LTM Recordings | |
---|---|
Founded | 1983 |
Founder | James Nice |
Genre | Post-punk |
Country of origin | United Kingdom |
Location | Norfolk |
Official website | http://ltmrecordings.com/ |
LTM Recordings (originally les temps modernes) [1] is a British independent record label founded in 1983, and best known for reissues of artists and music from 1978 to the present day, as well as modern classical and avant-garde composition. The label is based in Norfolk, England, and is curated by James Nice.
Particularly notable are reissues of catalogue originally released by Factory Records, Les Disques du Crépuscule, Compact Organisation and Sarah Records. Nice has also reactivated the Factory Benelux [2] and Crépuscule labels, for reissues and new releases.
LTM has also released audiobooks with archive recordings by major figures in 20th Century avant-garde art, including Futurism & Dada Reviewed, Voices of Dada, Surrealism Reviewed, Musica Futurista: The Art of Noises, Bauhaus Reviewed and Cocteau Satie and Les Six.
James Nice started LTM as a cassette label, 'Les Temps Moderne', which became a record label proper in 1984. LTM went into hibernation when he relocated to Brussels to join Crépuscule, where he worked on new releases as well as reissues of Crépuscule and Factory Benelux catalogue, and ran his own sublabel, Interior. After several years at Crépuscule and PIAS he revived LTM, and also worked as a lawyer (including representing some Factory artists against London Records in the mid-1990s [3] ).
Nice is also the author of Shadowplayers: The Rise and Fall of Factory Records (2010), and the earlier documentary Shadowplayers on the same subject (2006).
Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus.
The Durutti Column are an English post-punk band formed in 1978 in Manchester, England. The band is a project of guitarist and occasional pianist Vini Reilly who is often accompanied by Bruce Mitchell on drums and Keir Stewart on bass, keyboards and harmonica. They were among the first acts signed to Factory Records by label founder Tony Wilson.
Ultramarine are an English electronic music duo, formed in 1989 by Ian Cooper and Paul Hammond. Their work blends elements of techno, house and ambient music with acoustic instrumentation, the influence of the 1970s Canterbury scene, and other eclectic sources.
Winston Tong is an actor, playwright, visual artist, puppeteer, and singer-songwriter. He is best known for his vocals in Tuxedomoon and for winning an Obie award in puppetry for Bound Feet in 1978.
The Wake are a British post-punk, synth-pop and later indie pop band, formed in Glasgow in 1981 by Gerard "Caesar" McInulty, Steven Allen (drums) and Joe Donnelly (bass), the latter replaced by Bobby Gillespie. Steven's sister Carolyn Allen also joined on keyboards, and remained in the band thereafter. Gillespie left the band in 1983, replaced by Martin Cunning and then by Alexander 'Mac' Macpherson.
Ludus was a British post-punk band formed in Manchester in 1978, which featured artist, designer and singer Linder Sterling. It played jazz-, avant-garde- and punk- oriented material. The band influenced singer Morrissey, later of The Smiths and a solo artist, who remains one of the group's most vocal fans.
Paul Haig is a Scottish indie musician, singer and songwriter. He was originally a member of post-punk band Josef K, active between 1979 and 1982.
Les Disques du Crépuscule is an independent record label founded in Belgium. The label was founded in 1980 by Michel Duval and Annik Honoré. It also had a prominent associated sublabel, Factory Benelux. Both are now run by former employee James Nice.
James Hayward is the pen name of James Nice, an English writer on military, modern art and post-punk musical history.
The Names are a Belgian post-punk band from Brussels, Belgium, formed in 1978 around bassist, vocalist and songwriter Michel Sordinia.
Isabelle Antena is a French singer and songwriter, notable both as a founder of electro-samba pioneers Antena and also as a prolific and successful solo artist.
Alison Statton is a Welsh singer best known for her work with Young Marble Giants. Fans of the singer have included Kurt Cobain, Courtney Love, Stephin Merritt, Belle and Sebastian and Renato Russo.
Shadowplayers is the title of both a 2006 documentary film and a 2010 book by James Nice of LTM Recordings, tracing the detailed history of Factory Records and the Manchester post-punk music scene between 1978–1981.
Miranda Stanton, best known for her recordings as Stanton Miranda, Miranda Dali and Thick Pigeon, is a 1980s Factory Records artist from New York City. She achieved some notice for her single "Wheels Over Indian Trails" and her later cover of "Love Will Tear Us Apart" by Joy Division. She also guested on recordings by the Durutti Column. Her first band was CKM in New York with Kim Gordon of Sonic Youth, where she played drums.
Factory Benelux was the Belgian imprint of Factory Records, operated by Les Disques du Crépuscule from August 1980 until March 1988, releasing a large number of exclusive recordings as well as Benelux issues of regular Factory releases. The imprint was founded by Michel Duval and Annik Honoré. A detailed history of both Factory Benelux and Crépuscule can be found in the book Shadowplayers: The Rise & Fall of Factory Records by James Nice.
Minny Pops is a Dutch, Amsterdam-based new wave/electronic/art punk band, associated with the Ultra post-punk movement in the Netherlands and the Factory Records label in the UK.
Always Now is the debut studio album by Section 25. It was released in September 1981 through iconic Manchester record label Factory with the catalogue number FACT 45. The album was produced by Martin Hannett, best known for producing both of Joy Division's studio albums. Joy Division front man Ian Curtis has been credited as co-producing the record, in parts produced before his death in May 1980. Recording took place in February 1981 at Britannia Row Studios in Islington, London, owned by Pink Floyd.
Operation Twilight was a British record label, the UK branch of Belgian label Les Disques du Crépuscule. It was run by Patrick Moore, who now writes as Philip Hoare.
Blaine Leslie Reininger is an American post-punk, new-wave and alternative pop singer, songwriter, musician, multi-instrumentalist, writer and performer. He is known for being a member of the group Tuxedomoon since 1977 after co-founding it with Steven Brown and, latterly, for a notable music and theatre career, both as a soloist and contributor to other artists' recordings, including the Durutti Column, Snakefinger, Anna Domino, Savage Republic, Paul Haig, William Lee Self's Montanablue project, Devine & Statton and Brown himself.
Swimming is the debut studio album by Belgian post-punk band the Names, released in 1982 by record label Les Disques du Crépuscule. It was produced by Martin Hannett.