Love's Carnival | |
---|---|
German | Rosenmontag |
Directed by | Hans Steinhoff |
Written by | |
Produced by | Bruno Duday |
Starring | |
Cinematography | Werner Brandes |
Music by | Willy Schmidt-Gentner |
Production company | |
Distributed by | UFA |
Release date |
|
Running time | 83 minutes |
Country | Germany |
Language | German |
Love's Carnival (German : Rosenmontag) is a 1930 German drama film directed by Hans Steinhoff and starring Lien Deyers, Mathias Wieman, and Eduard von Winterstein. [1] The film is base upon the play by Otto Erich Hartleben. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Robert Herlth.
Due to an intrigue spun by his grandmother and two cousins, the engagement between the officer Hans and his fiancée Traute breaks up. His fiancée is said to have been unfaithful during his 4-week absence on official business. The fabricated rumors allege an affair between Traute and Oberleutnant Grobitzsch.
With the engagement officially ended, Hans becomes engaged to Hildegard, a young lady from a wealthy family. His own family is satisfied with this development, as they have apparently achieved their goal of preventing Hans and Traute from marrying.
Hans accidentally learns that his former fiancée, Traute, was not in fact unfaithful to him, but rather that the whole thing was staged. Furthermore, Hans learns that Traute still loves him.
Hans and Traute get back together; she visits him in his apartment while the annual street carnival is taking place outside. When Traute is alone for a moment, she overhears a loud exchange of words between Hans and Oberleutnant Grobitzsch from the next room. When she hears Oberleutnant Grobitzsch making disparaging remarks about her, Traute abruptly opens the door to the next room and accuses Hans of having broken his officer's word of honour.
The film ends with both of them taking their own lives.
Mathias Wieman was a German stage-performer, silent-and-sound motion picture actor.
Karl Ludwig Diehl was a German film actor. He appeared in 66 films between 1924 and 1957. His father was Karl Diehl, the German professor of Anarchism.
The Girl from the Marsh Croft is a 1935 German drama film directed by Detlef Sierck and starring Hansi Knoteck, Ellen Frank and Eduard von Winterstein. It was adapted from the 1908 novel The Girl from the Marsh Croft by Nobel Prize winning Swedish author Selma Lagerlöf. It has been described as a "prototype Heimatfilm. It was remade in 1958.
Lien Deyers was a Dutch actress based in Germany.
Harry Halm was a German film actor.
Man Without a Name is a 1932 German drama film directed by Gustav Ucicky and starring Werner Krauss, Helene Thimig and Mathias Wieman. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. It was produced and distributed by UFA and premiered on 1 July 1932. It is inspired by the 1832 novel Colonel Chabert by Honoré de Balzac, updated to the modern era with the setting shifted from Restoration France to Weimar Germany. A separate French-language version Un homme sans nom was also produced.
Queen Louise is a German silent historical film directed by Karl Grune and starring Mady Christians, Mathias Wieman, and Anita Dorris. It was released in two separate parts slightly less than a month from each other in December 1927 and January 1928. It commenced a series of historical epics directed by Grune. It was shot partly at the Terra Studios in Berlin. The film's sets were designed by the art director Hans Jacoby.
Men Without a Fatherland is a 1937 German drama film directed by Herbert Maisch and starring Willy Fritsch, Maria von Tasnady and Willy Birgel.
Suburban Cabaret is a 1935 Austrian musical drama film directed by Werner Hochbaum and starring Mathias Wieman, Luise Ullrich and Oskar Sima. It was shot at the Sievering Studios in Vienna. The film's sets were designed by the art director Alfred Kunz. It is based on the play Der Gemeine by Felix Salten.
The Love Hotel is a 1933 German comedy film directed by Carl Lamac and starring Anny Ondra, Mathias Wieman and Peter Voß. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Wilhelm Depenau and Erich Zander. A separate French-language version was also made.
His Late Excellency is a 1935 German historical comedy film directed by Hans H. Zerlett and starring Arthur Schroder, Rose Vollborn, and Hansjoachim Büttner. Following the death of the ruler of a German principality in the nineteenth century, intrigue breaks out in the struggle to succeed him.
A Free People is a 1925 German silent drama film directed by Martin Berger and starring Albert Florath and Ellen Plessow. It is now considered a lost film.
The King's Command is a 1926 German silent film directed by Kurt Blachy and starring Grete Reinwald, Fritz Alberti and Hans Brausewetter.
The Rider on the White Horse is a 1934 German drama film written and directed by Hans Deppe and Curt Oertel and starring Mathias Wieman, Marianne Hoppe and Ali Ghito.
Her Other Self is a 1941 German drama film directed by Wolfgang Liebeneiner and starring Hilde Krahl, Mathias Wieman, and Erich Ponto.
Love's Carnival is a 1955 West German historical drama film directed by Willy Birgel and starring Ruth Niehaus, Dietmar Schönherr and Elma Karlowa. It was shot at the Wiesbaden Studios and on location in Baden-Baden and Rastatt. The film's sets were designed by the art directors Fritz Maurischat and Theo Zwierski.
Spies at Work is a 1933 German thriller film directed by Gerhard Lamprecht and starring Karl Ludwig Diehl, Brigitte Helm, and Eduard von Winterstein. A spy film, it is set during the First World War conflict between Austria and Italy.
The First Right of the Child is a 1932 German drama film directed by Fritz Wendhausen and starring Hertha Thiele, Eduard Wesener and Helene Fehdmer.
People in Need is a 1925 German silent war film directed by Wolfgang Neff and starring Hermine Sterler, Werner Pittschau and Claire Rommer.
A Love Story is a 1954 West German historical romantic drama film directed by Rudolf Jugert and starring Hildegard Knef, O.W. Fischer and Viktor de Kowa. It was shot at the Wandsbek Studios in Hamburg and on location in Celle and Umgebung. The film's sets were designed by the art directors Erich Kettelhut and Johannes Ott. It was produced by Erich Pommer's independent company Intercontinental Film. It was part of the tradition of Prussian films, which had enjoyed great popularity in the Weimair and Nazi eras.