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Louise Fleming is an American Black independent filmmaker who specializes in non-fiction, fiction, and experimental short works.
Fleming grew up in Michigan and Washington, DC. She is a graduate of American University and received a Master's degree from NYU's School of the Arts/Film from 1974.
Fleming's short film Just Briefly was shown at the first ever Black women's film festival: the Sojourner Truth Festival of the Arts in 1976, co-organized by Black feminist Faith Ringgold, Margo Jefferson, Patricia Jones, Michele Wallace, and Monica J. Freeman. [1] She collaborated with Nadja Tesich as script supervisor on her short Friends.
Fleming also served as production assistant on Roberta Flack's Feel Like Makin' Love album.
Her work was also featured in the 2023 Sojourner Truth Festival of the Arts 2023. [2] Fleming previously served as co-resident/curator of Women's Screening Series CineWomen NY at Two Boots Pioneer Movie Theater and Anthology Film Archives.
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Sojourner Truth was an American abolitionist and activist for African-American civil rights, women's rights, and alcohol temperance. Truth was born into slavery in Swartekill, New York, but escaped with her infant daughter to freedom in 1826. After going to court to recover her son in 1828, she became the first black woman to win such a case against a white man.
Alice Malsenior Tallulah-Kate Walker is an American novelist, short story writer, poet, and social activist. In 1982, she became the first African-American woman to win the Pulitzer Prize for Fiction, which she was awarded for her novel The Color Purple. Over the span of her career, Walker has published seventeen novels and short story collections, twelve non-fiction works, and collections of essays and poetry.
Thelma & Louise is a 1991 American crime drama film directed by Ridley Scott and written by Callie Khouri. The film stars Susan Sarandon and Geena Davis as Louise and Thelma, two friends who embark on a road trip that ends up in unforeseen circumstances. The supporting cast includes Harvey Keitel, Michael Madsen, Christopher McDonald, and Brad Pitt. Filming took place in California and Utah from June to August 1990.
"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century. It is also lauded as an excellent work of horror fiction.
Lizzie Borden is an American filmmaker, best known for her early independent films Born in Flames (1983) and Working Girls (1986).
Euzhan Palcy is a French film director, screenwriter, and producer. Her films are known to explore themes of race, gender, and politics, with an emphasis on the perpetuated effects of colonialism. Palcy's first feature film Sugar Cane Alley received numerous awards, including the César Award for Best First Feature Film. With A Dry White Season (1989), she became the first black female director to have a film produced by a major Hollywood studio, MGM.
Barbara Jean Hammer was an American feminist film director, producer, writer, and cinematographer. She is known for being one of the pioneers of the lesbian film genre, and her career spanned over 50 years. Hammer is known for having created experimental films dealing with women's issues such as gender roles, lesbian relationships, coping with aging, and family life. She resided in New York City and Kerhonkson, New York, and taught each summer at the European Graduate School.
"Ain't I a Woman?" is a speech, generally considered to have been delivered extemporaneously, by Sojourner Truth (1797–1883), born into slavery in the state of New York. Some time after gaining her freedom in 1827, she became a well known anti-slavery speaker. Her speech was delivered at the Women's Convention in Akron, Ohio, in 1851, and did not originally have a title.
Yvonne Rainer is an American dancer, choreographer, and filmmaker, whose work in these disciplines is regarded as challenging and experimental. Her work is sometimes classified as minimalist art. Rainer currently lives and works in New York.
Louise Alone Thompson Patterson was a prominent American social activist and college professor. Patterson's early experiences of isolation and persecution on the West Coast had a profound impact on her later activism. She recognized the ways in which racism and discrimination affected individuals and communities and dedicated her life to challenging these systems of oppression. Her involvement in the Harlem Renaissance, a period of intellectual and cultural awakening in African American communities, allowed her to connect with other artists and activists who were similarly committed to social justice. In addition to her notable contributions to civil rights activism, Thompson Patterson was also recognized as one of the pioneering Black women to be admitted to the University of California at Berkeley.
Dame Fiona Judith Kidman is a New Zealand novelist, poet, scriptwriter and short story writer. She grew up in Northland, and worked as a librarian and a freelance journalist early in her career. She began writing novels in the late 1970s, with her works often featuring young women subverting society's expectations, inspired by her involvement in the women's liberation movement. Her first novel, A Breed of Women (1979), caused controversy for this reason but became a bestseller in New Zealand. Over the course of her career, Kidman has written eleven novels, seven short-story collections, two volumes of her memoirs and six collections of poetry. Her works explore women's lives and issues of social justice, and often feature historical settings.
Cheryl Dunye is a Liberian-American film director, producer, screenwriter, editor and actress. Dunye's work often concerns themes of race, sexuality, and gender, particularly issues relating to black lesbians. She is known as the first out black lesbian to ever direct a feature film with her 1996 film The Watermelon Woman. She runs the production company Jingletown Films based in Oakland, California.
Celia Brayfield is an English author, academic and cultural commentator.
Elana Dykewomon was an American lesbian activist, author, editor, and teacher. She was a recipient of the Lambda Literary Award for Lesbian Fiction.
Terry Wolverton is an American novelist, memoirist, poet, and editor. Her book Insurgent Muse: Life and Art at the Woman's Building, a memoir published in 2002 by City Lights Books, was named one of the "Best Books of 2002" by the Los Angeles Times, and was the winner of the 2003 Publishing Triangle Judy Grahn Award, and a finalist for the Lambda Literary Award. Her novel-in-poems Embers was a finalist for the PEN USA Litfest Poetry Award and the Lambda Literary Award.
Kelly Reichardt is an American film director and screenwriter. She is known for her minimalist films closely associated with slow cinema, many of which deal with working-class characters in small, rural communities.
Michelle Parkerson is an American filmmaker and academic. She is an assistant professor in Film and Media Arts at Temple University and has been an independent film/video maker since the 1980s, focusing particularly on feminist, LGBT, and political activism and issues.
The Women's Interart Center was a New York City-based multidisciplinary arts organization conceived as an artists' collective in 1969 and formally delineated in 1970 under the auspices of Women Artists in Revolution (WAR) and Feminists in the Arts. In 1971, it found a permanent home on Manhattan's far West Side.
Monica J. Freeman is an independent Black feminist filmmaker and arts administrator.
