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Severed Heads were an Australian electronic music group founded in 1979 as Mr. and Mrs. No Smoking Sign. The original members were Richard Fielding and Andrew Wright, who were soon joined by Tom Ellard. Fielding and Wright had both left the band by mid-1981 with Ellard remaining the sole consistent member for the rest of the band's existence. Throughout the next decade, several musicians joined Severed Heads' ranks, including Garry Bradbury, Simon Knuckey, Stephen Jones and Paul Deering.
In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound.
Reel-to-reel audio tape recording, also called open-reel recording, is the form of magnetic tape audio recording in which the recording medium is held on a reel that is not permanently mounted in an enclosed cassette. In use, the supply reel containing the tape is placed on a spindle or hub; the end of the tape is manually pulled out of the reel, threaded through mechanical guides and a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel.
Thomas Temple Ellard is an Australian electronic musician best known as the founding member of the electronic and industrial music group Severed Heads.
Fine Music Sydney is a Sydney music radio station operated by the Music Broadcasting Society of New South Wales Co-Operative Limited. Launched on 15 December 1974, it is Australia's first fully licensed FM radio station and it has since reached over 630,000 listeners.
The Little Band scene was an experimental post-punk scene which flourished in Melbourne, Australia from late 1978 until early 1981. Instigated by groups Primitive Calculators and Whirlywhirld, this scene was concentrated in the inner suburbs of Fitzroy and St Kilda, and involved large numbers of short-lived bands, more concerned with artistic expression than commercial success. Frequently changing names, swapping members and sharing equipment, the bands played in small inner-city venues, often pubs, and their music was recorded live and broadcast by radio announcer Alan Bamford on community station 3RRR. In the scene, the distinctions between performers and audience were blurred; many audience members were either in little bands or ended up forming such.
Robert Racic was an Australian DJ and record producer. He was influential within the local electronic and house music circles, but was less well known internationally. Racic produced several top 10 Billboard dance hits including Volition Records' artists Severed Heads' "Greater Reward" and Boxcar's "Freemason", "Insect" and "Gas Stop". He died in 1996, aged 32, of a brain virus, JC virus, which caused progressive multifocal leukoencephalopathy.
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The Sydney Symphony is internationally renowned and regularly performs in the Concert Hall of the Sydney Opera House under Chief Conductor Vladimir Ashkenazy. City Recital Hall is dedicated mainly to chamber music and chamber orchestra concerts, featuring many famous international artists as well as concert series by fine local groups such as the renowned Australian Chamber Orchestra and Sydney's foremost Baroque orchestra, the Australian Brandenburg Orchestra.
The pioneering 'darkwave' band Browning Mummery began in Sydney in 1983, formed by Australian electronic musician Andrew Lonsdale (1961-), as both a collaborative and solo entity for electronic sound works.
Garry Bradbury is an English born electronic musician active in Sydney's experimental music scene since 1979. His first significant collaboration was in 1980, along with brothers Simon and Tim Knuckey as The Wet Taxis; a band specializing in heavily treated guitar and drum machine and various tape manipulations.
Since the Accident is the fourth studio album released by Australian electronic dance music group Severed Heads, first released in 1983. Released through Ink Records, it was the first major label release by the group. The album's lead single "Dead Eyes Opened" received critical and commercial success, peaking at #16 on the ARIA Charts. Throughout the years following the album's initial release in 1983, the recording has been reissued many times on multiple different formats through a variety of record labels.
Blubberknife is the third studio album released by the Australian experimental group Severed Heads, originally as a C90 cassette tape. It's the first album by the group to feature contributions by Stephen Jones, and it is also the first recording by the group to catch the attention of Ink Records, who helped release Since the Accident a year later. As with most of their discography, Blubberknife has been reissued several times.
John Thomas Blades was an Australian experimental music artist and member of The Loop Orchestra; he also worked as a radio broadcaster and documentary maker, and as a civil engineer. In 1982 he was diagnosed with multiple sclerosis and used a wheelchair from 1993. In 2010, his radio documentary, The Too Hard Basket, won the Walkley Award for 'Social Equity Journalism – All Media', and the 'Radio Documentary of the Year Award' from the Asia-Pacific Broadcasting Union. Blades died on 25 November 2011 after complications from cancer therapy.
The earliest western musical influences in Australia can be traced to two distinct sources: in the first settlements, the large body of convicts, soldiers and sailors who brought the traditional folk music of England, Wales, Scotland and Ireland; and the first free settlers, some of whom had been exposed to the European classical music tradition in their upbringing. An example of original music by a convict would be an 1861 tune dedicated to settler James Gordon by fiddler constable Alexander Laing. Very little music has survived from this early period, although there are samples of music originating from Sydney and Hobart that date back to the early 19th century. Musical publications from this period preserved in Australian libraries include works by Charles Edward Horsley, William Stanley, Isaac Nathan, Charles Sandys Packer, Frederick Augustus Packer, Carl Linger, Francis Hartwell Henslowe, Frederick Ellard, Raimund Pechotsch and Julius Siede.
City Slab Horror is the fifth studio album by the Australian experimental pop music group Severed Heads. First released in 1985 through Ink Records, it is the second major label album the group has ever released, following the 1983 album Since the Accident. The track "Goodbye Tonsils" was released as a single to promote the album, which met favorable reviews from some critics and no reviews at all from the vast majority of the remaining critics.
Come Visit the Big Bigot is the sixth full length studio album by Australian experimental group Severed Heads, released in 1986. The tracks "Twenty Deadly Diseases" and "Propellor" were both released as singles to help promote the album. The title is a reference to the Big Merino statue in New South Wales; the 1998 Sevcom CD-R release has a photo of it on the cover.
Bad Mood Guy is the seventh studio album by the Australian experimental group Severed Heads, first released in 1987. Upon its initial release, the album met positive reviews with critics, one in particular referring to it as "punishing pop with crunching rhythms". The album's lead single "Hot With Fleas" did well on independent radio stations, peaking at #4 on Rockpool's dance charts during the week of 31 December 1987. In 2002, after an attempt at making a version 2 of the album which was aborted due to the master DAT tape being irreparably damaged, Tom Ellard made a new version available on CD-R on his SevCom label, which substituted demo and live versions of some tracks and added extra material. This version is what Tom made available on the official Severed Heads Bandcamp page.
Cuisine is the ninth studio album released by Australian electronic music group Severed Heads, issued in 1991. The album's lead single, "Twister", was released a year later.
"Dead Eyes Opened" is a song by the experimental Australian group Severed Heads, originally released on their 1983 album Since the Accident. Upon its initial release as a 12-inch record single in 1984, the track received critical success. A remixed version released in October 1994 achieved commercial success in Australia, peaking at #16 on the ARIA Charts.
References
- 1 2 Zachritz, Todd (1990). "Interview from Godsend 1990". Godsend Online. Retrieved 7 June 2010.
- ↑ McFarlane, Ian (1999). "Encyclopedia entry for 'Severed Heads'". Encyclopedia of Australian Rock and Pop . St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 5 June 2004. Retrieved 7 June 2010.
- ↑ Deming, Mark. "Severed Heads > Biography". Allmusic . Rovi Corporation . Retrieved 7 June 2010.
- ↑ Andrews, Ian; John Blades (2009). "The Lost Decade: Post-Punk, Experimental and Industrial Music". In Gail Priest (ed.). Experimental music : audio explorations in Australia. Sydney, N.S.W.: UNSW Press. p. 47. ISBN 978-1-921410-07-9.
- ↑ Blades, John (2004). "Reel Time: The Story of the Loop Orchestra". Southerly. 1. Halstead Press. 64 (Outsiders): 97–99. ISSN 0038-3732 . Retrieved 26 November 2011.