Nettwerk Music Group is the umbrella company for Nettwerk Records, Nettwerk Management, and Nettwerk One Publishing.
Thomas Temple Ellard is an Australian electronic musician best known as the founding member of the electronic and industrial music group Severed Heads.
Volition Records was a Sydney, Australia-based record label specialising in electronic music styles such as house, techno, synthpop, and trance. It was founded by Andrew Penhallow and was active 1988-1997.
Boxcar were an Australian electronic dance pop group formed in Brisbane in 1986. Their founding mainstay was David Smith on vocals, guitar and keyboards. Three of their singles appeared on the Billboard dance chart top 20, "Freemason ", "Insect" and "Gas Stop ". They released two albums on Volition Records/Sony Music Australia, Vertigo (1990) and Algorhythm (1994), before disbanding in 1997. They briefly reformed in 2010 and in 2014.
Robert Racic was an Australian DJ and record producer. He was influential within the local electronic and house music circles, but was less well known internationally. Racic produced several top 10 Billboard dance hits including Volition Records' artists Severed Heads' "Greater Reward" and Boxcar's "Freemason", "Insect" and "Gas Stop". He died in 1996, aged 32, of a brain virus, JC virus, which caused progressive multifocal leukoencephalopathy.
This is a discography of releases from the Australian experimental band Severed Heads. Since their creation in 1979, the group has released 23 studio albums, 1 split album, 14 compilation albums, 1 soundtrack, 3 extended plays, 14 singles, and 8 home video releases. The group's 1984 single "Dead Eyes Opened" peaked at number 16 on the Australian ARIA Charts when remixed and re-issued in 1994, and singles from their 1989 album Rotund for Success, "Greater Reward" and "All Saints Day", both charted on Billboard's Top Dance Tracks charts at numbers 19 and 25, respectively.
Venetians were an Australian synthpop act formed in 1982 by English-born Rik Swinn on lead vocals, who enlisted Matthew Hughes on keyboards ; Tim Powles on drums ; Dave Skeet on guitar, bass guitar, synthesiser and vocals; and Peter Watson on guitar, bass guitar, synthesiser and vocals. They issued three studio albums, Step Off the Edge, Calling in the Lions and Amazing World (1988). They had top 30 hit singles in Australia with "So Much for Love", "Inspiration" and "Bitter Tears". Swinn disbanded the group in 1989.
Louis Rohan Tillett was an Australian rock music singer-songwriter, keyboardist and saxophonist. Tillett was the front man in Australian bands The Wet Taxis, Paris Green and The Aspersion Caste. He also worked as a backing musician with Catfish, Laughing Clowns, New Christs and Tex Perkins. As a solo artist, he issued seven albums, Ego Tripping at the Gates of Hell (1987), A Cast of Aspersions (1990), Letters to a Dream (1992), Cry Against the Faith (1998), Learning to Die (2001), The Hanged Man (2005) and Soliloquy (2006). He often worked with Charlie Owen, releasing two albums, The Ugly Truth (1994) and Midnight Rain. The latter album won the Rolling Stone Critics Award for Best Album of 1996.
Scattered Order are an Australian post punk band, which started as an experimental rock trio. They were formed in 1979 by founding mainstay Mitch Jones on vocals, guitar and bass guitar and Michael Tee on guitar and synths. Their line up changed often through the 1980s and 1990s. In late 1983 Drusilla Johnson joined on synthesiser and vocals – Johnson and Jones later married. The band went on hiatus from 2000–2011, reforming with a line-up featuring Jones, Tee and Shane Fahey from Makers of the Dead Travel Fast.
Garry Bradbury was a British-born Australian electronic musician active in Sydney's experimental music scene from 1979 to 2022.
Since the Accident is the fourth studio album released by Australian electronic dance music group Severed Heads, first released in 1983. Released through Ink Records, it was the first major label release by the group. The album's lead single "Dead Eyes Opened" received critical and commercial success, peaking at #16 on the ARIA Charts. Throughout the years following the album's initial release in 1983, the recording has been reissued many times on multiple different formats through a variety of record labels.
Blubberknife is the third studio album released by the Australian experimental group Severed Heads, originally as a C90 cassette tape. The first approximately 200 copies were packaged inside cassette cases that were spray-painted silver, stuffed with loose cassette tape and had parts from the insides of television sets glued to the front of the case. Five copies were specially packaged inside fully operational calculators. It's the first album by the group to feature contributions by Stephen Jones, and it is also the first recording by the group to catch the attention of UK label Ink Records, who helped release Since the Accident a year later and reissued Blubberknife in a standard cassette case with new artwork in 1984. As with most of their discography, Blubberknife has been reissued several times.
Single Gun Theory was an Australian electronic dance music band formed in 1986. Founding mainstay members were Jacqui Hunt on lead vocals; Kath Power on vocal melodies and synthesiser; and Peter Rivett-Carnac on guitar, synthesiser and sampling. They released three studio albums, Exorcise This Wasteland (1987), Millions, Like Stars in My Hands, The Daggers in My Heart Wage War (1991) and Flow, River of My Soul (1994) for Canadian label Nettwerk and Australia's Volition Records. The band’s music combined elements of downtempo electronic music with introspective, ethereal vocals and samples of dialogue. It also released a soundtrack album for Samantha Lang's film The Monkey's Mask in 2000.
City Slab Horror is the fifth studio album by the Australian experimental pop music group Severed Heads. First released in 1985 through Ink Records, it is the second major label album the group has ever released, following the 1983 album Since the Accident. The track "Goodbye Tonsils" was released as a single to promote the album, which met favorable reviews from some critics and no reviews at all from the vast majority of the remaining critics.
Come Visit the Big Bigot is the sixth full length studio album by Australian experimental group Severed Heads, released in 1986. The tracks "Twenty Deadly Diseases" and "Propellor" were both released as singles to help promote the album. The title is a reference to the Big Merino statue in New South Wales; the 1998 Sevcom CD-R release has a photo of it on the cover.
Rotund for Success is a studio album by the Australian electronic music group Severed Heads, released in 1989. Three singles were released from the album: "Greater Reward", "All Saints Day" and "Big Car", the first two reaching the top 30 on Billboard's Dance Club Songs chart. Much like the rest of the band's discography, the album has been issued many times in several formats through a variety of labels.
Cuisine (With Piscatorial) is the ninth studio album released by Australian electronic music group Severed Heads, issued in 1991. The album's lead single, "Twister", was released a year later.
Haul Ass is the eleventh studio album by Australian electronic music group Severed Heads. After Tom Ellard's relationship soured with Nettwerk and Volition Records, he decided to release Haul Ass independently through his then newly formed Sevcom imprint, making Haul Ass the first independently released Severed Heads album since 1982's Blubberknife. The album was burned on CD-R discs, while the artwork for the jewel cases were home printed with the use of a computer printer. Two editions were made, the "standard edition", which had prominently red and grey artwork, and the "special edition", which included two extra tracks not included on the standard edition. The special edition was limited to only 1000 copies. Tom Ellard has described the album as "dark". The entire album was recorded with software called Session 8, the precursor of Pro Tools.
"Dead Eyes Opened" is a song by the experimental Australian group Severed Heads, originally released on their 1983 album Since the Accident. Upon its initial release as a 12-inch record single in 1984, the track received critical success. A remixed version released in October 1994 achieved commercial success in Australia, peaking at #16 on the ARIA Charts.
80's Cheesecake is a solo album produced and written by Tom Ellard of Severed Heads. It was released in 1982 as a C60 cassette tape through his own Terse Tapes label. According to Ellard, the album, along with his previous one, Snappy Carrion (1982), were recorded out of interest in making pop music. It is a precursor of Severed Heads' shift in sound, from their early industrialised sound to the more accessible electronic styles of their later recordings. Tracks from this cassette appeared on the Severed Heads' compilation album Clifford Darling, Please Don't Live in the Past (1985).
