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| Love & Hate | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1988 | |||
| Recorded | 1986 | |||
| Genre | Alternative rock, electronic, techno | |||
| Length | 40:36 | |||
| Label | Factory | |||
| Producer | Larry Cassidy | |||
| Section 25 chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
Love & Hate is the fourth studio album by Blackpool band Section 25 which was released in 1988 by Factory Records.
The recording of Love & Hate was completed in 1986, the album was not released until 1988. Furthermore, there was a delay in the launch of the album’s first single "FAC 157" was not released until May 1987.
Entertainment magazine Music Week was informed that the new single was a cover of the 1965 song “Good News Week” by Jonathan King.
There was some dispute regarding copyright infringement in Section 25 composition- namely that the reproduction of the song was unauthorized, and that the first five lines of the lyrics infringed the copyright.
The dispute was swiftly settled by the MCPS, but not before all of the copies of FAC 157 had been recalled by the distributor, and Section 25 was obliged to sign 100% of the publishing to Jonjo Music and Jonathan King. [2]
LTM Recordings reissued the album in 1999 with a digital remaster which included bonus tracks. It was renamed Love & Hate (In the English Countryside), but the album is still referred to by its original name. The reissue came with additional liner notes and was digitally remastered.
The album was reissued again in 2013 on Factory Benelux, returning the track listing to the original 1988 running order and adding further bonus tracks.
Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus.
Dreamtime is the debut studio album by the English rock band the Cult. Released on 31 August 1984 by Beggars Banquet Records, it peaked at No. 21 on the UK Albums Chart and was later certified silver by the BPI after having sold 60,000 copies. The first single, "Spiritwalker", peaked at No. 1 on the UK Independent Singles Chart. Dreamtime has subsequently been reissued in roughly 30 countries worldwide.
Love Hysteria is the second solo album by the British solo artist Peter Murphy, formerly of the gothic rock band Bauhaus. It was released in 1988.
Section 25 are an English post-punk and electronic band, best known for the 1984 single "Looking from a Hilltop", associated with Manchester record label Factory Records.
From the Hip is the third studio album by English post-punk and electronic band Section 25, released in March 1984 by Factory Records. Following on from their previous albums, Always Now and The Key of Dreams, it marked a major departure in terms of sound and scope. Abandoning their harsh original post-punk sound the band embarked upon a new journey into the realms of electronic and dance music, with the help of Bernard Sumner of New Order who co-produced the album at Rockfield Studios in Monmouthshire, Wales.
Duh is the debut full-length album released by American punk rock band Lagwagon.
Godhead was Lowlife's third album, released in 1990 in Scotland on Nightshift Records, an independent music record label. The LP had been recorded at Pet Sounds Studios in Glasgow, Scotland. Prior to the recording of the album, original guitarist Stuart Everest had been asked to leave the group by the other band members, and was replaced by Hamish McIntosh. LTM Recordings reissued much of the band's entire back catalogue on CD, and released Godhead in August 2006, with five bonus tracks taken from the band's unreleased "Black Sessions" demo album.
Crispy Ambulance are an English post-punk band, formed in Manchester in late-1977 by Keith Darbyshire (bass), Robert Davenport (guitar), Alan Hempsall (vocals), and Gary Madeley (drums). They had been inspired by the Sex Pistols' second gig in the Lesser Free Trade Hall, in addition to the bands Magazine and Hawkwind.
Failure is the debut album of The Posies. It was first released independently in 1988 on cassette only. In 1989 it was reissued on cassette, LP and CD on PopLlama Records.
The Plateau Phase is the debut studio album by the English post-punk band Crispy Ambulance, released in March 1982 by Factory Benelux. It was a departure to the sound of the earlier singles which was considered to be closer to the sound of post-punk contemporaries Joy Division. It peaked at No. 21 on the UK Indie Charts by the months of May and April 1982.
This is a comprehensive list of the split albums that Fuck the Facts has appeared on. Only the track listing and recording information for Fuck the Facts contributions are listed.
Miranda Stanton, best known for her recordings as Stanton Miranda, Miranda Dali and Thick Pigeon, is a 1980s Factory Records artist from New York City. She achieved some notice for her single "Wheels Over Indian Trails" and her later cover of "Love Will Tear Us Apart" by Joy Division. She also guested on recordings by the Durutti Column. Her first band was CKM in New York with Kim Gordon of Sonic Youth, where she played drums.
The discography for American industrial metal band Bile consists of the following:
Kalima was a Manchester-based Factory Records band who were active from 1980 to 1991 and in 2001 after a reformation, playing in a funk, Latin and jazz style.
Always Now is the debut studio album by Section 25. It was released in September 1981 through iconic Manchester record label Factory with the catalogue number FACT 45. The album was produced by Martin Hannett, best known for producing both of Joy Division's studio albums. Joy Division front man Ian Curtis has been credited as co-producing the record in parts before his death in May 1980. Recording took place in February 1981 at Britannia Row Studios in Islington, London, owned by Pink Floyd.
Nyam Nyam were a post-punk band from Hull, England, who formed in 1979. Their first single was "When We Can’t Make the Laughter Stay" (1981), which brought them to the attention of Peter Hook of New Order, who produced their second single "Fate/Hate". The band then signed to Beggars Banquet affiliate label Situation Two, who released their sole album Hope of Heaven (1984) as well as a final EP, "The Architect" (1985).
Sparks in a Dark Room is the second studio album by Dutch experimental electronic post-punk/ultra band Minny Pops. After signing to Factory Benelux in 1982 following their "noisy" and "goofy" debut album Different Measures, Drastic Movement (1979), the band settled into a new, less aggressive sound featuring influences of industrial music and funk. Recording Sparks in a Dark Room in late 1981, the band headed for a more clinical and clean sound. Considered a high point of the ultra movement, the record features cold, electronic tones and darkly humorous lyrics from lead singer and songwriter Wally van Middendorp.
The Key of Dreams is the second studio album by English post-punk band Section 25, released in 1982 by record label Factory Benelux. It was reissued in 1991 with extra tracks by LTM Recordings.
The Wake is the debut studio album by Scottish post-punk band The Wake, released in 1982 by record label Factory.
Rare Cult is a limited edition, six-CD box set from British rock band the Cult, released in November 2000. The chronologically-organized set contains 90 tracks of studio B-sides, radio sessions, 12-inch mixes, alternate mixes, demos and the complete then-unreleased Peace album. The set is packaged in a matte black box with gold lettering, containing three 2-disc gatefold digipaks and an extensive 80-page booklet of liner notes and photos.
