Loss Pequeño Glazier is the creator of books of print poetry, digital poems, theoretical texts, and performance works. Glazier stands among literary figures at the "forefront of the digital poetics movement. [1] A "distinguished writer of electronic poetry as well as a critic", according to N. Katherine Hayles, [2] he is author of Luna Lunera (Night Horn Books, 2020), Anatman, Pumpkin Seed, Algorithm (Salt, 2003), Digital Poetics: the Making of E-Poetries (Alabama, 2002), [3] the first book-length study of digital poetry, [4] and Small Press (Greenwood, 1992), [5] as well as the major digital works, white faced bromeliads on 20 hectares (1999, 2012), [6] [7] Io Sono at Swoons (2002, 2020), [8] and Territorio Libre (2003-2010). [9] These three works are featured in his digital poetry performance film, Middle Orange | Media Naranja (Buffalo, 2010). His projects also include numerous poems, essays, film, visual art, sound, digital works, and projects for dance, music, installations, and performance. Glazier's poetic vision was the subject of an interview by David Jhave Johnston in 2012. His recent project, Luna Lunera: Poems al-Andalus (Night Horn Books, 2020) is a ten-year project culminating in a collection of print poetry drawn from scores of digital, code, and performance iterations. Luna Lunera is co-presented on the Web as digital poems, solo readings and as dance performances (in video).
Glazier is Professor Emeritus of Media Study, SUNY Buffalo, New York, Director, Electronic Poetry Center (EPC), Director, E-Poetry Festivals, and has served as Artistic Director, Digital Poetry & Dance (UB). He now lives and writes in the Smoky Mountains.
Charles Bernstein is an American poet, essayist, editor, and literary scholar. Bernstein is the Donald T. Regan Professor, Emeritus, Department of English at the University of Pennsylvania. He is one of the most prominent members of the L=A=N=G=U=A=G=E or Language poets. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. and in 2019 he was awarded the Bollingen Prize from Yale University, the premiere American prize for lifetime achievement, given on the occasion of the publication of Near/Miss. Bernstein was David Gray Professor of Poetry and Poetics at SUNY-Buffalo from 1990 to 2003, where he co-founded the Poetics Program. A volume of Bernstein's selected poetry from the past thirty years, All the Whiskey in Heaven, was published in 2010 by Farrar, Straus, and Giroux. The Salt Companion to Charles Bernstein was published in 2012 by Salt Publishing and Charles Bernstein: The Poetry of Idiomatic Insistences, edited by Paul Bovê was published by Duke University Press and boundary 2 in 2021.
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. Works of electronic literature are usually intended to be read on digital devices, such as computers, tablets, and mobile phones. They cannot be easily printed, or cannot be printed at all, because elements crucial to the work cannot be carried over onto a printed version.
Nancy Katherine Hayles is an American postmodern literary critic, most notable for her contribution to the fields of literature and science, electronic literature, and American literature. She is the James B. Duke Distinguished Professor Emerita of Literature, Literature, Trinity College of Arts & Sciences at Duke University.
Larry Eigner, also known as Laurence Joel Eigner, was an American poet of the second half of the twentieth century and one of the principal figures of the Black Mountain School.
The Electronic Poetry Center (EPC), is an online resource for digital poetry. It was founded on July 10, 1994 by Loss Pequeño Glazier and Charles Bernstein, of the Poetics Program at The State University of New York at Buffalo, making it one of the oldest resources for poetry on the World Wide Web. It was the sponsor of E-Poetry 2001, the world's first festival exclusively dedicated to electronic poetry, which celebrated its tenth anniversary in 2011. The EPC was called "an epicenter of poetic evolution and teaching" as it celebrated its twentieth anniversary, "EPC@20", a two day in festival in Buffalo, September 2014.
Mez Breeze is an Australian-based artist and practitioner of net.art, working primarily with code poetry, electronic literature, mezangelle, and digital games. Born Mary-Anne Breeze, she uses a number of avatar nicknames, including Mez and Netwurker. She received degrees in both Applied Social Science [Psychology] at Charles Sturt University in Bathurst, Australia in 1991 and Creative Arts at the University of Wollongong in Australia in 2001. In 1994, Breeze received a diploma in Fine Arts at the Illawarra Institute of Technology, Arts and Media Campus in Australia. As of May 2014, Mez is the only Interactive Writer and Artist who is a non-USA citizen to have her comprehensive career archive housed at Duke University, through their David M. Rubenstein Rare Book & Manuscript Library.
Micha Cárdenas, stylized as micha cárdenas, is an American visual and performance artist who is an assistant professor of art and design, specializing in game studies and playable media, at the University of California Santa Cruz. Cárdenas is an artist and theorist who works with the algorithms and poetics of trans people of color in digital media.
Robert Kendall is a digital poet. Canadian-born, he now lives in the United States. He has a master's degree in Musicology and has taught electronic poetry for the New School University's online course.
Stephanie Strickland is a poet living in New York City. She has published ten volumes of print poetry and co-authored twelve digital poems. Her files and papers are being collected by the David M. Rubenstein Rare Book And Manuscript Library at Duke University.
The William Blake Archive is a digital humanities project started in 1994, a first version of the website was launched in 1996. The project is sponsored by the Library of Congress and supported by the University of North Carolina at Chapel Hill and the University of Rochester. Inspired by the Rossetti Archive, the archive provides digital reproductions of the various works of William Blake, a prominent Romantic-period poet, artist, and engraver, alongside annotation, commentary and scholarly materials related to Blake.
María Mencía is a Spanish-born media artist and researcher working as a Senior Lecturer at Kingston University in London, United Kingdom. Her artistic work is widely recognized in the field of electronic literature, and her scholarship on digital textuality has been widely published. She holds a Ph.D. in Digital Poetics and Digital Art at the Chelsea College of Arts of the University of the Arts London and studied English Philology at the Complutense University of Madrid.
John Howland Cayley is a Canadian pioneer of writing in digital media as well as a theorist of the practice, a poet, and a Professor of Literary Arts at Brown University.
David Jhave Johnston is a Canadian poet, videographer, and motion graphics artist working chiefly in digital and computational media,. and a researcher at the Center for Digital Narrative at the University of Bergen. This artist's work is often attributed, simply, to the name Jhave.
Jessica Pressman is a scholar who studies electronic literature including digital poetry, media studies, and experimental literature. She creates works that examine how technologies affect reading practices that are displayed through several media forms.
Ladislao Pablo Győri is an Argentine engineer, digital and visual artist, essayist and poet, most known as the creator of Virtual Poetry in 1995, which has been described as "of utmost significance in advancing literature as sculptural object in electronic space". He has been described as one of the rare "poet-practitioners dedicated to 3-D art".
ReRites is a literary work of "Human + A.I. poetry" by David Jhave Johnston that used neural network models trained to generate poetry which the author then edited. ReRites won the Robert Coover Award for a Work of Electronic Literature in 2022.
Lexia to Perplexia is a poetic work of electronic literature published on the web by Talan Memmott in 2000. The work won the trAce/Alt-X New Media Writing Award that year.
Adalaide Morris (Dee) (1898–1983) was an American critic for modern poetry including information art, counter mapping, documentary, and digital works. As well as a scholar, she was an artist.