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The early dark wave band Browning Mummery began in Sydney in 1983, formed by Australian electronic musician Andrew Lonsdale, as both a collaborative and solo entity for electronic sound works.
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Since the Accident is the fourth studio album released by Australian electronic dance music group Severed Heads, first released in 1983. Released through Ink Records, it was the first major label release by the group. The album's lead single "Dead Eyes Opened" received critical and commercial success, peaking at #16 on the ARIA Charts. Throughout the years following the album's initial release in 1983, the recording has been reissued many times on multiple different formats through a variety of record labels.
Blubberknife is the third studio album released by the Australian experimental group Severed Heads, originally as a C90 cassette tape. The first approximately 200 copies were packaged inside cassette cases that were spray-painted silver, stuffed with loose cassette tape and had parts from the insides of television sets glued to the front of the case. Five copies were specially packaged inside fully operational calculators. It's the first album by the group to feature contributions by Stephen Jones, and it is also the first recording by the group to catch the attention of UK label Ink Records, who helped release Since the Accident a year later and reissued Blubberknife in a standard cassette case with new artwork in 1984. As with most of their discography, Blubberknife has been reissued several times.
Richard Fielding was a founding member of the Australian electronic dance group Severed Heads in 1979 in Sydney. He has been a member of other experimental, avant garde music groups such as Z-Glutz, The Loop Orchestra and Budgie Woops! He has had a career as a radio presenter on various New South Wales stations.
Single Gun Theory was an Australian electronic dance music band formed in 1986. Founding mainstay members were Jacqui Hunt on lead vocals; Kath Power on vocal melodies and synthesiser; and Peter Rivett-Carnac on guitar, synthesiser and sampling. They released three studio albums, Exorcise This Wasteland (1987), Millions, Like Stars in My Hands, The Daggers in My Heart Wage War (1991) and Flow, River of My Soul (1994) for Canadian label Nettwerk and Australia's Volition Records. The band’s music combined elements of downtempo electronic music with introspective, ethereal vocals and samples of dialogue. It also released a soundtrack album for Samantha Lang's film The Monkey's Mask in 2000.
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Haul Ass is the eleventh studio album by Australian electronic music group Severed Heads. After Tom Ellard's relationship soured with Nettwerk and Volition Records, he decided to release Haul Ass independently through his then newly formed Sevcom imprint, making Haul Ass the first independently released Severed Heads album since 1982's Blubberknife. The album was burned on CD-R discs, while the artwork for the jewel cases were home printed with the use of a computer printer. Two editions were made, the "standard edition", which had prominently red and grey artwork, and the "special edition", which included two extra tracks not included on the standard edition. The special edition was limited to only 1000 copies. Tom Ellard has described the album as "dark". The entire album was recorded with software called Session 8, the precursor of Pro Tools.
"Dead Eyes Opened" is a song by the experimental Australian group Severed Heads, originally released on their 1983 album Since the Accident. Upon its initial release as a 12-inch record single in 1984, the track received critical success. A remixed version released in October 1994 achieved commercial success in Australia, peaking at #16 on the ARIA Charts.
80's Cheesecake is a solo album produced and written by Tom Ellard of Severed Heads. It was released in 1982 as a C60 cassette tape through his own Terse Tapes label. According to Ellard, the album, along with his previous one, Snappy Carrion (1982), were recorded out of interest in making pop music. It is a precursor of Severed Heads' shift in sound, from their early industrialised sound to the more accessible electronic styles of their later recordings. Tracks from this cassette appeared on the Severed Heads' compilation album Clifford Darling, Please Don't Live in the Past (1985).
References
- ↑ Zachritz, Todd (1990). "Interview from Godsend 1990". Godsend Online. Archived from the original on 15 June 2011. Retrieved 7 June 2010.
- ↑ Smith, Casper. "Tom Ellard of Severed Heads: What I'm Thinking About". www.theguardian.com. The Guardian . Retrieved 14 March 2013.
- ↑ "RA.EX132 Severed Heads - Interview". youtube.com. Archived from the original on 12 December 2021.
- ↑ Tadros, Edmund (12 October 2005). "Mainstream is for frogs, says ARIA winner". Sydney Morning Herald . Retrieved 16 October 2006.
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