Louisa Puller (1884-1963) was a British artist who contributed works to both the Recording Britain scheme and to the War Artists' Advisory Committee during the Second World War.
Puller travelled widely throughout England during World War Two on behalf of Recording Britain, depicting the impact of war in at least nine different counties and was among the most prolific artists employed by the scheme. For Recording Britain, Puller was sent at short notice to the village of Sudbourne in Suffolk, arriving just hours before it was appropriated for tank training by the British Army and the local population departed. Her other contributions included six studies of Tetbury in Gloucestershire. [1] The War Artists' Advisory Committee, WAAC, purchased two watercolours by Puller of bomb damage in the City of London. [2] [3] Her work for Recording Britain is now part of the collection of the Victoria & Albert Museum, while the Imperial War Museum holds the paintings purchased from her by WAAC.
Puller appears to have been an amateur artist, with no record of having a professional artistic career. [1] [4] In 1913 she was living in Elsecar near Barnsley and in 1926 she designed a number of panels for an illustrated, limited edition book about Wilthamstow and Highham. [5] In 1940 Puller had one work shown in a Royal Academy exhibition and appeared to be living in London at that time. [5]
Carel Victor Morlais Weight, was an English painter.
Sir Walter Thomas Monnington PRA was an English painter, notable for several large murals, his work as a war artist and for his presidency of the Royal Academy.
Thomas Hennell was a British artist and writer who specialised in illustrations and essays on the subject of the British countryside. He was an official war artist during the Second World War and was killed while serving in Indonesia in November 1945.
British official war artists were a select group of artists who were employed on contract, or commissioned to produce specific works during the First World War, the Second World War and select military actions in the post-war period. Official war artists have been appointed by governments for information or propaganda purposes and to record events on the battlefield; but there are many other types of war artist.
Mary Merlin Kessell was a British figurative painter, illustrator, designer and war artist. Born in London, she studied at the Clapham School of Art, then later at the Central School of Arts and Crafts. At the end of the Second World War, she was commissioned to work in Germany as an official British war artist; one of only three women selected. She spent six weeks in Germany, travelling to the recently liberated Bergen-Belsen concentration camp as well as other major cities including Berlin. She produced charcoal drawings of refugees, primarily of women and children which she subsequently sold to the War Artists Advisory Committee. After the war Kessell collaborated with the Needlework Development Scheme, NDS, to produce experimental designs for machine and hand embroidery as well as working for Shell as a designer. She later returned to the Central School to teach at the School of Silversmithing and Jewellery alongside the painter Richard Hamilton.
Stella Schmolle, was a British painter, known for the paintings she produced while serving in the Auxiliary Territorial Service during World War II and for her post-war portrait paintings.
The War Artists' Advisory Committee (WAAC), was a British government agency established within the Ministry of Information at the outbreak of the Second World War in 1939 and headed by Sir Kenneth Clark. Its aim was to compile a comprehensive artistic record of Britain throughout the war. This was achieved both by appointing official war artists, on full-time or temporary contracts and by acquiring artworks from other artists. When the committee was dissolved in December 1945 its collection consisted of 5,570 works of art produced by over four hundred artists. This collection was then distributed to museums and institutions in Britain and around the world, with over half of the collection, some 3,000 works, going to the Imperial War Museum.
Eleanor Hudson, known professionally as Erlund Hudson,, was a British artist. Hudson was a watercolourist, etcher and designer and is notable for her depictions of women at work during the Second World War and for her post-war paintings of ballet dancers.
Frances Macdonald, was an English painter known for her panoramic scenes painted in Wales, the south of France and in London during World War II.
Walter John Bayes was an English painter and illustrator who was a founder member of both the Camden Town Group and the London Group and also a renowned art teacher and critic.
Mona Mary Moore, also known as Mona Bentin and later as Deborah Bentin, was a British painter and illustrator, best known for her work during World War Two for both the Recording Britain project and for the War Artists' Advisory Committee. Her work also appeared regularly in a number of magazines including Good Housekeeping, the Radio Times and The Listener.
Michael Ford was an English artist who worked in several media and whose paintings often have a somewhat naive quality coupled with elements of minute, detailed observation.
Dorothy Josephine Coke was an English artist notable for her work as a war artist on the British home front during the Second World War. Coke was also an art teacher and as an artist was known for her watercolours, which have a very free, open-air quality to them.
Phyllis Ethel Ginger was a British artist and illustrator who, although she had a long career in several different media, is now best known for the topographical watercolours she produced during the Second World War for the Recording Britain project.
Katerina Wilczynski was a 20th-century painter, print maker and illustrator. She was born in Poland but spent a large part of her career in Britain and Italy. Wilczynski painted portraits and cityscapes throughout her career, but is best known as a landscape artist.
Karl Hagedorn, who signed himself Hagedorn, was a painter and illustrator. He was born in Berlin in 1889 but settled in Manchester, England, in 1905.
Leila Elizabeth Josephine Worsley was a British artist, who throughout her career worked in a variety of media and who is best known for the artworks she produced during the Second World War, depicting events in Britain.
Clifford Wilson Ellis (1907–1985) was a British printmaker, painter, designer and art teacher. Ellis is notable both for the work he did for the Recording Britain project during the Second World War and for his role in the development of art teaching.
Raymond Teague Cowern was a British painter and illustrator who was an accomplished draughtsman and was elected a full member of the Royal Academy in 1968.
Doris Violet Blair, later Doris Bourguignon (1915-2011) was a British 20th century artist who worked in a range of media. She is possibly best known for her depictions of life in Northern Ireland during World War II.