Louise Garfield is a Canadian performance artist, choreographer, film and television producer and arts administrator. [1] Her work as a producer includes the films Zero Patience in which she has a cameo role playing a virus, [2] and The Hanging Garden , for which she received a Genie Award nomination for Best Motion Picture. [3] She began her career in the arts as a choreographer and as a member of the feminist performance art trio The Clichettes. [4] She later served as executive director of Arts Etobicoke in Toronto from 2004 to 2018. [1]
Karen Alexandria Kain is a Canadian former ballet dancer and was the Artistic Director of the National Ballet of Canada from 2005 to 2021.
The Hanging Garden is a British-Canadian drama film, written and directed by Thom Fitzgerald and released in 1997. Fitzgerald's feature debut, the film was shot in Nova Scotia.
Geneviève Bujold is a Canadian actress. For her portrayal of Anne Boleyn in the period drama film Anne of the Thousand Days (1969), Bujold received a nomination for the Academy Award for Best Actress. Her other film credits include The Trojan Women (1971), Earthquake (1974), Obsession (1976), Coma (1978), Murder by Decree (1979), Tightrope (1984), Choose Me (1984), Dead Ringers (1988), The House of Yes (1997), and Still Mine (2012).
The National Ballet of Canada is a Canadian ballet company that was founded in 1951 in Toronto, Ontario, with Celia Franca, the first artistic director. A company of 70 dancers with its own orchestra, the National Ballet has been led since 2022 by artistic director Hope Muir. Renowned for its diverse repertoire, the company performs traditional full-length classics, embraces contemporary work and encourages the creation of new ballets, as well as the development of Canadian dancers and choreographers.
The Royal Winnipeg Ballet is Canada's oldest ballet company and the longest continuously operating ballet company in North America.
Anik Bissonnette OC CQ, is a Canadian ballet dancer. She started her professional ballet career with the Ballet de Montreal Eddy Toussaint in the 1980s. She was a principal dancer beginning in 1990 with Les Grands Ballets Canadiens. Her father, Jean Bissonnette, was a famous television director with Télévision de Radio-Canada.
The Etobicoke School of the Arts (ESA) is a specialized public arts-academic high school in Toronto, Ontario, Canada. Located in Etobicoke, it has been housed in the former Royal York Collegiate Institute facility since 1983. Founded on September 8, 1981, the Etobicoke School of the Arts has the distinction of being the oldest, free standing, arts-focused high school in Canada.
Thomas "Thom" Fitzgerald is an American-Canadian film and theatre director, screenwriter, playwright and producer.
Louise Pitre is a Canadian actress in musical theatre. She performs on Broadway and in Canada. She is best known for her role as Donna Sheridan in the ABBA-themed musical Mamma Mia!, which earned her a 2002 Tony Award nomination.
Anna Cyzon, is a Polish-Canadian recording artist, actress, former Canadian MTV/etalk personality and co-host of the Todd Shapiro show on Sirius Satellite Radio.
Crystal Pite is a Canadian choreographer and dancer. She began her professional dance career in 1988 at Ballet BC, and in 1996 she joined Ballett Frankfurt under the tutelage of William Forsythe. After leaving Ballett Frankfurt she became the resident choreographer of Montreal company Les Ballets Jazz de Montreal from 2001 to 2004. She then returned to Vancouver where she focused on choreographing while continuing to dance in her own pieces until 2010. In 2002 she formed her own company called Kidd Pivot, which produced her original works Uncollected Work (2003), Double Story (2004), Lost Action (2006), Dark Matters (2009), The You Show (2010), The Tempest Replica (2011), Betroffenheit (2015), and Revisor (2019) to date. Throughout her career she has been commissioned by many international dance companies to create new pieces, including The Second Person (2007) for Netherlands Dans Theater and Emergence (2009) for the National Ballet of Canada, the latter of which was awarded four Dora Mavor Moore Awards.
Margaret Dragu is a Canadian dancer, writer, performance artist and feminist.
Jo Lechay is a Canadian painter who formerly worked as a professional dancer and choreographer. With her company Danse Jo Lechay, she was known for many years as one of Montreal's most prominent contemporary dancers and her company and choreography enjoyed an international following.
Amy Blackmore is a Montreal impresario and is the founder and artistic director of the Bouge d'ici Dance Festival. She is also the Executive and Artistic Director of MainLine Theatre and the St-Ambroise Montreal Fringe Festival. She has worked with a variety of theatre companies and festivals as a producer, performer or choreographer, such as the Montreal Highlights Festival, The Montreal Shakespeare Theatre Company and Infinitheatre. Blackmore is described as coming from a generation of artists that are taking charge of their own careers with a "DIY philosophy" towards producing.
Sophie Deraspe is a Canadian director, scenarist, director of photography and producer. Prominent in new Quebec cinema, she is known for a 2015 documentary The Amina Profile, an exploration of the Amina Abdallah Arraf al Omari hoax of 2011. She had previously written and directed the narrative feature films Missing Victor Pellerin in 2006, Vital Signs in 2009, The Wolves in 2015,
Nathalie Claude is a self-described "actress, director, dancer, choreographer, writer, and a sometimes MC, Drag King, clown, artistic coach and musician" from Montreal. She works in French and in English and sometimes creates bilingual performances.
Johanna Householder is an American-born, Canadian performance artist. Since the late 1970s Householder has made performance works and videos while writing and editing texts about performance art in Canada. In the 1980s, Householder, Louise Garfield and Janice Hladki were members of the feminist performance ensemble The Clichettes, using lip-synching and humour to critique contemporary culture. The Clichettes are considered "the quintessential Bad Girls of Canadian performance of the 70s" and have been called "dangerously and aggressively funny" by Clive Robertson (artist).
Martine Époque was a French-born Canadian dance educator and choreographer living in Quebec.
The Clichettes were an all-women feminist performance art group formed in Toronto, Canada in 1977. They were known for their feminist performance art. The three performers initially worked using lip sync and choreography as their tools to satirize pop culture depictions of femininity and later expanded their practice by including elements from science fiction and theatre in their performances. The group had three choreographers: Johanna Householder, Janice Hladki and Louise Garfield. The Clichettes formed in Toronto and were active in North America from the mid 1970s through 1990s. Their subversive practice was typified by an exaggeration of the hallmarks of contemporaneous female performing groups as well as camp references to drag-performance and science fiction. The depiction of women in mass media was a primary subject of critique and parody in their performances.
Louise Mary Potiki Bryant is a New Zealand choreographer, dancer and video artist. She has choreographed a number of award-winning performances, and is a founding member of Atamira Dance Company. She designs, produces and edits videos of performances for music videos, dance films and video art installations. She was made an Arts Foundation of New Zealand Laureate in 2019.