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Madchester was a musical and cultural scene that developed in the English city of Manchester in the late 1980s, closely associated with the indie dance scene. Indie-dance saw artists merging indie music with elements of acid house, psychedelia and 1960s pop. The term Madchester was coined by Factory Records' Tony Wilson, with the label popularised by the British music press in the early 1990s, and its most famous groups include the Stone Roses, Happy Mondays, Inspiral Carpets, the Charlatans, James and 808 State. It is widely seen as being heavily influenced by drugs, especially MDMA. At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love.
The Haçienda was a nightclub and music venue in Manchester, England, which became famous during the Madchester years of the 1980s and early 1990s. It was run by the record label Factory Records.
James are an English rock band from Manchester, who were formed in 1982. They had popularity throughout the 1990s, with four top 10s on the UK Singles Chart and nine top 10s on the UK Albums Chart. The band's best-known singles include "Come Home", "Sit Down", "She's a Star" and "Laid", which also became a hit on American college radio.
Inspiral Carpets are an English rock band, part of the late-1980s/early-1990s Madchester movement. Formed in Oldham in 1983, the band's most successful lineup featured frontman Tom Hingley, drummer Craig Gill, guitarist Graham Lambert, bassist Martyn Walsh and keyboardist Clint Boon.
Bummed is the second studio album by English rock band Happy Mondays, released on 21 November 1988 on Factory Records. During 1987 and early 1988, the band discovered house music and the rave drug ecstasy. Factory producer Martin Hannett was subsequently enlisted to produce the band's next album. Sessions were held at The Slaughterhouse recording studio in Driffield over three weeks. The period was noted for heavy drug use by the band and Hannett, with their manager later calling it the first "ecstasy-fuelled" album. Hannett moved recording to Strawberry Studios, where extra instrumentation was added. Bummed is a Madchester, psychedelic funk and acid house album, where much of the lyrical content was influenced by the 1970 film Performance, with dialog from the film sampled throughout.
Pills 'n' Thrills and Bellyaches is the third studio album by English rock band Happy Mondays, released on 5 November 1990 by Factory Records. DJ Paul Oakenfold and collaborator Steve Osbourne were previously enlisted by the band for remixes. The success of these led to the pair producing "Step On", a cover of the John Kongos song, for Happy Mondays. The band went on a tour of the United States, and by the end of which, had started recording their next album with Oakenfold and Osbourne at Capitol Studios in Los Angeles, California. They returned to the United Kingdom, where further recording took place at Eden Studios in London until September 1990. Described as a Madchester album, Pills 'n' Thrills and Bellyaches saw substantial input from Oakenfold and Osbourne, with the former making loops, while the latter handled song arrangements.
"The Power of Love" is a song originally recorded and released by British band Frankie Goes to Hollywood. It was written by Holly Johnson, Peter Gill, Mark O'Toole and Brian Nash, four of the five members of the band. It was released by the group as their third single.
Baggy is a British alternative dance genre popular in the late 1980s and early 1990s, with many of the artists referred to as "baggy" being bands from the Madchester scene.
"Unfinished Sympathy" is a song by the English trip hop group Massive Attack. It was released on 11 February 1991 under the temporary group name Massive. The song was written by the three band members Robert "3D" Del Naja, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall, the song's vocalist Shara Nelson and the group's co-producer Jonathan "Jonny Dollar" Sharp. It was released on 11 February 1991 as the second single from the band's first album, Blue Lines (1991), on the band's Wild Bunch label distributed by Circa Records. The name "Massive" was used to avoid a radio ban, as the track's release coincided with the Gulf War. Produced by Massive Attack and Dollar, the song incorporates various musical elements into its arrangement, including vocal and percussion samples, drum programming and string orchestration by the arranger Wil Malone.
Some Friendly is the debut studio album of British rock band the Charlatans that was released on 8 October 1990 through Beggars Banquet Records imprint Situation Two. After forming in 1988, the band went through line-up changes before settling on vocalist Tim Burgess, guitarist John Baker, bassist Martin Blunt, keyboardist Rob Collins and drummer Jon Brookes. The band wrote material at a prolific rate and released their debut single "Indian Rope" in early 1990. Soon afterwards, they signed to Beggars Banquet and began recording their debut album. Between March and August 1990, sessions took place with producer Chris Nagle at Strawberry Studios in Stockport and The Windings in Wrexham. Some Friendly is considered an acid-pop, baggy and dance-pop album that draws influence from The Beatles' psychedelic period.
Between 10th and 11th is the second studio album by British rock band The Charlatans; it was released on 23 March 1992 through Situation Two, a subsidiary of Beggars Banquet Records. The Charlatans started writing new material shortly after the release of their debut studio album Some Friendly (1990). After some writing sessions in Birmingham and a tour of the United Kingdom, guitarist John Baker left the band and was replaced with Mark Collins of English indie band Candlestick Park. Bassist Martin Blunt went through a series of personal issues that led to his hospitalization in September 1991. The Charlatans began recording their next album at Rockfield Studios in Rockfield, Monmouthshire, Wales.
"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.
Doremi Fasol Latido is a 1972 album by English space rock band Hawkwind. Recorded at Rockfield Studios and released on United Artists Records, it was their third album since their debut, Hawkwind, in 1970. It reached No. 14 on the UK album charts.
"Sit Down" is a song by English band James, originally released in June 1989 by Rough Trade Records. In its eight-and-a-half-minute original form, the song reached number 77 on the UK Singles Chart and was ranked number eight in John Peel's Festive Fifty of that year.
Bez's Madchester Anthems: Sorted Tunes From Back In The Day! is mainly a Madchester compilation album, compiled by Bez and released in 2006.
Sweet Sensation was an eight piece British soul group who had some success in the mid-1970s. They are best known for their 1974 No. 1 UK hit, "Sad Sweet Dreamer".
Chicken Rhythms is the only full-length studio album by English band Northside. It was released in 1991 and was produced by Ian Broudie.
Paris Angels were an English seven piece band, hailing from Guide Bridge, Ashton-under-Lyne, Greater Manchester, England, associated with the Madchester scene of 1989 -1991. Their music fused indie guitars with electronic dance music. The band comprised Paul 'Wags' Wagstaff, Rikki Turner, Steven Taji, Scott Carey, Mark Adj, Jane Gill and Simon Worrall.
Karl Denver was a Scottish singer, who, with his trio had a series of UK hit singles in the early 1960s. Most famous of these was a 1961 version of "Wimoweh", which showed off Denver's falsetto yodelling register. He reached the Top 20 with his first five yodel-based singles.
Sundew is the debut album by Mancunian band Paris Angels, released by Virgin Records in 1991. Following the group's arrival onto the British music scene during the popularity of Madchester, the album features the group's unique take on Madchester and baggy, combining Northern indie music with electronic instrumentation, techno and dance-pop. The album's cross-influenced sound is a result of each of the seven members of the band bringing their own influences. Much of the record, which was produced by Paul Johnson, was recorded near Wrexham, North Wales.
References
- 1 2 3 Sue, David (14 December 2006). "Northside – still buzzing after all these years". City Life. Retrieved 18 December 2011.
- 1 2 3 Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 397. ISBN 1-904994-10-5.
- ↑ "my rising star | full Official Chart History | Official Charts Company". Official Charts Company.
- ↑ "Alternative Songs: Top Alternative Songs Chart". Billboard.
- ↑ "The Sound of Indifference: Northside Return…". Drowned in Sound. Archived from the original on 4 November 2012. Retrieved 13 February 2012.
- ↑ "Featured Content on Myspace". Myspace.com.
- ↑ [ dead link ]
- ↑ "Manchester Music in the 2000s". Prideofmanchester.com.
- ↑ Stanley, Carl. "Interview with Northside's Dermo". Live4ever.uk.com. Retrieved 25 December 2011.
- ↑ "V Thirteen". Music-News.com.
- ↑ "Northside Reform: Manc Baggy Band Returns". Louderthanwar.com. 8 November 2013.
- ↑ "HITC". HITC. Retrieved 27 October 2021.
- ↑ "link Vinylnet.co.uk". Archived from the original on 2 July 2007.
