Nuria Pomares is a dancer. She was born in Madrid and studied Spanish and Classical ballet at the Royal High School of Dance. Her professional debut was at Lincoln Center in 1991. She has danced at the Teatro de la Zarzuela in Madrid and the Gran Teatre del Liceu in Barcelona. She was a soloist with Jose Antonio y los Ballets Españoles for one year and danced with Joaquín Cortés in Pasión Gitana for 4 years. Since 2002, she has danced in the opera La vida breve by Manuel de Falla under the direction of Rafael Frühbeck de Burgos throughout the United States and Europe, including with the New York Philharmonic, the Boston Symphony Orchestra, the Los Angeles Philharmonic, the St. Petersburg Philharmonic Orchestra, and the Israel Philharmonic Orchestra. Nuria Pomares directs her own school of dance, which she founded in 1983.
Giacomo Rampini was an Italian composer of operas, oratorios, and sacred music.
Pietro Antonio Coppola was an Italian composer and conductor. Born in Castrogiovanni, he was trained by his father and at the Naples Conservatory. He is chiefly known for his many operas, of which his most famous, Nina pazza per amore, premiered at the Teatro Valle in Rome in February 1835. While his works have rarely been performed after the 19th century, during his lifetime they enjoyed success in major opera houses in Italy, France, Portugal, and Spain. As a conductor he was particularly active at the Teatro Nacional de São Carlos in Lisbon. He died in Catania at the age of 82.
Adelaide Borghi-Mamo was an Italian operatic mezzo-soprano who had an active international career from the 1840s through the 1880s. She was married to tenor Michele Mamo and their daughter, soprano Erminia Borghi-Mamo, also had a successful singing career.
Antonio Poggi was an Italian operatic tenor who had an active international career from 1827–1848. He is best remembered for creating roles in the world premieres of operas by Gaetano Donizetti and Giuseppe Verdi. He was married to soprano Erminia Frezzolini from 1841–1846.
Gianna Galli was an Italian operatic soprano who had an active international career from the 1950s through the 1970s. She specialized in the lyric soprano repertoire and was particularly known for her portrayals of Puccini heroines.
Charles Rousselière was French operatic tenor who performed primarily at the Paris Opera, the Opéra de Monte-Carlo, and the Opéra-Comique. He sang in the world premieres of several operas, including the title role in Charpentier's Julien and Giorgio in Mascagni's Amica.
Luigi Maria Viviani was an Italian composer, conductor and violinist of Florentine origin. He was primarily noted for his ballet scores, most of them composed for the choreographers Giovanni Galzerani and Antonio Cortesi. His 1851 score for Fausto was particularly praised for its obbligato written for the bimbonclaro.
Antonio Cortesi was an Italian ballet dancer, choreographer, and composer. He was particularly known for the numerous ballets which he created and choreographed in the first half of the 19th Century for major Italian theatres, including La Scala, La Fenice, and the Teatro Regio in Turin.
Antonio Gallego Gallego is a Spanish writer and musicologist.
This article about an opera or opera-related subject is a stub. You can help Wikipedia by expanding it. |