Louise Spizizen

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Louise Fleur Meyers Schlesinger Spizizen [1] (August 24, 1928 - July 2, 2010) was an American composer, [2] [3] critic, harpsichordist/pianist, [4] and singer. She is best remembered today for her research and controversial claim that pianist Johana Harris actually composed music that was published under the name of her husband, Roy Harris. [5]

Contents

Spizizen was born in Lynn, Massachusetts, [6] to Lillian Gordon  and Louis Samuel Meyers. After growing up in Kansas City, Missouri, she earned music degrees from Vassar College and the University of California, San Diego. [5] Her teachers included Robert Erickson, Kenneth Galburo, Gustav Leonhardt, Josef Mars, John Metz, Wilbur Ogdon, Wallingford Riegger, and Roslyn Tureck. [7] [8] [5] [9]

Spizizen married Eugene Richard Schlesinger in 1948 and they had three sons and a daughter before divorcing. [5] She married Dr. John Spizizen in 1969. [1]

Spizizen’s jobs included:

1949-1952 music director, Interplayers Inc. (New York)

1954-1957 singer/accompanist, Westchester County (New York) Civic Opera

1959-1965 singer/accompanist/composer,  Madrigal Singers (Westport, Connecticut)

1960-1963 singer/accompanist, First Unitarian Church (Westport). [7]

Spizizen also taught music privately and at the University of California. [7] She published music reviews and criticism in the La Jolla Light, Los Angeles Times, [10] San Diego Reader, and Tucson Weekly, as well as articles in various music journals (listed below). She appeared as an accompanist, harpsichordist, or singer with the Arizona Opera, Civic Orchestra of Tucson, and San Diego Symphony. [5]

Spizizen created free lunchtime concert series in public venues such as shopping malls in San Diego and Tucson. She formed the Arizona Early Music Society and served as its president, and co-founded the Basically Baroque Symposium at the University of California San Diego. [5] [11]  She received two commissions from the Westport Madrigal Singers, as well as a prize from Vassar College for her 1946 dance score/musical comedy, Sweep It Clean. [7]

Spizizen spent the last decade of her life working on a biography of pianist Johana Harris, who she believed had actually composed some of the works published by Roy Harris. [12] She died before completing the biography. [5] Spizizen’s correspondence with author and composer Nicolas Slonimsky is archived in the Library of Congress Music Division. [13] Spizizen’s music was published by Theodore Presser Co. [7] Her publications included:

Articles/Lectures

Ballet

Harpsichord

Theatre

Vocal

Related Research Articles

Johana Harris was a Canadian pianist, composer, and music educator. She had highly successful career as a concert pianist, making numerous recordings and appearing as a soloist with almost every major American symphony orchestra. She made over 100 solo recordings, working with such labels as Columbia, RCA, Capitol, MGM and Contemporary Records. She also performed on the soundtracks of several Hollywood films and television productions. She was married to composers Roy Harris and Jake Heggie. She performed widely with both men in duo piano concerts and was considered to have had a particularly profound effect on Roy Harris's work as a composer.

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References

  1. 1 2 Spizizen, Louise Fleur Meyers Schlesinger. "ancestry.com". Ancestry.com . Retrieved 2022-01-04.{{cite web}}: CS1 maint: url-status (link)
  2. Anderson, Ruth (1976). Contemporary American composers : a biographical dictionary. Boston: G.K. Hall. ISBN   0-8161-1117-0. OCLC   2035024.
  3. Stewart-Green, Miriam (1980). Women composers : a checklist of works for the solo voice. Boston, Mass.: G.K. Hall. ISBN   0-8161-8498-4. OCLC   6815939.
  4. Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Don A. Hennessee (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN   0-8108-2769-7. OCLC   28889156.
  5. 1 2 3 4 5 6 7 8 "Louise Myers Spizizen Obituary (2010) New York Times". Legacy.com . Retrieved 2022-01-04.{{cite web}}: CS1 maint: url-status (link)
  6. Stern, Susan (1978). Women composers : a handbook. Metuchen, N.J.: Scarecrow Press. ISBN   0-8108-1138-3. OCLC   3844725.
  7. 1 2 3 4 5 6 7 8 9 10 11 12 13 Cohen, Aaron I. (1987). International Encyclopedia of Women Composers. Books & Music (USA). ISBN   978-0-9617485-1-7.
  8. "Composer Genealogies". pdfcoffee.com. Retrieved 2022-01-04.
  9. Who's who in American Music: Classical. R.R. Bowker Company. 1985. ISBN   978-0-8352-2074-3.
  10. "ESEM Endymion 60th London - Articles - Home". www.vichoyland.org. Retrieved 2022-01-04.
  11. "COT Repertoire – Civic Orchestra of Tucson". www.cotmusic.org. Retrieved 2022-01-04.
  12. Lamb, Brian (2001). "Roy Harris' American Symphony". University of North Texas dissertation: 4. CiteSeerX   10.1.1.986.1612 .{{cite journal}}: Cite journal requires |journal= (help)
  13. "Spizizen, Louise - Social Networks and Archival Context". snaccooperative.org. Retrieved 2022-01-04.
  14. Press, Oxford University (1992-03-12). The Musical quarterly. Oxford University Press, Incorporated. ISBN   978-0-19-507076-7.
  15. "www.music.org". www.music.org. Retrieved 2022-01-04.
  16. Gunden, Heidi Von (1983). The Music of Pauline Oliveros. Scarecrow Press. ISBN   978-0-8108-1600-8.